| Videos (see all 3) |
Richard Smith (written by) and
Jeb Stuart (written by) ...
(suite)
4 août 1989 (USA) suite
How much can a man take. How far can he be pushed, before he fights back? suite
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled... suite | add synopsis
3 nominations suite
Cool little Stallone flick plus de (44 total)
| Sylvester Stallone | ... | Frank Leone | |
| Donald Sutherland | ... | Warden Drumgoole | |
| John Amos | ... | Captain Meissner | |
| Sonny Landham | ... | Chink Weber | |
| Tom Sizemore | ... | Dallas | |
| Frank McRae | ... | Eclipse | |
| Darlanne Fluegel | ... | Melissa | |
| William Allen Young | ... | Braden | |
| Larry Romano | ... | First Base | |
| Jordan Lund | ... | Manly | |
| John Lilla | ... | Wiley | |
| Dean Rader-Duval | ... | Ernie (as Dean Duval) | |
| Jerry Strivelli | ... | Louie Munafo | |
| David Anthony Marshall | ... | Mastrone | |
| Kurek Ashley | ... | Chink's Gang Member | |
| Michael Petroni | ... | Chink's Gang Member | |
| Danny Trejo | ... | Chink's Gang Member | |
| Frank D'Annibale | ... | Guard | |
| Tony Lip | ... | Guard | |
| Clarence Moore | ... | Guard | |
| Joe Pentangelo | ... | Guard (as Joe Pentangello) | |
| Eli Rich | ... | Guard | |
| Bo Rucker | ... | Guard | |
| Randy Sandkuhl | ... | Guard | |
| Robert Vazquez | ... | Officer Vasquez | |
| Tony Munafo | ... | Prisoner | |
| Frank Pesce | ... | Johnson | |
| Troy Curvey Jr. | ... | Prison Receptionist | |
| reste de la distribution par ordre alphabétique: | |||
| Anthony Gray | ... | Prison Mechanic (uncredited) | |
Réalisé par | |||
| John Flynn | |||
Scénaristes(WGA) | ||
| Richard Smith | (written by) and | |
| Jeb Stuart | (written by) and | |
| Henry Rosenbaum | (written by) | |
Produit par | |||
| Michael S. Glick | .... | executive producer | |
| Charles Gordon | .... | producer | |
| Lawrence Gordon | .... | producer | |
| Lloyd Levin | .... | co-producer | |
| Tony Munafo | .... | associate producer | |
| Adam Simon | .... | co-producer | |
Musique originale | |||
| Bill Conti | |||
Image | |||
| Donald E. Thorin | |||
Montage | |||
| Don Brochu | (as Donald Brochu) | ||
| Robert A. Ferretti | |||
| Michael N. Knue | |||
| Barry B. Leirer | |||
Distribution des rôles | |||
| Joy Todd | |||
Création des décors | |||
| Bill Kenney | |||
Décorateur de plateau | |||
| George DeTitta Sr. | |||
Création des costumes | |||
| Bernie Pollack | |||
Maquillage | |||
| Ann Brodie | .... | makeup artist: Mr. Sutherland | |
| Colleen Callaghan | .... | hair stylist | |
| Dennis Liddiard | .... | makeup artist: Los Angeles | |
| Gary Liddiard | .... | makeup supervisor | |
| Bruce Wayne | .... | hair stylist | |
| Allen Weisinger | .... | makeup artist: New York (as Alan Weisinger) | |
Directeur de production | |||
| Michael S. Glick | .... | unit production manager | |
Assistant réalisateur | |||
| Newt Arnold | .... | first assistant director | |
| Frank Capra III | .... | second assistant director | |
| Stephen A. Glanzrock | .... | second assistant director | |
| David Lux | .... | second unit director | |
| Tracy Rosenthal-Newsom | .... | second assistant director (as Tracy Rosenthal) | |
| David Sosna | .... | first assistant director | |
Département Art | |||
| Jerry Adams | .... | set decorator: Los Angeles | |
| Clete Cetrone | .... | construction foreman | |
| Gerald DeTitta | .... | leadman | |
| Bruce J. Gfeller | .... | construction coordinator | |
| Bill Groom | .... | art director: New York | |
| Kurt V. Hulett | .... | set dresser | |
| Sam Moore | .... | property master | |
| Christopher Nelson | .... | set dresser | |
| Lee N. Sforza | .... | propmaker foreman | |
| William Ladd Skinner | .... | art director: Los Angeles (as Wm. Ladd Skinner) | |
Technicien du son | |||
| James Beshears | .... | adr supervisor | |
| Ed Callahan | .... | sound editor | |
| Jerry Jacobson | .... | adr editor | |
