Overview
Release Date:
8 avril 1990 (USA)
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Accroche:
A town where everyone knows everyone and nothing is what it seems.
Plot:
An idiosyncratic FBI Agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks.
full summary
Awards:
Won 3 Golden Globes.
Another 7 wins
&
32 nominations
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Avis des utilisateurs:
my all-time favorite television show
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| Kyle MacLachlan | ... | Special Agent Dale Cooper (30 episodes, 1990-1991) |
 | Michael Ontkean | ... | Sheriff Harry S. Truman (30 episodes, 1990-1991) |
| Mädchen Amick | ... | Shelly Johnson (30 episodes, 1990-1991) |
| Dana Ashbrook | ... | Bobby Briggs (30 episodes, 1990-1991) |
| Richard Beymer | ... | Benjamin Horne (30 episodes, 1990-1991) |
| Lara Flynn Boyle | ... | Donna Hayward (30 episodes, 1990-1991) |
| Sherilyn Fenn | ... | Audrey Horne (30 episodes, 1990-1991) |
| Warren Frost | ... | Dr. Will Hayward (30 episodes, 1990-1991) |
| Peggy Lipton | ... | Norma Jennings (30 episodes, 1990-1991) |
| James Marshall | ... | James Hurley (30 episodes, 1990-1991) |
| Everett McGill | ... | Big Ed Hurley / ... (30 episodes, 1990-1991) |
| Jack Nance | ... | Pete Martell (30 episodes, 1990-1991) |
| Joan Chen | ... | Jocelyn Packard (29 episodes, 1990-1991) |
| Kimmy Robertson | ... | Lucy Moran / ... (29 episodes, 1990-1991) |
| Michael Horse | ... | Deputy Tommy 'Hawk' Hill (28 episodes, 1990-1991) |
| Piper Laurie | ... | Catherine Martell / ... (27 episodes, 1990-1991) |
| Harry Goaz | ... | Deputy Andy Brennan (26 episodes, 1990-1991) |
| Eric DaRe | ... | Leo Johnson (24 episodes, 1990-1991) |
| Wendy Robie | ... | Nadine Hurley (22 episodes, 1990-1991) |
| Ray Wise | ... | Leland Palmer (18 episodes, 1990-1991) |
| Sheryl Lee | ... | Madeleine 'Maddy' Ferguson / ... (18 episodes, 1990-1991) |
| Russ Tamblyn | ... | Dr. Jacoby / ... (16 episodes, 1990-1991) |
| Don S. Davis | ... | Major Garland Briggs / ... (16 episodes, 1990-1991) |
| Chris Mulkey | ... | Hank Jennings (13 episodes, 1990-1991) |
| Gary Hershberger | ... | Mike Nelson (13 episodes, 1990-1991) |
| Grace Zabriskie | ... | Sarah Palmer (13 episodes, 1990-1991) |
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| Deepak Nayar | .... | second assistant director / first assistant director (24 episodes, 1990-1991) |
| Randy N. Barbee | .... | second second assistant director / second assistant director (21 episodes, 1990-1991) |
| Scott Cameron | .... | first assistant director (15 episodes, 1990-1991) |
| Christopher T. Gerrity | .... | second assistant director / first assistant director (12 episodes, 1990-1991) |
| Martha L. Mericka | .... | second second assistant director (10 episodes, 1991) |
| Robert D. Simon | .... | first assistant director (4 episodes, 1990) |
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| Gary Alexander | .... | sound re-recording mixer (30 episodes, 1990-1991) |
| Adam Jenkins | .... | sound re-recording mixer (30 episodes, 1990-1991) |
| Richard Taylor | .... | supervising sound editor (23 episodes, 1990-1991) |
| Don Summer | .... | sound mixer (22 episodes, 1990-1991) |
| Pat McCormick | .... | sound editor (20 episodes, 1990-1991) |
| Richard F.W. Davis | .... | sound editor / sound effects editor (18 episodes, 1990-1991) |
| Thomas DeGorter | .... | sound editor (11 episodes, 1991) |
| Walter Charles Gorey | .... | boom operator (7 episodes, 1990) |
| Walter Hoylman | .... | sound mixer (7 episodes, 1990) |
| Steve Sollars | .... | boom operator (7 episodes, 1990) |
| John A. Larsen | .... | supervising sound editor (6 episodes, 1990) |
| John Haeny | .... | sound editor / sound effects editor (4 episodes, 1990) |
| Michael L. DePatie | .... | sound editor (2 episodes, 1990) |
| Jim Fitzpatrick | .... | sound re-recording mixer (2 episodes, 1990) |
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| Tom Caton | .... | boom operator (unknown episodes) |
| Christopher Harvengt | .... | sound designer / sound editor (unknown episodes) |
| Clive Taylor | .... | sound re-recording mixer (unknown episodes) |
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| Robert E. McCarthy | .... | special effects coordinator / special effects foreman (2 episodes, 1990) |
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| Steve Alessi | .... | grip (30 episodes, 1990-1991) |
| Michael K. Davis | .... | best boy electrician / lighting technician (29 episodes, 1990-1991) |
