Colo Tavernier (scenario & adaptation) &
Claude Chabrol (scenario & adaptation) ...
(suite)
février 1990 (USA) suite
Nominated for Golden Globe. Another 11 wins & 3 nominations suite
An amazing film loosely based on the last woman in France to be guillotined. Her crime is performing abortions. plus de (9 total)
| Isabelle Huppert | ... | Marie | |
| François Cluzet | ... | Paul | |
| Nils Tavernier | ... | Lucien | |
| Marie Trintignant | ... | Lulu / Lucie | |
| Lolita Chammah | ... | Mouche #2 | |
| Aurore Gauvin | ... | Mouche #1 | |
| Guillaume Foutrier | ... | Pierrot #1 | |
| Nicolas Foutrier | ... | Pierrot #2 | |
| Marie Bunel | ... | Ginette | |
| Dominique Blanc | ... | Jasmine | |
| Louis Ducreux | ... | Père Mourier (scenes deleted) | |
| Michel Beaune | ... | Le procureur Mourier / Attorney Mourier (scenes deleted) | |
| Evelyne Didi | ... | Fernande | |
| Dani | ... | Loulou | |
| François Maistre | ... | Le président Lamarre-Coudray | |
| Vincent Gauthier | ... | Me Fillon / Judge Fillon | |
| Myriam David | ... | Rachel | |
| Pierre-François Dumeniaud | ... | Le patron du Café | |
| Bernard Houdeville | ... | Le paysan | |
| Claire Conty | ... | La coiffeuse | |
| Thomas Chabrol | ... | Le garçon de café | |
| Catherine Deville | ... | Yvonne | |
| Sylvie Flepp | ... | Berthe | |
| François Lafont | ... | Grocer | |
| Pierre Martot | ... | Le allemand | |
| Jurgen Mash | ... | Officier allemand | |
| Jean-Claude Lecas | ... | Robert | |
| Roland Shön | ... | Le vieille homme | |
| Anne-Marie Etienne | ... | Renée | |
| Valérie Leboutte | ... | Marcelle | |
| Fabienne Chaudat | ... | La patiente | |
| Jacques Vincent | ... | Le résistant | |
| Jeannine Hames | ... | La cantatrice | |
| Bernard Cherboeuf | ... | L'inspecteur | |
| Huguette Maillard | ... | Monique | |
| Elisabeth Sender | ... | Francine | |
| Valérie Soudant | ... | Armelle | |
| Lise Roy | ... | La garde | |
| Jean-Michel Noirey | ... | Bailiff | |
| Madeleine Marie | ... | Albertinie | |
| Caroline Berg | ... | Hélène Fillon | |
| reste de la distribution par ordre alphabétique: | |||
| Henri Attal | |||
| Jacques Brunet | ... | Col. Chabert | |
| Colette Charbonneau | |||
| Franck de la Personne | ... | L'avocat stagiaire Martinet (as Frank Lapersonne) | |
| Pascal Guégan | |||
Réalisé par | |||
| Claude Chabrol | |||
Scénaristes | ||
| Colo Tavernier | (scenario & adaptation) & | |
| Claude Chabrol | (scenario & adaptation) | |
| Colo Tavernier | (dialogue) (as Colo Tavernier O'Hagen) | |
| Francis Szpiner | (book) | |
Produit par | |||
| Marin Karmitz | .... | producer | |
Musique originale | |||
| Matthieu Chabrol | |||
Image | |||
| Jean Rabier | |||
Montage | |||
| Monique Fardoulis | |||
Création des décors | |||
| Françoise Benoît-Fresco | |||
Création des costumes | |||
| Corinne Jorry | |||
Directeur de production | |||
| Yvon Crenn | .... | production manager | |
Technicien du son | |||
| Jean-Berthieu Chabrol | .... | sound recordist | |
| Maurice Gilbert | .... | sound | |
| Jean-Bernard Thomasson | .... | sound | |
Story of Women (USA)
suite
108 min
Couleur (Eastmancolor)
1,66 : 1 suite
Australia:M | USA:TV-14 (cable rating) | Iceland:14 | Sweden:15 | West Germany:16
Based upon the true story of Marie-Louise Giraud. suite
La chanson du maçon suite
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| Landru | La cérémonie | Waterland | Soldaat van Oranje | Ostre sledované vlaky |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb France section | Add this title to MyMovies |
I'd like to focus on this film as a French film, not of the United States. If one has seen "La Chagrin et la Pitie," then one knows the legacy of this film. France was not perfect during WWII. Not everyone in France was part of the resistance, mainly, they were trying to survive. I think its an amazing film that sheds light on a crucial point in French history. Yes, it's about abortion and Chabrol does a great job ensuring his abortionist is less than perfect. That's a wonderful point he makes, that no one is perfect, not even the moral majority of the government. But, I come away from this film with the same questions that I get from "Lacombe, Lucien," which are: 'what would I have done?' And, please, don't Monday morning quarterback World War II.