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Gene Roddenberry (television series Star Trek)
Steve Meerson (screenplay) ...
(suite)
26 novembre 1986 (USA) suite
Beaming down to Earth December 12 1986 suite
To save Earth from an alien probe, Kirk and his crew go back in time to retrieve the only beings who can communicate with it, humpback whales. full summary | add synopsis
Nominated for 4 Oscars. Another 3 wins & 13 nominations suite
There be whales here. plus de (157 total)
Réalisé par | |||
| Leonard Nimoy | |||
Scénaristes | ||
| Gene Roddenberry | (television series Star Trek) | |
| Steve Meerson | (screenplay) & | |
| Peter Krikes | (screenplay) and | |
| Harve Bennett | (screenplay) & | |
| Nicholas Meyer | (screenplay) | |
| Leonard Nimoy | (story) & | |
| Harve Bennett | (story) | |
Produit par | |||
| Harve Bennett | .... | producer | |
| Brooke Breton | .... | associate producer | |
| Kirk R. Thatcher | .... | associate producer (as Kirk Thatcher) | |
| Ralph Winter | .... | executive producer | |
Musique originale | |||
| Leonard Rosenman | |||
Image | |||
| Donald Peterman | (as Don Peterman) | ||
Montage | |||
| Peter E. Berger | |||
Distribution des rôles | |||
| Amanda Mackey Johnson | |||
Création des décors | |||
| Jack T. Collis | |||
| Peter Landsdown Smith | |||
Direction artistique | |||
| Joe Aubel | |||
| Nilo Rodis-Jamero | |||
| Peter Landsdown Smith | |||
Décorateur de plateau | |||
| John M. Dwyer | |||
Création des costumes | |||
| Robert Fletcher | |||
Maquillage | |||
| Silvia Abascal | .... | hair stylist | |
| Jeff Dawn | .... | makeup artist | |
| Wes Dawn | .... | makeup artist | |
| Monique DeSart | .... | hair stylist | |
| Deborah Holmes Dobson | .... | hair stylist | |
| Rolf John Keppler | .... | special makeup effects artist | |
| James Lee McCoy | .... | key makeup artist | |
| Carol A. O'Connell | .... | hair stylist | |
| Brian Wade | .... | Klingon and Vulcan prosthetics designer | |
| Rick Stratton | .... | makeup artist (uncredited) | |
Directeur de production | |||
| Mel Efros | .... | unit production manager | |
Assistant réalisateur | |||
| Joseph Adamson | .... | dga trainee (as Joe Adamson) | |
| Frank Capra III | .... | second assistant director | |
| Pat Kehoe | .... | first assistant director | |
| Michael Owens | .... | second unit director | |
| Randy Suhr | .... | assistant director | |
| Douglas E. Wise | .... | first assistant director | |
Département Art | |||
| Richard J. Bayard | .... | construction coordinator | |
| James R. Bayliss | .... | set designer | |
| Richard Berger | .... | set designer | |
| Lloyd A. Buswell | .... | construction foreman | |
| Ed Charnock | .... | paint foreperson | |
| William K. Dolan | .... | property person | |
| Huey Duval | .... | property person | |
| Douglas Freeman | .... | construction coordinator | |
| John Gadette | .... | stand-by painter | |
| Daniel Gluck | .... | set designer | |
| Ron Greenwood | .... | property master | |
| Joseph E. Hubbard | .... | assistant art director (as Joe Hubbard) | |
| John Matheson | .... | construction foreperson | |
| Ralph McQuarrie | .... | visual consultant | |
| Charles Sertin | .... | property person | |
| Barton M. Susman | .... | leadperson | |
| Kaye Trapp | .... | assistant property master | |
| Robert Van Dyke | .... | propmaker gangboss | |
Technicien du son | |||
| Michael J. Benavente | .... | sound effects editor | |
| Destiny Borden | .... | assistant adr editor | |
| Raul A. Bruce | .... | boom operator | |
| George Budd | .... | special sound effects | |
| Gene S. Cantamessa | .... | sound mixer | |
| Steve Cantamessa | .... | boom operator | |
| Christopher Flick | .... | assistant adr editor | |
| Stephen Hunter Flick | .... | sound effects editor | |
