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Gary Ross (written by) &
Anne Spielberg (written by)
3 juin 1988 (USA) suite
Have you ever had a really big secret? suite
When a boy wishes to be big at a magic wish machine, he wakes up the next morning and finds himself in an adult body literally overnight. full summary | add synopsis
Nominated for 2 Oscars. Another 9 wins & 11 nominations suite
Keeping Your Inner-Child plus de (141 total)
| Tom Hanks | ... | Josh Baskin | |
| Elizabeth Perkins | ... | Susan | |
| Robert Loggia | ... | MacMillan | |
| John Heard | ... | Paul | |
| Jared Rushton | ... | Billy | |
| David Moscow | ... | Young Josh | |
| Jon Lovitz | ... | Scotty Brennen | |
| Mercedes Ruehl | ... | Mrs. Baskin | |
| Josh Clark | ... | Mr. Baskin | |
| Kimberlee M. Davis | ... | Cynthia Benson | |
| Oliver Block | ... | Freddie Benson | |
| Erika Katz | ... | Cynthia's Friend | |
| Allan Wasserman | ... | Gym Teacher | |
| Mark Ballou | ... | Derek | |
| Gary Howard Klar | ... | Ticket Taker (as Gary Klar) | |
| Alec Von Sommer | ... | First Brother | |
| Chris Dowden | ... | Second Brother | |
| Rockets Redglare | ... | Motel Clerk | |
| Jaime Tirelli | ... | Spanish Voice | |
| Paul Herman | ... | Schizo | |
| Nancy Giles | ... | Administrative Woman | |
| Jordan Thaler | ... | Administrative Clerk | |
| Dana Kaminski | ... | Personnel Receptionist | |
| Harvey Miller | ... | Personnel Director | |
| Tracy Reiner | ... | Test Market Researcher | |
| James Eckhouse | ... | Supervisor | |
| Linda Gillen | ... | Woman in Red Dress | |
| Mildred R. Vandever | ... | Receptionist | |
| Bert Goldstein | ... | First Executive | |
| Kevin Meaney | ... | Executive #2 | |
| Peter McRobbie | ... | Executive #3 | |
| Paul J.Q. Lee | ... | Executive #4 | |
| Debra Jo Rupp | ... | Miss Patterson | |
| Keith Reddin | ... | Payroll Clerk (as Keith W. Reddin) | |
| Lela Ivey | ... | Bank Teller | |
| Dolores Messina | ... | Real Estate Agent | |
| Gordon Press | ... | Moving Man | |
| George J. Manos | ... | Limousine Driver | |
| Vince Cupone | ... | Photon Laser Gunfighter (as Vinny Capone) | |
| Susan Wilder | ... | Karen | |
| John Rothman | ... | Phil | |
| Judd Trichter | ... | Adam | |
| Pasquale Pugliese | ... | Tenor / Dough Man | |
| Tom Coviello | ... | Singing Waiter | |
| Richard Devia | ... | Singing Waiter | |
| Teddy Holiavko | ... | Singing Waiter | |
| Augusto Mariani | ... | Singing Waiter | |
| Alfredo Monti | ... | Singing Waiter | |
| Sergio Mosetti | ... | Singing Waiter | |
| Armando Penso | ... | Singing Waiter | |
| Edward Schick | ... | Piano Player | |
| F. Benjamin Stimler | ... | Boy in Leaves | |
| Jonathan Isaac Landau | ... | Boy in Leaves | |
| Samantha Larkin | ... | Girl Friend of Cynthia | |
| Bruce Jarchow | ... | Photographer | |
| Vaughn Sandman | ... | Boy on Baseball Field | |
| reste de la distribution par ordre alphabétique: | |||
| Paul Basile | ... | Child at Taxi Stand (uncredited) | |
| Brian J. Cano | ... | Basketball Player (uncredited) | |
| Kevin Fennessy | ... | Handball Spectator (uncredited) | |
| Matt Mindell | ... | Friend (uncredited) | |
| Brooke Marie Procida | ... | Student (uncredited) | |
Réalisé par | |||
| Penny Marshall | |||
Scénaristes | ||
| Gary Ross | (written by) & | |
| Anne Spielberg | (written by) | |
Produit par | |||
| James L. Brooks | .... | producer | |
| Robert Greenhut | .... | producer | |
| Gary Ross | .... | co-producer | |
