A woman discovers the newly resurrected, partially formed, body of her brother-in-law and lover. She starts killing for him to revitalize his body and escape the demonic beings that are pursuing him after he escaped their underworld.
Director:
Writers:
Awards:
- 2 wins & 6 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Andrew Robinson | ... |
Larry
|
|
| Clare Higgins | ... |
Julia
|
|
| Ashley Laurence | ... |
Kirsty
|
|
| Sean Chapman | ... |
Frank
|
|
| Oliver Smith | ... |
Frank the Monster
|
|
 |
Robert Hines | ... |
Steve
|
|
|
Anthony Allen | ... |
1st Victim
(as Antony Allen)
|
|
|
Leon Davis | ... |
2nd Victim
|
|
|
Michael Cassidy | ... |
3rd Victim
|
|
|
Frank Baker | ... |
Derelict
|
| Kenneth Nelson | ... |
Bill
|
|
|
|
Gay Baynes | ... |
Evelyn
|
|
|
Niall Buggy | ... |
Dinner Guest
|
|
|
Dave Atkins | ... |
Moving Man 1
|
| Oliver Parker | ... |
Moving Man 2
|
|
|
|
Pamela Sholto | ... |
Complaining Customer
|
| Doug Bradley | ... |
Lead Cenobite
|
|
| Nicholas Vince | ... |
Chattering Cenobite
|
|
| Simon Bamford | ... |
'Butterball' Cenobite
|
|
|
|
Grace Kirby | ... |
Female Cenobite
|
|
|
Sharon Bower | ... |
Nurse
|
|
|
Raul Newney | ... |
Doctor
|
Directed by
| Clive Barker | ... | (directed by) |
Written by
| Clive Barker | ... | (written by) |
| Clive Barker | ... | (novel "The Hellbound Heart") (uncredited) |
Produced by
| Mark Armstrong | ... | executive producer |
| Christopher Figg | ... | producer (produced by) |
| Selwyn Roberts | ... | associate producer |
| David Saunders | ... | executive producer |
| Christopher Webster | ... | executive producer |
Music by
| Christopher Young | ... | (music composed by) |
Cinematography by
| Robin Vidgeon | ... | director of photography |
Editing by
| Richard Marden | ... | (edited by) |
| Tony Randel | ... | (uncredited) |
Editorial Department
| Roy Birchley | ... | first assistant editor |
| Tim Grover | ... | second assistant editor |
Casting By
| Sheila Trezise | ||
Production Design by
| Michael Buchanan | ... | (as Mike Buchanan) |
Art Direction by
| Jocelyn James | ||
Costume Design by
| Joanna Johnston | ||
Makeup Department
| Nigel Booth | ... | special makeup effects and creature crew |
| Julian Caldow | ... | special makeup effects and creature crew |
| Paul Catling | ... | special makeup effects and creature crew |
| Stuart Conran | ... | special makeup effects and creature crew |
| John Cormican | ... | special makeup effects and creature crew (as Little John) |
| Dave Elsey | ... | special makeup effects and creature crew (as David Elsey) |
| Bob Keen | ... | special makeup effects designer |
| Dave Keen | ... | special makeup effects and creature crew (as David Keen) |
| William Petty | ... | special makeup effects and creature crew |
| Geoffrey Portass | ... | special makeup effects workshop supervisor (as Geoff Portass) |
| Roy Puddefoot | ... | special makeup effects and creature crew |
| Jason Reed | ... | special makeup effects and creature crew |
| Ian Rolph | ... | special makeup effects and creature crew |
| Jim Sandys | ... | special makeup effects and creature crew |
| Simon Sayce | ... | special makeup effects and creature crew |
| Aileen Seaton | ... | hair stylist |
| Sally Sutton | ... | makeup artist |
| Cliff Wallace | ... | creature effects crew / special makeup effects crew |
| Richard Glass | ... | standby contact lens optician (uncredited) |
Second Unit Director or Assistant Director