| Bob Newlan | .... | sound editor | |
| Mark Ormandy | .... | assistant sound editor | |
| Dan Sharp | .... | sound re-recordist | |
| Gordon Webb | .... | boom operator | |
| David Williams | .... | sound editor | |
Effets spéciaux | |||
| Joe Digaetano | .... | special effects coordinator | |
| David Domeyer | .... | special effects: Los Angeles (as Dave Domeyer) | |
| Edward Drohan | .... | special effects | |
| Terry Erickson | .... | special effects | |
| David Fletcher | .... | special effects foreman | |
| R.J. Hohman | .... | special effects crew | |
| Robert Wilson Jr. | .... | special effects: New York | |
| Robert Wilson Sr. | .... | special effects: New York | |
Visual Effects | |||
| Joneva Barry | .... | miniatures painter: Introvision | |
| John Coats | .... | visual effects camera: Introvision | |
| Tim Donahue | .... | visual effects art director: Introvision | |
| Richard Kilroy | .... | miniatures painter: Introvision | |
| John P. Mesa | .... | visual effects cameraman | |
| William Mesa | .... | visual effects supervisor | |
| Marcus Tate | .... | visual effects cameraman: introvision system camera | |
| Rick Taylor | .... | visual effects cameraman (uncredited) | |
Cascadeur | |||
| Danny Aiello III | .... | stunts | |
| Jay Boryea | .... | stunts | |
| Paul Bucossi | .... | stunts | |
| Peter Bucossi | .... | stunts | |
| Carl Ciarfalio | .... | stunts | |
| Gary Compton | .... | stunts (as Garry Campton) | |
| Doc Duhame | .... | stunts (as Doc Duhane) | |
| Andy Duppin | .... | stunts | |
| Danny Epper | .... | stunts | |
| Tommy J. Huff | .... | stunts (as Tom Huff) | |
| Matt Johnston | .... | stunts | |
| Gene LeBell | .... | stunts | |
| Curtis Lupo | .... | stunts | |
| Tom Lupo | .... | stunts | |
| Reggie McElroy | .... | stunts | |
| Bobby McLaughlin | .... | stunts (as Bobby Travis McLaughlin) | |
| Bennie Moore | .... | stunts (as Benny Moore) | |
| Phil Neilson | .... | stunts (as Phil Nielson) | |
| Jeff O'Haco | .... | stunts | |
| Frank Orsatti | .... | stunt coordinator | |
| Manny Perry | .... | stunts | |
| Rex Pierson | .... | stunts | |
| Jeff Ward | .... | stunts | |
| Richard Washington | .... | stunts | |
| George P. Wilbur | .... | stunts (as George Wilbur) | |
| Glenn R. Wilder | .... | stunts (as Glen Wilder) | |
| Mark De Alessandro | .... | stunt double: Sylvester Stallone (uncredited) | |
Caméra et Département Electrique | |||
| James F. Boyle | .... | gaffer | |
| Bobby Brown | .... | second assistant camera: "a" camera | |
| Dave Friedman | .... | still photographer | |
| Daniel C. Gold | .... | first assistant camera | |
| Rob Hahn | .... | camera operator | |
| Douglas C. Hart | .... | first assistant camera: New Jersey | |
| Kerry Hayes | .... | still photographer | |
| Chaim Kantor | .... | second assistant camera: New York | |
| Riggs Murdock | .... | additional first assistant camera | |
| Paul Murphey | .... | video assist operator | |
| John Seakwood | .... | still photographer | |
Dpartement Editorial | |||
| Brian Ralph | .... | negative cutter | |
Département Musique | |||
| Jack Eskew | .... | orchestrator | |
| Stephen A. Hope | .... | music editor | |
| John Rotondi | .... | scoring engineer: Y4 | |
| Dan Wallin | .... | score mixer | |
| Celia Weiner | .... | music editor (uncredited) | |
Département Transport | |||
| Maxwell R. Johnson II | .... | transportation captain | |
| Bobby Marsh | .... | driver | |
Divers | |||
| Richard McQuilkin | .... | production assistant | |
| Christopher Mollo | .... | production assistant | |
| Janice Polley | .... | location manager | |
| Kellett Tighe | .... | assistant: Lawrence Gordon | |
| Michael Vieira | .... | production assistant | |
| Kathryn Weygand | .... | script supervisor | |
| Jeff Winn | .... | key craft service | |
| Barry Fitzsimmons | .... | production assistant (uncredited) | |
115 min | Norway:104 min (approx.)
