Astenicheskiy sindrom (1989)

Note des utilisateurs:

7.7/10   

Réalisateur:

Kira Muratova

Writers:

Aleksandr Chernykh (writer)
Kira Muratova (writer)
(suite)

Release Date:

1 février 1991 (Netherlands)

Genre:

Drame

Plot:

In the old days it was called hypochrondria, or black melancholia. Now, apparently, it's termed the Asthenic Syndrome...

Plot Keywords:

Glasnost | Film In Film

Awards:

2 wins & 4 nominations

Avis des utilisateurs:

a hard-core Mike Leigh's Naked

Ensemble

Olga Antonova	...	Natasha
Sergei Popov	...	Nikolai
Galina Zakhurdayeva	...	Masha (Blonde)
Natalya Buzko	...	Masha (Brunette)
Aleksandra Svenskaya	...	Teacher
Pavel Polishchuk	...	Iunikov
Natalya Ralleva	...	Mother
Galina Kasperovich	...	Nikolai's Wife
Viktor Aristov	...	School Principal
Nikolai Semyonov	...	Head Doctor
Oleg Shkolnik
Vera Storozheva
Aleksandr Chernykh
Leonid Kushnir
reste de la distribution par ordre alphabétique:
Sergey Gavrishkiv		(as S. Gavrishkiv)
Nadya Popova	...	Woman on Train
A. Skarga

Réalisé par
Kira Muratova

Scénaristes (in alphabetical order)
Aleksandr Chernykh		writer
Kira Muratova		writer
Sergei Popov		writer

Produit par
Micha Lampert	....	co-producer

Image
Vladimir Pankov

Montage
Valentina Olejnik

Création des décors
Oleg Ivanov

Décorateur de plateau
Yevgeni Golubenko		(as Ye. Golubenko)

Création des costumes
M. Brodkina

Directeur de production
Nadya Popova	....	production manager

Assistant réalisateur
Tatyana Borodina	....	assistant director

Technicien du son
Yelena Demidova	....	sound

Production Companies

• Goskino
• Odessa Film Studios

Autre(s) titre(s):

The Asthenic Syndrome
The Weakness Syndrome
Le syndrome asthénique (France) [fr]

Durée:

153 min

Pays:

Soviet Union

Langue:

Russe

Couleur:

Noir et Blanc | Couleur

Aspect Ratio:

1.37 : 1

Son:

Mono

Company:

Goskino

a hard-core Mike Leigh's Naked

Russian Mike Leigh's Naked, even more straight-in-the-face, even more disturbing and more poetic though painfully honest.

Truly full-blooded cinema, although astonishing in its hyperrealism and - if I may - psychological gore.

Also, probably the only film made by woman which cannot be referred to as a "film made by woman".

Highly recommended for M.Leigh's fans, plus - for some reason it feels logical - viewers interested in WongKarWai, MikeFiggis, maybe Jon Jost. However, I have to admit - whereas being close in its impact to WKW's Happy Together, it's not as romantic as Chungking Express/FallenAngels, hardly as nostalgic as Days of Being Wild and definitely different in many ways being compared to nearly anything either Figgis or Jost have ever done. ;-)