| Warren Hamilton Jr. | .... | sound effects editor | |
| Doug Hemphill | .... | sound effects recordist | |
| Ellen Heuer | .... | foley artist | |
| Alan Howarth | .... | special sound effects | |
| David J. Hudson | .... | sound re-recording mixer | |
| Mark Jennings | .... | utility sound | |
| Nicholas Vincent Korda | .... | adr editor | |
| Mark A. Mangini | .... | sound supervisor | |
| Tim Mangini | .... | foley editor | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Dan O'Connell | .... | foley artist | |
| Terry Porter | .... | sound re-recording mixer | |
| John Pospisil | .... | special sound effects | |
| Solange S. Schwalbe | .... | foley editor | |
| David E. Stone | .... | sound editor | |
| Clive Taylor | .... | sound recordist | |
Effets spéciaux | |||
| Donald Elliott | .... | special effects | |
| Pieter Folkens | .... | designer | |
| Pieter Folkens | .... | sculptor | |
| Michael Lantieri | .... | special effects supervisor | |
| Tim Moran | .... | special effects | |
| Clay Pinney | .... | special effects | |
| Robert Spurlock | .... | special effects | |
| Brian Tipton | .... | special effects: first unit | |
Visual Effects | |||
| Rick Anderson | .... | whale designer | |
| Craig Barron | .... | matte photography supervisor | |
| John Bell | .... | storyboard artist: ILM | |
| Dale Brady | .... | creature crew: ILM | |
| Jo Carson | .... | assistant camera: ILM | |
| Sean M. Casey | .... | whale mold supervisor (as Sean Casey) | |
| Craig Caton | .... | creature crew: ILM | |
| Eric Christensen | .... | model maker | |
| Donald Clark | .... | camera operator: ILM (as Don Clark) | |
| Walt Conti | .... | supervisor: Whale: ILM | |
| Peter Daulton | .... | visual effects camera | |
| Dick Dova | .... | stage technician | |
| Don Dow | .... | effects cinematographer | |
| Christopher Duddy | .... | visual effects | |
| Selwyn Eddy | .... | visual effects camera | |
| Christopher Evans | .... | matte supervisor | |
| John V. Fante | .... | visual effects camera: ILM | |
| Ellen Ferguson | .... | rotoscope artist | |
| Allen Feuerstein | .... | creature crew: ILM | |
| Robert Finley Jr. | .... | pyrotechnician | |
| Warren Franklin | .... | general manager | |
| Tim Geideman | .... | lab technician | |
| Jim Gerken | .... | computer animation: ILM | |
| Ray Gilberti | .... | assistant camera: ILM | |
| Michael Gleason | .... | effects editor | |
| Ralph Gordon | .... | optical supervisor | |
| Ned Gorman | .... | visual effects production assistant: ILM | |
| Caroleen Green | .... | matte artist | |
| James Hagedorn | .... | camera operator | |
| Donald Hansard Sr. | .... | process coordinator | |
| Toby Heindel | .... | visual effects camera | |
| Todd Heindel | .... | lab technician: ILM | |
| Edward Hirsh | .... | visual effects production manager | |
| Richard E. Hollander | .... | animation | |
| Sandy Houston | .... | rotoscoper | |
| Tony Hudson | .... | puppeteer: ILM | |
| Tony Hudson | .... | whale designer: ILM | |
| Peg Hunter | .... | optical lineup | |
| Erik Jensen | .... | visual effects coordinator | |
| Brad Jerrell | .... | stage technician | |
| Randy Jonsson | .... | assistant camera: ILM (as Randy Johnson) | |
| Sean Joyce | .... | matte artist | |
| Steven Kosakura | .... | motion control camera operator | |
| Pete Kozachik | .... | assistant camera | |
| Paul Kraus | .... | model maker | |
| Ellen E. Lichtwardt | .... | animation supervisor (as Ellen Lichtwardt) | |
| Jeff Mann | .... | modelshop supervisor | |
| David McCue | .... | camera operator: ILM | |
| Mark S. Miller | .... | whale operator | |
| Richard Miller | .... | sculptor | |
| George Muhs | .... | visual effects | |
| Lori J. Nelson | .... | optical coordinator | |