| Selwyn Roberts | ... | first assistant director |
| Waldo Roeg | ... | second assistant director |
| Rupert Ryle-Hodges | ... | third assistant director |
| Christopher Hall | ... | third assistant director (uncredited) |
Art Department
| Ron Allett | ... | property master |
| Derek Ede | ... | stand-by stagehand |
| Steve Ede | ... | chargehand carpenter |
| Belinda Edwards | ... | production buyer |
| Richard Harris | ... | stand-by rigger |
| Floyd Jones Hughes | ... | sketch artist |
| Colin Lovering | ... | stand-by painter |
| Gerry O'Connor | ... | prop stand-by |
| John Potter | ... | stand-by carpenter |
| Paul Purdy | ... | stand-by props (as Paul Purdey) |
| John Rankin | ... | construction stand-by |
| Mark Stevenson | ... | art department assistant |
| Paul Turner | ... | stand-by props |
| Steve Payne | ... | dressing props (uncredited) |
| Jamie White | ... | carpenter (uncredited) |
Sound Department
| Stephen Banks | ... | Jobfit trainee |
| David Beesley | ... | assistant effects editor |
| Michael Carter | ... | dubbing mixer |
| Joe Gilmore | ... | assistant dubbing editor |
| Graham V. Hartstone | ... | chief dubbing mixer (as Graham Hartstone) |
| John Ireland | ... | sound effects editor |
| Nicolas Le Messurier | ... | dubbing mixer (as Nicolas Lemessurier) |
| Tony Message | ... | dubbing editor |
| John Midgley | ... | sound mixer |
| Clive Osborne | ... | boom operator (as Clive Osbourne) |
| Carmela Prudente | ... | Jobfit trainee (as Carmella Prudente) |
Special Effects by
| Dave Chagouri | ... | special effects technician (uncredited) |
| Floyd Jones Hughes | ... | special make-up effects crew (uncredited) |
Visual Effects by
| Dick Dimbleby | ... | optical printer |
| Peter Swinson | ... | optical printer |
| Peter Watson | ... | optical supervisor |
| Nick Xypnitos | ... | animator |
| Clive Barker | ... | animator (uncredited) |
| Don Lee | ... | digital compositor (uncredited) |
Stunts
| Jim Dowdall | ... | stunt arranger |
| Bill Weston | ... | stunt man |
Camera and Electrical Department
| Tom Collins | ... | still photographer |
| Gary Donoghue | ... | best boy |
| Tim Field | ... | rostrum cameraman |
| Steve Foster | ... | gaffer |
| Katya Grenfell | ... | additional stills |
| Andrew C. Hebden | ... | electrician (as Andrew Hebden) |
| Gary Hutchings | ... | camera grip |
| Clive Mackey | ... | clapper loader |
| Danny Shelmerdine | ... | focus puller |
| Ray Wardley | ... | electrician |
| David Worley | ... | camera operator |
Casting Department
| Ping Mudie | ... | assistant to casting director |
| Kelly K. Learman | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
| Daryl Bristow | ... | wardrobe supervisor |
| Brian Cox | ... | wardrobe assistant |
| Jane Howells | ... | wardrobe assistant |
| Ro Sylvester-Fisher | ... | costume assistant: Cenobite costumes (as Rosemary Sylvester Fisher) |
| Jane Wildgoose | ... | costume designer: Cenobite costumes |
Location Management
| Jane Studd | ... | location manager |
Music Department
| Tom Calderaro | ... | synthesizer performer / synthesizer programmer |
| Jeff Vaughn | ... | music recorded by |
| Paul Francis Witt | ... | music consultant / orchestra conducted by |
| Anne Atkins Young | ... | music supervisor |
| Christopher Young | ... | music orchestrated by |
| Mark Zimoski | ... | percussion consultant (as Mark Zimowski) |
| Coil | ... | composer: unused music (uncredited) |
