Letters from a Dead Man (1986)
Pisma myortvogo cheloveka (original title)Reference View | Change View
- 1h 27min
- Drama, Sci-Fi
- 15 Sep 1986 (Soviet Union)
- Movie
In the aftermath of nuclear holocaust, a group of intellectuals crave to find hope in the pale and colorless new world. Among them, a history teacher tries to contact via letters his missing son.
Director:
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Cast
Rolan Bykov | ... |
Professor Larsen
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Iosif Ryklin | ... |
Khyummel-otets
(as I. Ryklin)
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Viktor Mikhaylov | ... |
(as V. Mikhaylov)
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Aleksandr Sabinin | ... |
(as A. Sabinin)
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Nora Gryakalova | ... |
(as N. Gryakalova)
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Vera Mayorova | ... |
Anna
(as V. Mayorova)
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Vatslav Dvorzhetsky | ... |
Pastor
(as V. Dvorzhetskiy)
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Vadim Lobanov | ... |
(as V. Lobanov)
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Svetlana Smirnova | ... |
Tereza
(as S. Smirnova)
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Nikolai Alkanov | ... |
(as N. Alkanov)
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Rest of cast listed alphabetically: | |||
Misha Afankov |
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Vladimir Bessekernykh | ... |
(as Volodya Bessernykh)
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Vera Karavayeva | ... |
(as Vera Pichulina)
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Gena Maltsev |
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Kirill Matyunin |
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Gol Mikhaylov |
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Yevgeny Platokhin | ... |
Vrach
(as Ye. Platokhin)
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S. Polishchuk |
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Lena Ptitsina |
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Mikhail Shteyn | ... |
(as M. Shteyn)
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Semyon Sytnik | ... |
Operator
(as S. Sytnik)
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Vyacheslav Vasilyev | ... |
Dosimetrist
(as V. Vasilyev)
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Serzh Verebey |
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Natalya Vlasova | ... |
(as N. Vlasova)
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Directed by
Konstantin Lopushanskiy |
Written by
Konstantin Lopushanskiy | ... | (written by) & |
Vyacheslav Rybakov | ... | (written by) |
Boris Strugatskiy | ... | (collaboration) |
Produced by
Yuri Golynchik | ... | executive producer |
Raisa Proskuryakova | ... | executive producer |
Music by
Aleksandr Zhurbin |
Cinematography by
Nikolai Pokoptsev |
Editing by
Tatyana Pulina | ... | (as T. Pulinoy) |
Editorial Department
Larissa Kosareva | ... | colorist |
R. Shmarina | ... | assistant editor |
Production Design by
Yelena Amshinskaya | ||
Viktor Ivanov |
Set Decoration by
Zoya Nikashina | ||
Yu. Rotin | ||
Aleksei Shkele |
Costume Design by
Andzhela Sapunova | ... | (as A. Sapunova) |
Ekaterina Shapkayts | ... | (as Ye. Shapkayts) |
Makeup Department
O. Deyneko | ... | assistant makeup artist |
Ye. Mizerina | ... | assistant makeup artist |
V. Savelyev | ... | makeup artist |
Second Unit Director or Assistant Director
Gennadi Chernyayev | ... | first assistant director |
L. Fomina | ... | assistant director |
V. Korolev | ... | assistant director |
V. Ogorodnikov | ... | assistant director |
Tatiana Rozantseva | ... | assistant director |
Alla Sergeyeva | ... | first assistant director |
V. Viktorov | ... | assistant director |
Art Department
A. Pervukhina | ... | property master |
Sound Department
Leonid Gavrichenko | ... | sound |
Special Effects by
Vladimir Khromov | ... | pyrotechnic effects |
A. Mizerin | ... | pyrotechnic effects |
O. Nikolayev | ... | special effects artist |
A. Voronkov | ... | pyrotechnic effects |
Dmitriy Zhelubovskiy | ... | special effects camera |
Stunts
Aleksandr Filaretov | ... | stunt coordinator |
Iosif Krinskiy | ... | stunt coordinator (as I. Krinskiy) |
Aleksandr Baranov | ... | stunts (uncredited) |
Camera and Electrical Department
Igor Bibeyev | ... | assistant camera (as I. Bibeyev) |
S. Filanovsky | ... | camera operator |
V. Grigoryev | ... | assistant camera |
Konstantin Gurtyev | ... | gaffer |
N. Lazutkin | ... | assistant camera |
V. Maseyev | ... | camera operator |
Costume and Wardrobe Department
L. Karaseva | ... | costume supervisor |
Script and Continuity Department
Yury Pavlov | ... | script supervisor (as Yuriy Pavlov) |
Tatyana Smorodinskaya | ... | script supervisor |
Additional Crew
Andrei Gromyko | ... | main consultant |
Production Companies
Distributors
- New Yorker Films (1989) (United States) (theatrical) (subtitled)
- Polfilm (1987) (Sweden) (theatrical)
- Ostalgica (2023) (Germany) (Blu-ray)
Special Effects
Other Companies
Storyline
Plot Summary |
The world after the nuclear apocalypse. Pale light lits the scenery of total destruction. The surviving humans vegetate in wet cellars under the nuclear winter. But somehow human spirit still sees somewhere the dim light of a new and better future. The next generation starts the walk towards a new life.
Written by Jens Bertheau |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | The filmmakers took great care to continuously remind their viewers that what they're seeing is not happening in the Soviet Union. To ensure this, a lot of foreign items have been placed in the backgrounds which surely immediately caught the eye of the contemporary viewer. There is not a single object with Cyrillic letters, but there are plenty with English ones. Many items are Western consumer goods which were rare in the Soviet Union in the 1980s. Particular examples are beer cans and a bottle of Jagermeister on a desk. The weapons the soldiers wield are also not even resembling Soviet rifles which would've been familiar to all viewers who completed their military services. They look more like a strange "crossbreed" of American M-16 and M-1 rifles. The vehicle the soldiers are using is a MAZ missile trailer truck, but the same vehicle was also built for the civilian market and sold to many countries. The helicopter that shows up in one of the scenes is a Kamov Ka-26 which was never used by the Soviet military (and in fact only one Warsaw Pact country did, Hungary). The hovercraft that is seen turning and leaving is also not a (known) military vehicle, but anyone in the 1980s should've associated the image with the air-cushion ferries on the English Channel which were a famous and novel technical achievement at the time. See more » |
Movie Connections | Featured in 10 Little Known But Genuinely Disturbing Films About Nukes (2018). See more » |
Quotes |
Unknown:
We should acknowledge the fact that the whole history of mankind is a story of a slow suicide commited by a living matter that by sheer accident acquired the abilty to think, but that did not know what to do with this fateful capacity. Full stop. See more » |