| Photos (see all 44 | slideshow) |
| Billy Crystal | ... | Harry Burns | |
| Meg Ryan | ... | Sally Albright | |
| Carrie Fisher | ... | Marie | |
| Bruno Kirby | ... | Jess | |
| Steven Ford | ... | Joe | |
| Lisa Jane Persky | ... | Alice | |
| Michelle Nicastro | ... | Amanda Reese | |
| Gretchen Palmer | ... | Stewardess | |
| Robert Alan Beuth | ... | Man on aisle | |
| David Burdick | ... | Nine-year-old boy | |
| Joe Viviani | ... | Judge | |
| Harley Jane Kozak | ... | Helen Helson (as Harley Kozak) | |
| Joseph Hunt | ... | Waiter at wedding | |
| Kevin Rooney | ... | Ira Stone | |
| Franc Luz | ... | Julian | |
| Tracy Reiner | ... | Emily | |
| Kyle T. Heffner | ... | Gary (as Kyle Heffner) | |
| Kimberley LaMarque | ... | Waitress (as Kimberley Lamarque) | |
| Stacey Katzin | ... | Hostess | |
| Estelle Reiner | ... | Older customer in orgasm scene ("I'll have what she's having") | |
| John Arceri | ... | Christmas-tree salesman | |
| Peter Day | ... | Joke teller at wedding | |
| Kuno Sponholz | ... | Documentary couple #1 | |
| Connie Sawyer | ... | Documentary couple #1 | |
| Charles Dugan | ... | Documentary couple #2 | |
| Katherine Squire | ... | Documentary couple #2 | |
| Al Christy | ... | Documentary couple #3 | |
| Frances Chaney | ... | Documentary couple #3 | |
| Bernie Hern | ... | Documentary couple #4 | |
| Rose Wright | ... | Documentary couple #4 | |
| Aldo Rossi | ... | Documentary couple #5 | |
| Donna Hardy | ... | Documentary couple #5 | |
| Peter Pan | ... | Documentary couple #6 | |
| Jane Chung | ... | Documentary couple #6 | |
| reste de la distribution par ordre alphabétique: | |||
| Bob Ader | ... | Tap dancer (uncredited) | |
| David Giardina | ... | Extra (uncredited) | |
| Nicholas Glaeser | ... | Waiter (uncredited) | |
| Marilyn Spanier | ... | Tap dancer (uncredited) | |
Réalisé par | |||
| Rob Reiner | |||
Scénaristes(WGA) | ||
| Nora Ephron | (written by) | |
Produit par | |||
| Nora Ephron | .... | associate producer | |
| Steve Nicolaides | .... | co-producer | |
| Rob Reiner | .... | producer | |
| Andrew Scheinman | .... | producer | |
| Jeffrey Stott | .... | co-producer | |
Image | |||
| Barry Sonnenfeld | (director of photography) | ||
Montage | |||
| Robert Leighton | |||
Distribution des rôles | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Création des décors | |||
| Jane Musky | |||
Décorateur de plateau | |||
| George R. Nelson | |||
| Sabrina Wright | (as Sabrina Wright-Basile) | ||
Création des costumes | |||
| Gloria Gresham | |||
Maquillage | |||
| Stephen Abrums | .... | makeup artist: Meg Ryan | |
| Joseph A. Campayno | .... | makeup artist: Meg Ryan | |
| Ken Chase | .... | makeup artist: Billy Crystal (as Kenneth Chase) | |
| William A. Farley | .... | hair stylist | |
| Barbara Lorenz | .... | hair stylist | |
| Peter Montagna | .... | makeup artist: Billy Crystal | |
Directeur de production | |||
| Mark A. Baker | .... | unit manager | |
| Steve Nicolaides | .... | production manager | |
Assistant réalisateur | |||
| Aaron Barsky | .... | first assistant director | |
| Forrest L. Futrell | .... | additional second assistant director | |
| Lucille Ouyang | .... | additional second assistant director (as Lucille A. Ouyang) | |
| Michael Waxman | .... | second assistant director | |
| Charles Zalben | .... | additional second assistant director | |
Art Department | |||
| James J. Archer | .... | props | |
| David L. Glazer | .... | property master | |
| Billy Puzo | .... | scenic artist | |
| Harold Thrasher | .... | art department coordinator | |
| Dick Tice | .... | property master | |
| Frank Viviano | .... | construction coordinator | |
| Mychael Bates | .... | set dresser (uncredited) | |
| Michael D. Costello | .... | scenic artist (uncredited) | |
| Clare Scarpulla | .... | assistant art director (uncredited) | |
| Chris Snyder | .... | construction foreman (uncredited) | |
Technicien du son | |||
| George Baetz | .... | boom operator | |
| Charles L. Campbell | .... | supervising sound editor | |
| Paul Timothy Carden | .... | sound editor | |
| Larry Carow | .... | sound editor | |
| Dean Drabin | .... | foley mixer | |
| Robert Eber | .... | sound mixer | |
| Louis L. Edemann | .... | supervising sound editor | |