Couleur (Technicolor)
1,85 : 1 suite
Brazil:16 | Iceland:16 | Canada:13+ (Quebec) | Singapore:NC-16 | Netherlands:12 | France:-12 | Australia:M | Finland:K-18 | Norway:15 | Spain:18 | Sweden:15 | UK:18 | USA:R (certificate #29891) | West Germany:16 (cut) | West Germany:18
The brief dance done by Eclipse when he scores the touchdown during the football game resembles the "Ickey Shuffle" made famous by Elbert "Ickey" Woods who played fullback for the Cincinnati Bengals in the late 1980s. suite
Continuité: The front glass on Leone's windshield gets broken twice after it reappears. suite
Captain Meissner:
Every hour, when the light comes on, you'll stand, face the camera and state your name and number
[BZZZZZ]
Captain Meissner:
Name and number!
Frank Leone:
[Leone faces wall] Leone. Five ten.
Captain Meissner:
Face the camera!... Name and number!
Frank Leone:
[Leone turns] Leone. Five ten.
suite
VEHICLE suite
|
|
|
|
|
| Black Mama, White Mama | Beyond Re-Animator | Midnight Express | The Fugitive | An Innocent Man |
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Lock Up is a pretty good movie for Stallone fans, although it could easily have been much better had he not been basically a saint behind bars. Stallone plays Frank Leone, who faces multiple prison terms total, beginning with an 18-month sentence he was given for avenging the vicious beating of an old man who took him off the streets when he was a teenager. So back then he wasn't allowed to leave the prison to see his dying father (when we meet him, he is on a weekend leave from a minimum security prison, a weekend that he spends playing ball with his kids while his charming wife looks on approvingly), so he breaks out to go to the funeral.
So his minor prison sentence turns into a big one, although one that he spends at a comfortable minimum security joint with all kinds of perks, including weekends and conjugals and even friendships with the guards. His release is approaching when suddenly he is awakened in the middle of the night and taken to a brutal, maximum-security prison where he is to spend the rest of his sentence. It's called a "routine transfer," although he has done nothing to deserve such an upgrade in security status and even his wife is not informed of what happened to him.
Ultimately he learns that he is being transferred to the prison of Warden Drumgoole (Donald Sutherland at his creepy best), who was in charge of the prison that Leone escaped from, which in turn made it into the papers and ruined Drumgoole's career. Now he has his chance for revenge, and he plans to arrange for Leone to spend the rest of his life in this prison.
The movie carelessly glosses over the ease with which Drumgoole plucks Leone out of his own prison with no explanation to those in charge there, and the conflict immediately switches to Leone trying to survive in this violent prison and stay out of trouble so he doesn't screw up his chances of getting released on time so he can go back to his family.
Drumgoole pulls out all the stops in violating the law that his institution is designed to uphold so that he can keep this one guy down, and Leone faces all manner of challenges ranging from shank-laden inmates to one of his inmate buddies who steals the Mustang they've all restored together and tears all over the prison yard doing doughnuts.
The movie is definitely entertaining although there are times when the cheese factor is through the roof, such as the spray paint fight and the downright school-girlish friendship that Leone forms with a small group of other inmates. On the other hand, it also has a much wider target audience than your average prison movie, and it manages to generally avoid most of the gaping pitfalls that prison movies are in danger of falling into when they shoot for a wide audience. There's nothing realistic about it, but for good Stallone entertainment, this is not a bad way to follow up the massive success of the Rambo and Rocky films.
Also keep your eye out for a young Tom Sizemore, but be advised that the movie features violence, unnecessary cheesiness and may leave you with an overwhelming desire to go out and get some doughnuts