| Nancy Nimoy | .... | creature crew: ILM | |
| Michael Okuda | .... | computer animation | |
| Michael Olague | .... | stage technician (as Mike Olague) | |
| Frank Ordaz | .... | matte artist | |
| Terrence Peck | .... | assistant effects editor: ILM (as Terry Peck) | |
| Mark Peterson | .... | computer animation | |
| Ken Ralston | .... | effects supervisor | |
| Jay Riddle | .... | computer graphics animator: ILM | |
| Pete Romano | .... | whale photography | |
| Martin Rosenberg | .... | assistant camera | |
| Thomas Rosseter | .... | optical lineup | |
| Randall Rudd | .... | creative director | |
| Shannon Shea | .... | creature crew: ILM | |
| Pat Sweeney | .... | effects camera | |
| Larry Tan | .... | chief model maker | |
| Bruce Vecchitto | .... | optical lineup | |
| Brian Wade | .... | creature crew: ILM | |
| Bruce Walters | .... | animation operator | |
| John C. Wash | .... | computer animation | |
| Jenny Fulle | .... | visual effects (uncredited) | |
| Ian Hiebert | .... | production assistant (uncredited) | |
Cascadeur | |||
| Gregory J. Barnett | .... | stunt double: Leonard Nimoy (as Gregory Barnett) | |
| Steve M. Davison | .... | stunts | |
| Cliff Fleming | .... | stunts (as Clifford T. Fleming) | |
| Eddie Hice | .... | stunts | |
| John Meier | .... | stunt double: William Shatner | |
| Bennie Moore | .... | stunts (as Bennie E. Moore Jr.) | |
| Chuck Picerni Jr. | .... | stunts (as Charles Picerni Jr.) | |
| R.A. Rondell | .... | stunt coordinator | |
| Sharon Schaffer | .... | stunts | |
| Spike Silver | .... | stunts | |
| Jim O'Rear | .... | stunts (uncredited) | |
| R.A. Rondell | .... | stunts (uncredited) | |
Caméra et Département Electrique | |||
| Patric J. Abaravich | .... | electrician | |
| Wayne Baker | .... | assistant camera: underwater scenes | |
| Bruce Birmelin | .... | still photographer | |
| Mike Brooker | .... | second company grip | |
| Jack Cooperman | .... | underwater director of photography | |
| Richard Dow | .... | dolly grip | |
| Ray Gilberti | .... | assistant camera | |
| Lloyd Gowdy | .... | assistant lighting technician | |
| Jon Kranhouse | .... | aerial photographer | |
| Hal Landaker | .... | video supervisor | |
| Norman Lang | .... | electrician | |
| Kal Manning | .... | gaffer | |
| Frank McKane | .... | assistant lighting technician | |
| Ken Nishino | .... | camera operator (as Kenneth Kenny Nishino) | |
| Jay Peterman | .... | second assistant camera | |
| Keith Peterman | .... | camera operator | |
| Pete Romano | .... | underwater photographer: whale photography | |
| Waverly Smothers | .... | second grip | |
| Calvin Sterry | .... | first company grip | |
Département Casting | |||
| Barbara Harris | .... | voice casting | |
| Bill Shepard | .... | casting administrator | |
| Judith Bouley | .... | location casting: Monterey (uncredited) | |
Dpartement Editorial | |||
| Thomas R. Bryant | .... | assistant film editor | |
| John Haggar | .... | assistant editor | |
| Robert Raring | .... | color timer | |
| George C. Villaseñor | .... | assistant film editor | |
Département Musique | |||
| Else Blangsted | .... | music editor | |
| Alexander Courage | .... | composer: theme "Star Trek" | |
| Russell Ferrante | .... | composer: jazz music | |
| Ralph Ferraro | .... | orchestrator | |
| Jimmy Haslip | .... | composer: jazz music | |
| A. David Marshall | .... | music editor | |
| Dan Wallin | .... | score mixer | |
| The Yellowjackets | .... | composer: additional music | |
Département Transport | |||
| Raymond A. McLaughlin | .... | transportation captain (as Ray McLaughlin) | |
| Stewart Satterfield | .... | transportation coordinator (as Stu Satterfield) | |
Merci | |||
| Roy Danchick | .... | thanks | |