| Anne Spielberg | .... | co-producer | |
Musique originale | |||
| Howard Shore | |||
Image | |||
| Barry Sonnenfeld | (director of photography) | ||
Montage | |||
| Barry Malkin | |||
Distribution des rôles | |||
| Paula Herold | (as Paula Herald) | ||
| Juliet Taylor | |||
Création des décors | |||
| Santo Loquasto | |||
Direction artistique | |||
| Speed Hopkins | |||
| Tom Warren | |||
Décorateur de plateau | |||
| Susan Bode | |||
| George DeTitta Jr. | (as George DeTitta) | ||
Création des costumes | |||
| Judianna Makovsky | |||
Maquillage | |||
| Lyndell Quiyou | .... | hair stylist | |
| Mickey Scott | .... | makeup artist | |
Directeur de production | |||
| Todd Arnow | .... | production supervisor | |
| Timothy M. Bourne | .... | assistant production manager (as Timothy Marshall Bourne) | |
| Robert Greenhut | .... | unit production manager | |
| Amy Herman | .... | production supervisor | |
| Amy Lemisch | .... | post-production supervisor | |
| Richard Sakai | .... | executive in charge of production: Gracie Films | |
Assistant réalisateur | |||
| Sue Fellows | .... | dga trainee | |
| Danny Irom | .... | second second assistant director | |
| Ken Ornstein | .... | second assistant director | |
| Thomas A. Reilly | .... | first assistant director (as Thomas Reilly) | |
Département Art | |||
| Jeff Balsmeyer | .... | storyboard illustrator | |
| Jane Clark | .... | storyboard illustrator | |
| Glenn Lloyd | .... | art department coordinator | |
| James Mazzola | .... | property master | |
| Jeff Mazzola | .... | assistant property master | |
| Arne Olsen | .... | chief construction grip | |
| Ron Petagna | .... | construction coordinator | |
| Michael Smith | .... | assistant art director | |
| Cosmo Sorice | .... | stand-by scenic artist | |
| James Sorice | .... | master scenic artist | |
| Dave Weinman | .... | set dresser | |
| Joseph Alfieri | .... | carpenter (uncredited) | |
| Frank Didio | .... | head carpenter (uncredited) | |
| Christopher Nelson | .... | set dresser (uncredited) | |
| Michael Scarola | .... | construction grip (uncredited) | |
Caméra et Département Electrique | |||
| Jerry DeBlau | .... | best boy | |
| John W. DeBlau | .... | gaffer (as John DeBlau) | |
| Dennis Gamiello | .... | key grip | |
| Michael Green | .... | assistant camera | |
| Brian Hamill | .... | still photographer | |
| Tony C. Jannelli | .... | camera operator (as Anthony Jannelli) | |
| Jay Levy | .... | assistant camera | |
| John Lowry | .... | second grip | |
| Bobby Mancuso | .... | assistant camera | |
| Sal Martorano | .... | electrician | |
| Russell Caldwell | .... | lamp operator (uncredited) | |
| Richie Ford | .... | lamp operator (uncredited) | |
| Ron Kunecke | .... | musco light operator (uncredited) | |
| Eric Leigh | .... | electrician (uncredited) | |
| Peter John Petraglia | .... | lamp operator (uncredited) | |
| Lance Shepherd | .... | lamp operator (uncredited) | |
| Robert Shepherd | .... | electrician (uncredited) | |
Département Casting | |||
| Judie Fixler | .... | extras casting | |
| Barbara Harris | .... | voice casting | |
| Ellen Lewis | .... | casting associate | |
| Dawn Steinberg | .... | casting assistant | |
| Todd M. Thaler | .... | extras casting (as Todd Michael Thaler) | |
Département Costume et garde-Robe | |||
| William A. Campbell | .... | wardrobe supervisor: men (as Bill Campbell) | |
| Patricia Eiben | .... | wardrobe supervisor: women | |
| Elizabeth Shelton | .... | assistant to costume designer | |