| Richard C. Franklin | .... | sound editor (as Richard C. Franklin Jr.) | |
| John Fundus | .... | boom operator (as John K. Fundus) | |
| David Gertz | .... | dubbing recordist | |
| David J. Hudson | .... | sound re-recording mixer | |
| Pamela G. Kimber | .... | assistant sound editor (as Pam Kimber) | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Chuck Neely | .... | sound editor | |
| Terry Porter | .... | sound re-recording mixer | |
| Rod Rogers | .... | assistant adr editor | |
| Larry Singer | .... | supervising adr editor | |
| Tim Song Jones | .... | sound transferer (uncredited) | |
Camera and Electrical Department | |||
| Brian W. Armstrong | .... | assistant camera (as Brian Armstrong) | |
| Bruce Birmelin | .... | still photographer | |
| Angelo Di Giacomo | .... | assistant camera (as Angelo DiGiacomo) | |
| Christopher Duskin | .... | assistant camera | |
| Russell Engels | .... | gaffer (as Russell W. Engels) | |
| Dennis Gamiello | .... | key grip | |
| M. Todd Henry | .... | camera operator | |
| Kevin Kelley | .... | gaffer | |
| Thomas Miligan | .... | assistant camera | |
| Andrew D. Schwartz | .... | still photographer (as Andy Schwartz) | |
| Michael Burke | .... | electrician (uncredited) | |
| Raymond Fortune | .... | electrician (uncredited) | |
| Paul Jacobsen | .... | rigging gaffer (uncredited) | |
| Maricella Ramirez | .... | assistant camera (uncredited) | |
Casting Department | |||
| Robin Joy Allan | .... | casting associate (as Robin Allan) | |
| Michael Hirshenson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jennifer L. Parsons | .... | costume supervisor | |
Editorial Department | |||
| Norman Buckley | .... | assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Debbie Goldsmith | .... | assistant editor | |
| Steven Nevius | .... | assistant editor (as Steve Nevius) | |
| J. Kathleen Gibson | .... | second assistant editor (uncredited) | |
| Dale E. Grahn | .... | color timer (uncredited) | |
Music Department | |||
| Harry Connick Jr. | .... | special musical performances and arrangements | |
| John Richards | .... | music scoring mixer | |
| Marc Shaiman | .... | music adaptor | |
| Marc Shaiman | .... | music arranger | |
| Marc Shaiman | .... | orchestrator | |
| Thomas Richard Sharp | .... | orchestrator (as Thom Sharp) | |
| Scott Stambler | .... | music supervisor | |
| Mahlon Clark | .... | musician: clarinet (uncredited) | |
Transportation Department | |||
| James Fanning | .... | transportation coordinator (as James E. Fanning) | |
| Tim Roslan | .... | transportation coordinator | |
| Bobby Marsh | .... | driver (uncredited) | |
Thanks | |||
| Jay L. Cooper | .... | thanks (as Jay Cooper) | |
| Ronnie Davis | .... | thanks | |
| Sol Horn | .... | special thanks | |
| Tina Nielsen | .... | thanks | |
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| Les invasions barbares | Body Double | Peter's Friends | The Nanny Diaries | Flannel Pajamas |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedie section | IMDb USA section | Add this title to MyMovies |
This movie grows like a good wine. I really didn't get it when it was first released; I avoided it like the plague. But people have a curious tendency to mature and change their POVs with time, and so was it with me. This movie opened me up to a lot of things - believe it or not, I didn't get the 'Call Me' sequence at first: I was lost, and admit it. But I am not lost now, and this movie is partly responsible.
Meg might be the reason guys want to see this movie, again and again, but after a while you begin to appreciate the contribution Crystal made to the film. The dialogue has his name all over it. The dialogue in this film is at times simply amazing - check the memorable quotes here if you've seen the movie and have forgot.
I would not pick this movie out of a barrel as most likely to be so influential, but it's a fact that it is, and rightfully so. Great support from Kirby and Fisher. Today it's Hanks and Ryan who are paired, thanks undoubtedly to Sleepless in Seattle, but one wonders why no one has tried to get Crystal and Ryan back together again. They're fantastic.
This is one of the all-time best movies ever made. All-time 10? Or 20? or 1000? I don't know; it's just one of the best - it has that quality about it. Keeper.