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Milou en mai (1990) More at IMDbPro »

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Overview

Note des utilisateurs:
7.3/10   990 votes
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Up 1% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Louis Malle
Writers:
Louis Malle (scenario) &
Jean-Claude Carrière (scenario)
Contact:
View company contact information for May Fools on IMDbPro.
Release Date:
juillet 1990 (USA) suite
Genre:
Comedie suite
Plot:
Like Vanya, in Malle's last film, Milou never left the family estate. His mother dies during the May 1968 student uprising in Paris... suite | add synopsis
Awards:
Nominated for BAFTA Film Award. Another 2 wins & 3 nominations suite
Avis des utilisateurs:
May Wine suite

Ensemble

  (in credits order) (verified as complete)
Miou-Miou ... Camille
Michel Piccoli ... Milou
Michel Duchaussoy ... Georges
Bruno Carette ... Grimaldi
Paulette Dubost ... Mrs. Vieuzac
Harriet Walter ... Lily
Martine Gautier ... Adele
Rozenne Le Tallec ... Marie-Laure
Jeanne Herry ... Françoise (as Jeanne Herry-Leclerc)
Renaud Danner ... Pierre-Alain
François Berléand ... Daniel
Dominique Blanc ... Claire
reste de la distribution par ordre alphabétique:
Serge Angeloff ... Adele's fiancé
Anne-Marie Bonange ... Neighbor
Marcel Bories ... Leonce
Bernard Brocas ... Le curé / Priest
Stéphane Broquedis ... The young garage owner
Etienne Draber ... Mr. Boutelleau
Diane Gracis ... Young girl
Denise Juskiewenski ... Mrs. Abel
Valérie Lemercier ... Mrs. Boutelleau
Stéphane Paoli ... Jacques Paoli
Benjamin Prieur ... Twin
Nicolas Prieur ... Twin
Hubert Saint-Macary ... Paul
Jacqueline Staup ... Neighbor
Georges Vaur ... Funeral procession
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Réalisé par
Louis Malle 
 
Scénaristes
Louis Malle (scenario) &
Jean-Claude Carrière (scenario)

Produit par
Louis Malle .... producer
Vincent Malle .... executive producer
 
Musique originale
Stéphane Grappelli 
 
Image
Renato Berta 
 
Montage
Emmanuelle Castro 
 
Distribution des rôles
Jeanne Biras 
 
Création des décors
Willy Holt 
Philippe Turlure 
 
Création des costumes
Catherine Leterrier 
 
Maquillage
Christiane Berroyer .... hair stylist
Françoise Chapuis-Asselin .... key makeup artist (as Françoise Chapuis)
Joël Lavau .... key makeup artist
Laurence Le Bourvelec-Butin .... hair stylist (as Laurence Le Bourvelec)
 
Directeur de production
Jean-Yves Asselin .... unit production manager
Sylvie Duluc .... unit manager
Gérald Molto .... production manager
 
Assistant réalisateur
Luc Etienne .... second assistant director
Michel Ferry .... first assistant director
 
Art Department
Jean Bretonnière .... painter
Benoît Clémenceau .... props
Roger Fresca .... carpenter
Michel Grimaud .... property master
André Loisif .... construction coordinator
 
Technicien du son
Dominique Hennequin .... sound mixer
Jean-Claude Laureux .... sound
Laurent Lévy .... foley artist
Chris Max .... synchronization
Manuel Naudin .... sound trainee
Brigitte Taillandier .... boom operator
 
Camera and Electrical Department
Jeanne-Louise Bulliard .... still photographer
Guy Canu .... key grip
Franck Coquet .... gaffer
Muriel Coulin .... second assistant camera
Jean-Paul Toraille .... first assistant camera
Christian Weyers .... gaffer
 
Casting Department
Swan Pham .... casting assistant
 
Costume and Wardrobe Department
Anne David .... costume supervisor
Annick Redon .... costumer
 
Editorial Department
Nathalie Langlade .... assistant editor
Marie-France Poulizac .... assistant editor
 
Music Department
Marcel Azzola .... musician
Marc Fosset .... musician
Pierre Gossez .... musician
Stéphane Grappelli .... musician
Jean-Francois Heisser .... musician: piano
Henning Lohner .... music consultant
Henri Renaud .... music consultant
Jack Sewing .... musician
Martin Taylor .... musician
Maurice Vander .... musician
 
Divers
Françoise Cadeac .... animal trainer
Pierre Cadeac .... animal trainer
Frédérique Chevarin .... production assistant
Claude Davy .... publicist
Frédéric Doniguian .... production assistant
Simone Escoffier .... production secretary
France Lachapelle .... script supervisor
Henning Lohner .... apprentice director
Catherine Staub .... production administrator
 
Thanks
Bruno Carette .... in memory of (as Bruno)
 

Production CompaniesDistributorsOther Companies
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Additional Details

Autre(s) titre(s):
May Fools (USA)
Milou a maggio (Italy)
Milou in May (UK)
suite
Durée:
Germany:107 min
Pays:
France | Italy
Couleur:
Couleur
Aspect Ratio:
1.66 : 1 suite
Son:
Dolby
Emplacements De Pelliculage:
Château du Calaoue, Gers, France

Curiosités

Movie Connections:
Featured in "Zomergasten: (#5.2)" (1992) suite
Soundtrack:
Le nozze di Figaro (Voi che sapete) suite

foire aux questions

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21 out of 22 people found the following comment useful:-
May Wine, 24 May 2005
8/10
Author: writers_reign

Malle made only two films after this one, Damage, and Vanya On 42nd Street and it's tempting to view Milou en Mai as a rehearsal for Vanya though in the end the differences outweigh the similarities. It IS set on a country estate that is running to seed and there IS a 'Vanya' figure in Milou himself (Michel Piccoli) who more or less tends the estate in the absence of his siblings - one deceased, one pursuing his own career. There IS a family gathering with all that that implies, bickering, truth-telling, laughter, tears, accusations, recriminations etc. Perhaps above all it is a MOOD piece which does put it in the same universe as Chekhov but it is ultimately too easy to read it in this way. It was a masterstroke to place it at the time of the student riots in Paris, May, 1968 and this strengthens the links with Chekhov who, of course, wrote his own masterpieces at a time when Russia was undergoing changes unacknowledged by his gentlefolk with their heads in the metaphorical sand of dachas serenely remote from the turbulence. This is a film of great lyricism and melancholia with a gentle Jazz music score by Stephane Grappelly and the action, such as it is, is kick-started by the death of Milou's mother which necessitates summoning the family for the funeral. Again like Chekhov what we have here is an ensemble piece rather than Leading Man, Leading Lady, Juvenile, Ingenue, etc and the acting is uniformly excellent from Miou-Miou as Milou's daughter, Camille, to Francois Berleand as the family lawyer who drives a red Alfa Romeo and still carries a torch for Camille, to Valerie Lemercier in the small but telling role of Madame Boutelleau. The events in far-off Paris punctuate but are not allowed to dominate and barely to influence the action leaving the family - and non-family - to quarrel, couple, fail-to-couple and relate the occasional home truth. In short a lovely Autumnal movie.

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