| Libby Titus | .... | wardrobe assistant | |
| Andrea Wallace | .... | wardrobe assistant | |
Dpartement Editorial | |||
| Dennis Brookins | .... | negative matcher | |
| Elizabeth Canney | .... | assistant film editor | |
| Patrick Crane | .... | second assistant film editor | |
| Peter B. Ellis | .... | second assistant film editor | |
| Bob Hagans | .... | color timer | |
| Dale E. Grahn | .... | color timer (uncredited) | |
Département Musique | |||
| Elliot Abbott | .... | music coordinator | |
| Walt Borchers | .... | scoring crew | |
| Terry Brown | .... | scoring crew | |
| Homer Denison | .... | orchestrator | |
| Chuck Garsha | .... | scoring crew | |
| Scott Grusin | .... | music editor | |
| Jimmie Haskell | .... | additional music arranger | |
| Suzana Peric | .... | music editor | |
| Armin Steiner | .... | music scoring mixer | |
| Jim Weidman | .... | music editor | |
| Brian Eddolls | .... | music preparation (uncredited) | |
| John Moses | .... | musician: clarinetist (uncredited) | |
Département Transport | |||
| Harold 'Whitey' McEvoy | .... | transportation captain | |
| Bobby Marsh | .... | driver (uncredited) | |
Merci | |||
| Carol Caldwell | .... | special thanks | |
| Battle Davis | .... | special thanks | |
| Ken Estin | .... | special thanks | |
| Michi Kakutani | .... | special thanks | |
| Garry Marshall | .... | special thanks | |
| Monica Mcgowan Johnson | .... | special thanks (as Monica Johnson) | |
| Polly Platt | .... | special thanks | |
| Remo Saraceni | .... | thanks: walking piano | |
| Pat Scott | .... | thanks: The New York City Mayor's Office of Film, Theatre and Broadcasting | |
104 min | 130 min (extended edition)
1,33 : 1 suite
Australia:M (TV rating) | West Germany:6 | Canada:PG (Ontario) | South Korea:12 | Canada:A (Nova Scotia) | UK:12 (2007, uncut; re-rating) | Argentina:Atp | Australia:PG | Canada:PG | Chile:TE | Finland:S | Peru:PT | Spain:T | Sweden:7 | USA:PG | Singapore:PG | UK:PG (cut) | Norway:10 | Iceland:L
435 Greenmount Avenue, Cliffside Park, New Jersey, USA suite
The film's budget was estimated at $17 million. suite
Continuité: When Susan drives Josh home at the end, the trees on his street are in full autumn color, but in the next scene when Josh and Billy are walking down the street, the leaves are green again. suite
Référencé sur "The Roseanne Show: (#1.33)" (1998) suite
Chopsticks suite
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| 13 Going on 30 | The Devil Wears Prada | The Nanny Diaries | Enchanted | The Incredibles |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb USA section | Add this title to MyMovies |
This charming, sweet, hilarious gem of a film works because Tom Hanks makes you believe he actually is a small boy in the body of an adult.
The interesting trick of what makes the story appealing is not so much the magic that the boy gets his wish to be "big." It's that once he is in an adult, he has to navigate the adult world with the mind of a child -- and ultimately realizes that he is missing something if he makes the leap from boy to man without going through all the fun and the struggle in between. There are several other films that have the boy-to-man switch, but none of them have the depth of understanding about human nature that this film portrays.
The story is wonderfully written and directed, and Tom Hanks is a star. The film made me laugh, and it made me cry. What more can you ask of one movie?