| Capt. Walter Davis | .... | thanks | |
| Mark Ferrari | .... | thanks | |
| Debbie Glockner-Ferrari | .... | thanks | |
| John Horton | .... | thanks | |
| Roger Payne | .... | thanks | |
| Lt. Lee Saunders | .... | thanks | |
| Sandy Stairs | .... | thanks | |
| Howard Weinstein | .... | thanks | |
119 min
Couleur (Technicolor)
2,20 : 1 suite
70 mm 6-Track (70 mm prints) | Dolby SR (35 mm prints)
Canada:PG (Ontario) | Italy:T | Canada:G (Canadian Home Video rating) | Iceland:L | South Korea:12 | Brazil:Livre | Sweden:11 | Canada:G (Régie du Cinéma Québec) | Argentina:Atp | Australia:PG | Finland:K-11 (DVD rating) | Finland:K-12/9 (original rating) | France:U | Norway:10 (1988) | Norway:11 | UK:PG | USA:PG | West Germany:12 | Netherlands:AL | Singapore:PG
500 Block of Pacific Avenue, Chinatown, San Francisco, California, USA suite
The scene with Chekov and Uhura kneeling on rocks looking at the Aircraft Carriers was shot in San Diego at North Island Naval Air Station. suite
Erreurs faites par les personnages (éventuellement des erreurs délibérées par les cinéastes): The president tells the Klingon ambassador that "Admiral Kirk has been charged with nine violations of Starfleet regulations." In the courtroom scene, the crew was collectively charged with six violations. suite
[first lines]
Saratoga captain:
What do you make of it?
Saratoga science officer:
It appears to be a probe, Captain. From an intelligence unknown to us.
Saratoga captain:
Continue transmitting universal peace and hello in all known languages. Get me Starfleet Command.
Saratoga helmsman:
Ready, Captain.
Saratoga captain:
Starfleet Command, this is U.S.S. Saratoga patrolling sector five, neutral zone. We're tracking a probe of unknown origin on apparent trajectory to the Terran solar system. Attempts to communicate with the probe have been negative on all known frequencies.
Starfleet Command:
Continue tracking, Saratoga. We will analyze transmissions and advise.
[...]
suite
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I Hate You suite
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| Star Trek III: The Search for Spock | Star Trek: The Wrath of Khan | Star Trek: The Motion Picture | Star Trek: First Contact | Star Trek V: The Final Frontier |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Aventure section | IMDb USA section | Add this title to MyMovies |
An alien probe is heading towards earth causing tidal waves and hurricane winds. The probe is trying to get in touch with humpback whales which no longer exist.In time honoured tradition it is up to James kirk and crew to go back to the 20th century, find some humpback whales,take them home with him and save the day again. This is by far the funniest of all the star trek films due to the fact that it is played totally tongue in cheek and the cast aren't afraid to poke fun at themselves.To the crew it is like visiting an "undiscovered country" and the customs of modern man confuse them totally. Catherine Hicks plays their 20th century contact,joins in the fun and adds to the confusion they are feeling by playing her role totally straight. Some classic scenes include Scotty trying to instruct a computer by talking into the mouse,Dr Mcoys horror when surgeons are about to drill into Chekovs skull and Spocks solution to dealing with an arrogant yob on a bus. However it also has a serious ecological message.If we don't stop destroying our planet then the day could well come when every kind of whale will cease to exit.Some video clips, shown in the scene in the museum,displaying images of men killing whales are disturbing because they are real. Watch this film ,enjoy it, but remember that sometimes fact is more disturbing than fiction. In memory of James Doohan 1920- 2005 RIP.