Directed by
| Connie Kaiserman | ||
Writing Credits
| Connie Kaiserman | ... | (written by) |
| Nan Mason | ||
Cast (in credits order) verified as complete
Produced by
| Ismail Merchant | ... | executive producer |
| Thomas F. Turley | ... | line producer |
Music by
| Richard Robbins | ||
Cinematography by
| Pierre Lhomme | ... | director of photography |
Editing by
| Katherine Wenning | ||
Casting By
| Pat Golden | ||
Production Design by
| Dan Leigh | ||
Costume Design by
| Susan Gammie | ||
Makeup Department
| Donna Moyer | ... | hair stylist (as Donna L. Moyer) / makeup artist (as Donna L. Moyer) |
Production Management
| Charles S. Carroll | ... | production manager |
| Jody Milano Vanderputten | ... | assistant production manager (as Jody Milano) |
| Peter Neufeld | ... | unit manager |
Second Unit Director or Assistant Director
| Evan Dunsky | ... | first assistant director |
| Gina Randazzo | ... | additional second assistant director / second second assistant director |
| Lisa Zimble | ... | second assistant director |
Art Department
| Cyd Adams | ... | assistant property master |
| Mary A. Brady | ... | set dresser (as Mary Brady) |
| Norman Dodge | ... | set designer (as Norman B. Dodge Jr.) |
| Nancy Griffith | ... | property master |
| Michael Lopen | ... | art department coordinator |
| Michael Stockton | ... | set designer (as Michael Wright Stockton) |
Sound Department
| Paul Coombe | ... | re-recording mixer |
| Marko A. Costanzo | ... | foley artist |
| Marshall Grupp | ... | sound editor |
| Wendy Hedin | ... | adr editor |
| Robert Hein | ... | supervising sound editor (as Robert A. Hein) |
| Al Nahmias | ... | sound editor (as Albert Nahmias) |
| Abe Nejad | ... | sound editor |
| Lisa Schnall | ... | boom operator |
| John Sutton | ... | sound mixer / sound recordist |
Camera and Electrical Department
| Tom Anderson | ... | best boy (as Thomas M. Anderson) |
| Michael F. Barrow | ... | gaffer (as Michael Barrow) |
| Dave Carroll | ... | additional grip (as David Carroll) |
| Don Cerrone | ... | key grip |
| Phil Clark | ... | best boy grip |
| Ken Ferris | ... | camera operator |
| Bill Floyd | ... | first assistant cameraman: Second unit (as William Floyd) |
| Frederick Iannone | ... | first assistant camera |
| Robert Lindsay | ... | camera operator: Second unit |
| John Merriman | ... | electrician (as John C. Merriman) |
| Frank Perl | ... | second assistant camera |
| Daniel Sanabria | ... | first assistant cameraman: Second unit (as Dan Sanabria) |
| William Vanderputten | ... | additional grip (as Billy Vanderputten) |
| Barry Wetcher | ... | stills: Second unit |
Casting Department
| John McCabe | ... | assistant casting director: Second unit |
Costume and Wardrobe Department
| Lynda Foote | ... | assistant wardrobe (as Lynda B. Foote) |
| Heidi Schulman | ... | wardrobe supervisor (as Heidi Shulman) |
Editorial Department
| A. Dean Bell | ... | assistant editor |
| Mark Herman | ... | apprentice editor: Second unit |
| Cynthia Rogers | ... | associate editor |
Location Management
| Adine Duron | ... | assistant location manager |
| Kate Lutz | ... | location manager |
Music Department
| Todd Kasow | ... | music editor |
| Jean Standish | ... | assistant music editor: Second unit (as Joan Standish) |
Script and Continuity Department
| Nancy Musser | ... | script supervisor |
Additional Crew
| Jo-Jo Smith | ... | choreographer (as Jojo Smith) |
Thanks
| Kay Brown | ... | special thanks |
| James Ivory | ... | special thanks |
