Dead Ringers (1988)

Réalisateur:

David Cronenberg

Writers:

Bari Wood (book) and
Jack Geasland (book) ...

Release Date:

23 septembre 1988 (USA)

Genre:

Drame | Thriller | Horror

Accroche:

Two bodies. Two minds. One soul. Separation can be a terrifying thing.

Plot:

Twin gynecologists take full advantage of the fact that nobody can tell them apart, until their relationship begins to deteriorate over a woman.

Plot Keywords:

Female Nudity | Telephone Booth | Nightmare | Drug Addiction | Siamese Twins

Awards:

19 wins & 8 nominations

Avis des utilisateurs:

Deep meaning and stylish art by Cronenberg.

Ensemble

Jeremy Irons	...	Beverly Mantle / Elliot Mantle
Geneviève Bujold	...	Claire Niveau (as Genevieve Bujold)
Heidi von Palleske	...	Cary (as Heidi Von Palleske)
Barbara Gordon	...	Danuta
Shirley Douglas	...	Laura
Stephen Lack	...	Anders Wolleck
Nick Nichols	...	Leo
Lynne Cormack	...	Arlene
Damir Andrei	...	Birchall
Miriam Newhouse	...	Mrs. Bookman
David Hughes	...	Superintendent
Richard W. Farrell	...	Dean of Medicine (as Richard Farrell)
Warren Davis	...	Anatomy Class Supervisor
Jonathan Haley	...	Beverly, Age 9
Nicholas Haley	...	Elliot, Age 9

Autre(s) titre(s) :

Alter ego (Canada: French title)
Gemini (Canada: English title) (working title)
Twins (Canada: English title) (working title)
Faux-semblants (France) [fr]

Durée:

116 min

Pays:

Canada | USA

Langue:

Anglais

Couleur:

Couleur

Aspect Ratio:

1.66 : 1

Son:

Dolby

Classification:

Italy:VM14 | Portugal:M/16 | Iceland:16 | Australia:M | Finland:K-16 | France:-12 | Norway:18 | Sweden:15 | UK:18 | USA:R | West Germany:18 | South Korea:18

Emplacements De Pelliculage:

Bell Trinity Square - 483 Bay Street, Toronto, Ontario, Canada

Company:

Mantle Clinic II

Anecdotes:

During filming, Jeremy Irons kept track of whether he was playing Elliott or Beverley by always playing one with his weight on the balls of his feet and the other with his weight on his heels.

Goofs:

Anachronisms: In a scene dated 1954, the twins seen are playing with The Visible Woman, Revell toy company's biological model of a woman that was not marketed until at least five years later.

Guillemet:

Beverly Mantle: Pain creates character distortion, it's simply not necessary.
Claire Niveau: I'm often in a lot of pain.
Beverly Mantle: What kind of pain?
Claire Niveau: I think... psychosexual.

Connexions De Film:

Referenced in Film Geek (2005)

Soundtrack:

In the Still of the Night (I'll Remember)

Deep meaning and stylish art by Cronenberg.

Elliot and Beverly Mantle (Jeremy Irons) are identical twins that are top-of-the-class and incredibly well known gynaecologists. They also treat themselves by swapping their identities around, so they can share each other's work commitments and pleasures, like woman. But all of this comes back to destroy them emotionally and physically.

An intriguing and rather inventive premise director / co-writer David Cronenberg has come up with here. The worlds Cronenberg creates in his film's are rather fascinating in looking at the human body and technology. This film is no exception. So you can't really call this mainstream, as it's not for everyone's tastes. That's why his films seem to have great impact in the realistic visuals and material context. It's flowing with originality, good psychological elements, erotica and it holds such an artistic feel with its stunning visuals and elegance to show.

This thought-provoking drama is rather stimulating and quite downbeat. Though, it's mostly a talkative film; the dialogue is dense on many levels that it's truly captivating. It's more the material context that tries to shock and explore in a subtle way rather than the horrific visuals and shocks that we come to expect from most of Cronenberg's films. It doesn't contain much graphic moments, only about one or two. The sub-plots are drawn up quite well with dabbling in sexual desires and pleasure, technology (instruments and tools of the trade), the twins physical bond, addiction and a rather modernistic world. It's filled with sharp and intense sequences that are entrenched with an effective music score, as it overwhelmingly draws you in. This unsettling aurora builds into paranoia in the last half of the film and it ends rather disturbingly. The stylish production valves are incredibly glossy and professional. With beautifully crafted and slick cinematography. The gloomy colours that fill the screen hold great contrast in the moody and detail backdrop. From their fashionable home to their cold work office.

Jeremy Iron gives a tremendously charismatic performance playing both Elliot and Beverly Mantle. Elliot is Beverly's backbone as he's confident and arrogant. Beverly is the opposite as he's more innocent and rather sweet. Beverly wants to break the bond that they share, but Elliot can't let that happen. At first they weren't that likable, but the further the film goes along we see their downfall and there spiral into madness. That's when you start to feel for them and it gets rather emotionally charged. They also live and depend on each other, feeling what the other one feels and that's mostly pain and gloom here. This happens when they start to depend on painkillers and Beverly believing his girlfriend is cheating on him. This portrait shows how fragile they really are and how we really depend and feel when love ones are in pain and sorrow. As we are effected in the same way too. Genevieve Bujold is splendid as Claire Niveau the movie star and Beverly's love interest.

Maybe the film was a bit overlong, but this is a shockingly grim and efficient film that plays on many levels of the mind.