Milou en mai (1990)

Note des utilisateurs:

7.3/10   

Réalisateur:

Louis Malle

Writers:

Louis Malle (scenario) &
Jean-Claude Carrière (scenario)

Release Date:

juillet 1990 (USA)

Genre:

Comedie

Plot:

Like Vanya, in Malle's last film, Milou never left the family estate. His mother dies during the May 1968 student uprising in Paris...

Plot Keywords:

1968 | Countryside | May 1968 | Ensemble Film | Nudity

Awards:

Nominated for BAFTA Film Award. Another 2 wins & 3 nominations

Avis des utilisateurs:

May Wine

Ensemble

Miou-Miou	...	Camille
Michel Piccoli	...	Milou
Michel Duchaussoy	...	Georges
Bruno Carette	...	Grimaldi
Paulette Dubost	...	Mrs. Vieuzac
Harriet Walter	...	Lily
Martine Gautier	...	Adele
Rozenne Le Tallec	...	Marie-Laure
Jeanne Herry	...	Françoise (as Jeanne Herry-Leclerc)
Renaud Danner	...	Pierre-Alain
François Berléand	...	Daniel
Dominique Blanc	...	Claire
reste de la distribution par ordre alphabétique:
Serge Angeloff	...	Adele's fiancé
Anne-Marie Bonange	...	Neighbor
Marcel Bories	...	Leonce
Bernard Brocas	...	Le curé / Priest
Stéphane Broquedis	...	The young garage owner
Etienne Draber	...	Mr. Boutelleau
Diane Gracis	...	Young girl
Denise Juskiewenski	...	Mrs. Abel
Valérie Lemercier	...	Mrs. Boutelleau
Stéphane Paoli	...	Jacques Paoli
Benjamin Prieur	...	Twin
Nicolas Prieur	...	Twin
Hubert Saint-Macary	...	Paul
Jacqueline Staup	...	Neighbor
Georges Vaur	...	Funeral procession

Autre(s) titre(s):

May Fools (USA)
Milou a maggio (Italy)
Milou in May (UK)

Durée:

Germany:107 min

Pays:

France | Italy

Langue:

Français | Anglais

Couleur:

Couleur

Aspect Ratio:

1.66 : 1

Son:

Dolby

Classification:

Australia:M | Iceland:L | USA:TV-MA (cable rating) | Finland:S | Sweden:7 | USA:R | West Germany:12

Emplacements De Pelliculage:

Château du Calaoue, Gers, France

Company:

Nouvelles Éditions de Films (NEF)

Movie Connections:

Featured in "Zomergasten: (#5.2)" (1992)

Soundtrack:

La Fille du Bedouin

May Wine

Malle made only two films after this one, Damage, and Vanya On 42nd Street and it's tempting to view Milou en Mai as a rehearsal for Vanya though in the end the differences outweigh the similarities. It IS set on a country estate that is running to seed and there IS a 'Vanya' figure in Milou himself (Michel Piccoli) who more or less tends the estate in the absence of his siblings - one deceased, one pursuing his own career. There IS a family gathering with all that that implies, bickering, truth-telling, laughter, tears, accusations, recriminations etc. Perhaps above all it is a MOOD piece which does put it in the same universe as Chekhov but it is ultimately too easy to read it in this way. It was a masterstroke to place it at the time of the student riots in Paris, May, 1968 and this strengthens the links with Chekhov who, of course, wrote his own masterpieces at a time when Russia was undergoing changes unacknowledged by his gentlefolk with their heads in the metaphorical sand of dachas serenely remote from the turbulence. This is a film of great lyricism and melancholia with a gentle Jazz music score by Stephane Grappelly and the action, such as it is, is kick-started by the death of Milou's mother which necessitates summoning the family for the funeral. Again like Chekhov what we have here is an ensemble piece rather than Leading Man, Leading Lady, Juvenile, Ingenue, etc and the acting is uniformly excellent from Miou-Miou as Milou's daughter, Camille, to Francois Berleand as the family lawyer who drives a red Alfa Romeo and still carries a torch for Camille, to Valerie Lemercier in the small but telling role of Madame Boutelleau. The events in far-off Paris punctuate but are not allowed to dominate and barely to influence the action leaving the family - and non-family - to quarrel, couple, fail-to-couple and relate the occasional home truth. In short a lovely Autumnal movie.