Script and Continuity Department
| Ene Watts | ... | script supervisor |
Transportation Department
| John Collins | ... | unit driver |
| Terry English | ... | unit driver |
| Micky Grover | ... | unit driver |
| Ron Narduzzo | ... | unit driver |
Additional Crew
| Dennis Davidson | ... | additional publicity |
| Robert Fabbri | ... | floor runner |
| Alan Harris | ... | stand-in |
| Steve Jones | ... | unit publicist |
| Su Lim | ... | assistant to producer |
| Alex Matcham | ... | production auditor |
| Selby McCreery | ... | assistant to producer |
| Patricia Poole | ... | production accountant (as Pat Poole) |
| Kathy Sinclair | ... | stand-in |
| Clare St. John | ... | production coordinator |
| John Charles | ... | software manager: Sony DAC (uncredited) |
| Richard Morrison | ... | title designer (uncredited) |
| Alan Sutton | ... | fire safety coordinator (uncredited) |
Thanks
| John Dunne | ... | the producers gratefully acknowledge the assistance of |
| Marie Fisher | ... | the producers gratefully acknowledge the assistance of |
| Piers Gibson | ... | the producers gratefully acknowledge the assistance of |
| John Gregson | ... | the producers gratefully acknowledge the assistance of |
| Christopher Hobbs | ... | the producers gratefully acknowledge the assistance of |
| R.J. Kizer | ... | the producers gratefully acknowledge the assistance of |
| Alan Parker | ... | the producers gratefully acknowledge the assistance of |
| Tony Randel | ... | many special thanks (as Anthony Randel) |
Production Companies
- Film Futures
- New World Pictures (present)
- New World Pictures (present)
- Rivdel Films
Distributors
- Entertainment Film Distributors (1987) (United Kingdom) (theatrical)
- New World Pictures (1987) (United States) (theatrical)
- Cinemagroup F. D. (1988) (France) (theatrical)
- Roadshow Films (1987) (Australia) (theatrical)
- Paraiso Films S.A. (1987) (Spain) (theatrical)
- Prooptiki (1987) (Greece) (theatrical)
- Rainboworld Entertainment (1987) (Taiwan)
- Highlight Film (1988) (West Germany) (theatrical)
- Toei Classic (1988) (Japan) (theatrical)
- Vestron Benelux (1988) (Netherlands) (theatrical)
- Películas Corsa, S.A. de C.V. (1988) (Mexico) (theatrical)
- Cine Plus (1988) (Mexico) (video) (Betamax)
- Highlight Video (1988) (West Germany) (VHS)
- Image Entertainment (1988) (United States) (video) (laserdisc)
- Juno Media (1988) (Norway) (VHS)
- New World Video (1988) (United States) (VHS)
- Roadshow Home Video (1988) (Australia) (VHS)
- Vestron Video International (1988) (Belgium) (VHS)
- Vestron Video International (1988) (Netherlands) (VHS)
- Saeshin Youngsang (1989) (South Korea) (VHS)
- Juno Media (1988) (Sweden) (theatrical)
- Cascar Video (1990) (Netherlands) (VHS)
- Belgische Radio en Televisie (BRT) (1991) (Netherlands) (tv) (BRT1)
- RTL Entertainment (1992) (Netherlands) (tv) (RTL4)
- Scanbox Norge (Norway) (VHS)
- Cosmos Home Entertainment (1994) (Netherlands) (VHS)
- R&G Video (1994) (United States) (VHS)
- Starmaker Entertainment (1994) (United States) (VHS)
- Aim Pictures (1995) (India) (theatrical)
- Astro Distribution (1995) (Germany) (video) (laserdisc)
- HGV Video Productions (1996) (Canada) (VHS)
- Lumivision (1996) (United States) (video) (laserdisc)
- USA Network (1996) (United States) (tv) (USA Movie)
- Anchor Bay Entertainment (1997) (United States) (VHS)
- Cosmos Home Entertainment (1997) (Netherlands) (VHS) (through)
