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Aleksandr Chernykh (writer)
Kira Muratova (writer)
(suite)
1 février 1991 (Netherlands) suite
In the old days it was called hypochrondria, or black melancholia. Now, apparently, it's termed the Asthenic Syndrome... suite | add synopsis
2 wins & 4 nominations suite
a hard-core Mike Leigh's Naked plus de (1 total)
| Olga Antonova | ... | Natasha | |
| Sergei Popov | ... | Nikolai | |
| Galina Zakhurdayeva | ... | Masha (Blonde) | |
| Natalya Buzko | ... | Masha (Brunette) | |
| Aleksandra Svenskaya | ... | Teacher | |
| Pavel Polishchuk | ... | Iunikov | |
| Natalya Ralleva | ... | Mother | |
| Galina Kasperovich | ... | Nikolai's Wife | |
| Viktor Aristov | ... | School Principal | |
| Nikolai Semyonov | ... | Head Doctor | |
| Oleg Shkolnik | |||
| Vera Storozheva | |||
| Aleksandr Chernykh | |||
| Leonid Kushnir | |||
| reste de la distribution par ordre alphabétique: | |||
| Sergey Gavrishkiv | (as S. Gavrishkiv) | ||
| Nadya Popova | ... | Woman on Train | |
| A. Skarga | |||
Réalisé par | |||
| Kira Muratova | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Aleksandr Chernykh | writer | |
| Kira Muratova | writer | |
| Sergei Popov | writer | |
Produit par | |||
| Micha Lampert | .... | co-producer | |
Image | |||
| Vladimir Pankov | |||
Montage | |||
| Valentina Olejnik | |||
Création des décors | |||
| Oleg Ivanov | |||
Décorateur de plateau | |||
| Yevgeni Golubenko | (as Ye. Golubenko) | ||
Création des costumes | |||
| M. Brodkina | |||
Directeur de production | |||
| Nadya Popova | .... | production manager | |
Assistant réalisateur | |||
| Tatyana Borodina | .... | assistant director | |
Technicien du son | |||
| Yelena Demidova | .... | sound | |
The Asthenic Syndrome
The Weakness Syndrome
suite
153 min
1,37 : 1 suite
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
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Russian Mike Leigh's Naked, even more straight-in-the-face, even more disturbing and more poetic though painfully honest.
Truly full-blooded cinema, although astonishing in its hyperrealism and - if I may - psychological gore.
Also, probably the only film made by woman which cannot be referred to as a "film made by woman".
Highly recommended for M.Leigh's fans, plus - for some reason it feels logical - viewers interested in WongKarWai, MikeFiggis, maybe Jon Jost. However, I have to admit - whereas being close in its impact to WKW's Happy Together, it's not as romantic as Chungking Express/FallenAngels, hardly as nostalgic as Days of Being Wild and definitely different in many ways being compared to nearly anything either Figgis or Jost have ever done. ;-)