Born on the Fourth of July (1989)

Note des utilisateurs:

7.1/10   

Réalisateur:

Oliver Stone

Writers (WGA):

Ron Kovic (book)
Oliver Stone (screenplay) ...

Release Date:

20 décembre 1989 (USA)

Genre:

Biographie | Drame | War

Accroche:

A story of innocence lost and courage found.

Plot:

The biography of Ron Kovic. Paralyzed in the Vietnam war, he becomes an anti-war and pro-human rights political activist after feeling betrayed by the country he fought for.

Plot Keywords:

Vietnam War | Vietnam | Political | Casualties | Month In Title

Awards:

Won 2 Oscars. Another 10 wins & 14 nominations

Avis des utilisateurs:

'There was another war waiting for the soldiers when they returned home.'

US TV Schedule:

Sun. July 5

9:00 AM

TVLAND

Ensemble

Tom Cruise	...	Ron Kovic
Raymond J. Barry	...	Mr. Kovic
Caroline Kava	...	Mrs. Kovic
Josh Evans	...	Tommy Kovic
Jamie Talisman	...	Jimmy Kovic
Anne Bobby	...	Suzanne Kovic
Samantha Larkin	...	Patty Kovic
Tom Berenger	...	Recruiting Gunnery Sgt. Hayes
Frank Whaley	...	Timmy
Jerry Levine	...	Steve Boyer
Richard Panebianco	...	Joey Walsh
Rob Camilletti	...	Tommy Finnelli
Stephen Baldwin	...	Billy Vorsovich
Michael McTighe	...	Danny Fantozzi
Richard Haus	...	Recruiting Sgt. Bowers

Autre(s) titre(s):

Né un quatre juillet (Canada: French title) (France) [fr]

Durée:

145 min

Pays:

USA

Langue:

Anglais | Espagnol

Couleur:

Couleur

Aspect Ratio:

2.20 : 1

Son:

70 mm 6-Track (70 mm prints) | Dolby SR (35 mm prints)

Classification:

Spain:13 | USA:R (certificate #29975) | Portugal:M/16 | Singapore:M18 (re-rating) (cut) | Singapore:PG (heavily cut) | Brazil:12 | Argentina:16 | Australia:M | Canada:18+ (Quebec) | Canada:R | Chile:18 | Finland:K-14 | France:U | New Zealand:R13 (DVD rating) | Norway:15 | South Korea:18 | Sweden:15 | UK:18 | West Germany:16 | Iceland:16

Emplacements De Pelliculage:

Creekside Drive, Dallas, Texas, USA

Company:

Ixtlan Corporation

Anecdotes:

The entire film was shot in shades of red, white, or blue, depending on the emotional level (battle scenes are all in reddish hues, dream sequences in white, sadness in blue, etc).

Goofs:

Continuity: When Ron visits the family of the man he accidentally killed in Vietnam, the chair swing is broken. When he comes out of the house moments later, the swing is fixed.

Guillemet:

Chaplain: How are you?
Ron Kovic: [weakly] Tell them - they have to operate on me. There's something wrong with me.
Chaplain: The doctors are real busy right now. There's a lot of wounded here today. No time for anything except trying to stay alive, so you got to try and stay alive, okay? You hear me? Try and stay alive.
[pause]
Chaplain: I've come to give you your last rites. Are you ready?
Ron Kovic: (weakly) Yeah.
Chaplain: I am the Resurrection and the Life. He who believes in Me, though he were dead, yet shall he live, and whoever lives and believes in Me shall never die. You brught nothing into this world, and it is certain that you will take nothing out of it. The Lord gives, and the Lord takes away. Blessed be the name of the Lord.

Movie Connections:

Referenced in Last Laugh '05 (2005) (TV)

Soundtrack:

Que Voy a Hacer

'There was another war waiting for the soldiers when they returned home.'

When asked why he wanted to make another film about Vietnam after the success of 'Platoon,' Oliver Stone is quoted as saying, 'There was another war waiting for the soldiers when they returned home.' Indeed, he was right. 'Born On the Fourth Of July,' based on the book by Ron Kovic, follows Kovic's account of his experiences in Vietnam and the indifferent nation that he returned to. Although released in 1989, it holds up to the current situation that exists in Iraq now-many refer to it as the new Vietnam. Regardless of anyone's opinion on the current Iraq war, 'Born On the Fourth of July' is one of the most affecting, and important war related films of all time.

As the film opens, we find a young Kovic pretending to be a soldier with friends-a time when the idea of being a soldier was heroic since their father's had been heroes in WWII. The film then follows Kovic as a popular athlete in high school up to his recruitment as a Marine. Kovic rationalizes his reasons for joining up as Communists have missiles pointed at us now and we have to save our country from its threats.

During his time in Vietnam, Kovic sees the true nature of war. His platoon mistakenly fires upon a town where the enemy is supposedly hiding; however, they end up killing women and children. During the confusion that follows, Kovic accidentally shoots a fellow soldier-his guilt would encompass him for years to come. But when Kovic himself is wounded in a field, he is sent home paralyzed from the waist down. He spends the first few months in a veteran hospital, which in this case, was a slum. The doctors inform him that he will never be able to use his legs again, and that he no longer has the ability to have children.

When he returns to his home, he realizes that the world has changed. People protest the war, sometimes protesting against the soldiers themselves. His own family is indifferent to the war, as are his old friends. In one scene, he is told by an old friend who has become successful as a fast food manager, 'people here-they don't give a s**t about the war! To them it's just a million miles away.'

Eventually becoming disillusioned by everything in his hometown, Kovic spends a great deal of time with other veterans like himself at a resort in Mexico. Later he becomes an activist-his first public activism took place at the 1972 Republican National Convention where he was televised for exposing the reality of what soldiers endured in Vietnam, but also on the reasons why we did not belong there in the first place.

'Born On the Fourth of July' spends a good deal of time focusing on the misplaced patriotism that the politicians spewed at the public to drum up support not only for Vietnam, but the Cold War, in general. The film shows this by Kovic's own mother constantly reminding her son that he was doing the right thing by going over there and fighting and that he was in God's hands. When Kovic returns home and his disillusionment grows, he gets drunk one night and yells at his mother, 'There is no God. There is only me in this chair for the rest of my life!'

The film does stand up today just as strong as ever. With soldiers returning home from Iraq, and the constant media attention of terrorist attacks over there and seeing our own soldiers ambushed all the time, those who fight now must feel the same anger and frustration that Kovic felt year ago. It does make one wonder, when will the politicians ever truly get it! ****