- RCV Home Entertainment (1997) (Netherlands) (VHS) (through Cosmos Home Entertainment)
- Anchor Bay Entertainment (1998) (United States) (DVD)
- Anchor Bay Entertainment (2000) (United States) (DVD)
- RCV Home Entertainment (2000) (Netherlands) (DVD)
- RCV Home Entertainment (2001) (Netherlands) (DVD)
- Future Film (2002) (Finland) (DVD) (VHS)
- Nelonen (2002) (Finland) (tv)
- Atlantic Film (2003) (Sweden) (DVD)
- Star Media Entertainment (2003) (Norway) (DVD)
- Anchor Bay Entertainment (2004) (United Kingdom) (DVD) (4 disc box set)
- Star Media Entertainment (2005) (Norway) (DVD) (Hellraiser Collection)
- RCV Home Entertainment (2007) (Netherlands) (DVD)
- E1 Entertainment Benelux (2010) (Netherlands) (Blu-ray)
- Divisa Home Video (2011) (Spain) (DVD)
- Image Entertainment (2011) (United States) (DVD)
- StudioCanal (2011) (Germany) (DVD)
- Umbrella Entertainment (2011) (Australia) (video) (VOD)
- Arrow Films (2015) (United Kingdom) (Blu-ray) (The Scarlet Box Limited Edition set)
- L'Atelier d'Images (2017) (France)
- Turbine Medien (2018) (Germany) (Blu-ray)
- Turbine Medien (2018) (Germany) (DVD)
- The Criterion Channel (2020) (United States) (tv) (digital)
- Umbrella Entertainment (2022) (Australia)
- Paris Filmes (1990) (Brazil) (theatrical)
- Flashback Home Vídeo (1996) (Brazil) (VHS)
- Flashstar Home Vídeo (2010) (Brazil) (Blu-ray)
- Flashstar Home Vídeo (2010) (Brazil) (DVD)
- Juno Media Distribution (Finland) (VHS)
- NBO Entertainment (Brazil) (DVD)
- Obras-Primas do Cinema (2022) (Brazil) (Blu-ray)
- Paris Vídeo (1990) (Brazil) (VHS) (as Paris Vídeo Filmes)
- Transvídeo (Brazil) (VHS)
Special Effects
- Effects Associates
- ReelEye Company (special effects contact lenses)
Other Companies
- Arbuthnot Latham Ltd. (banking services)
- DDA Public Relations (additional publicity)
- Dolby Stereo (in selected theatres)
- Five Star Catering (catering)
- Image Animation (the producers gratefully acknowledge the assistance of)
- Motion Picture Association (MPA)
- Optical Film Effects (titles and opticals)
- Oxford Scientific Films (film extracts)
- Panavision (cameras and lenses)
- Samuelson Film Service (cameras and lighting equipment)
Storyline
| Plot Summary |
When Kirsty's father, Larry, and stepmother, Julia, move into Larry's childhood home, Kirsty and her boyfriend take a room nearby. Unfortunately for all involved, Larry's house is already occupied: before the family's arrival, Larry's disreputable brother, Frank, used a supernatural puzzle box to summon a gang of other-dimensional demon sadists. Now, Frank requires a series of blood sacrifices to escape the clutches of Pinhead and the cenobites. Written by mrosesteed |
| Plot Keywords | |
| Taglines | Still Raising Hell [20th Anniversary Re-Issue] See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Box Office
| Budget | GBP1,000,000 (estimated) |
| Opening Weekend United Kingdom | GBP155,348, 13 Sep 1987 |
Did You Know?
| Trivia | During an interview Doug Bradley described hell as a prison; the Cenobites are the prison guards, Pinhead is the prison warden, the puzzle box is the key to the prison cell, and the demons are the escaped inmates. See more » |
| Goofs | (at around 1h 4 mins) When the Engineer chases Kirsty, the trolley and crew pushing it are visible. See more » |
| Movie Connections | Edited into Hellbound: Hellraiser II (1988). See more » |
| Quotes |
[Pinhead appears from the shadows behind Kirsty]
Lead Cenobite: We have such sights to show you! See more » |