| Dan Kneece | .... | Steadicam operator (29 episodes, 1990-1991) |
| Robert Ferrara | .... | gaffer (28 episodes, 1990-1991) |
| Irv Katz | .... | key grip / gaffer (23 episodes, 1990-1991) |
| Bill Brao | .... | first assistant camera (22 episodes, 1990-1991) |
| Rick Drapkin | .... | second assistant camera (22 episodes, 1990-1991) |
| Lex DuPont | .... | camera operator (22 episodes, 1990-1991) |
| Jeffrey De La Rosa | .... | lighting technician (9 episodes, 1990) |
| Joe Kelly | .... | key grip (8 episodes, 1990) |
| Beth Cotter | .... | second assistant camera (7 episodes, 1990) |
| Joseph Dunn | .... | electrician (7 episodes, 1990) |
| Rudy M. Fenenga Jr. | .... | first assistant camera (7 episodes, 1990) |
| Jerry L. Mandley | .... | lighting technician (5 episodes, 1991) |
| Cynthia Pusheck | .... | assistant camera (3 episodes, 1990) |
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| Ron Bahara | .... | assistant camera (unknown episodes) |
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| Elaine J. Huzzar | .... | casting associate / casting assistant (29 episodes, 1990-1991) |
| Johanna Ray | .... | original casting (29 episodes, 1990-1991) |
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| Deborah Gavlak | .... | assistant editor / assistant film editor (30 episodes, 1990-1991) |
| Chris Brown | .... | post-production associate / post-production assistant (27 episodes, 1990-1991) |
| Drew Marsh | .... | telecine colorist (26 episodes, 1990-1991) |
| Bob Allen | .... | apprentice film editor (22 episodes, 1990-1991) |
| Elizabeth Fox | .... | post-production coordinator (22 episodes, 1990-1991) |
| Bambi Sickafoose | .... | apprentice film editor (22 episodes, 1990-1991) |
| Ken Blackwell | .... | assistant film editor / assistant editor / ... (10 episodes, 1990-1991) |
| Alexis Seymour | .... | assistant film editor / first assistant editor (9 episodes, 1990-1991) |
| Terilyn A. Shropshire | .... | assistant film editor (7 episodes, 1990-1991) |
| Alison M. Howard | .... | apprentice editor (5 episodes, 1990) |
| Brian Berdan | .... | assistant editor / associate editor (2 episodes, 1990) |
| Robert Fong | .... | assistant editor (2 episodes, 1990) |
| Jenny Hicks | .... | assistant editor (2 episodes, 1990) |
| John Refoua | .... | assistant editor (2 episodes, 1990) |
| Pamela Reisenleiter | .... | assistant editor (2 episodes, 1990) |
| John Wentworth | .... | post-production coordinator (2 episodes, 1990) |
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| Steve Boyd | .... | transportation coordinator (29 episodes, 1990-1991) |
| Greg Van Dyke | .... | transportation captain (29 episodes, 1990-1991) |
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| Nowell Grossman | .... | production controller / production accountant (30 episodes, 1990-1991) |
| Joseph Montrone | .... | supervising coordinator / production coordinator / ... (30 episodes, 1990-1991) |
| Debby Trutnik | .... | assistant: David Lynch (30 episodes, 1990-1991) |
| Lori Tulli-Mitchell | .... | assistant to writers / production secretary (29 episodes, 1990-1991) |
| Paula K. Shimatsu-u | .... | unit publicist / assistant: Mark Frost (27 episodes, 1990-1991) |
| Sabrina S. Sutherland | .... | production coordinator (23 episodes, 1990-1991) |
| Desdemona Bandini | .... | production assistant (22 episodes, 1990-1991) |
| Emily Fincher | .... | assistant: Gregg Fienberg (22 episodes, 1990-1991) |
| Barry Gremillion | .... | location liaison (22 episodes, 1990-1991) |
| Lauren McAuliffe | .... | production secretary (22 episodes, 1990-1991) |
| John Sclimenti | .... | production assistant (22 episodes, 1990-1991) |
| Kim L. Wilson | .... | assistant: Mark Frost (22 episodes, 1990-1991) |
| Connie Dolph | .... | production accountant (15 episodes, 1990-1991) |
| Cori Glazer | .... | script supervisor (11 episodes, 1990-1991) |
| Elizabeth Porter | .... | script supervisor (9 episodes, 1991) |
| Suzanne Hargrove | .... | assistant: Gregg Fienberg (7 episodes, 1990) |
| Cara Mia Harris | .... | production assistant (7 episodes, 1990) |
| Steve Share | .... | location manager (7 episodes, 1990) |
| Robb Hastigan | .... | production accountant (7 episodes, 1991) |
| Robert Engels | .... | executive story editor (6 episodes, 1990) |
| Jane Goldsmith | .... | script supervisor (4 episodes, 1990) |
| Craig MacLachlan | .... | production assistant (3 episodes, 1990) |
| Judi Townsend | .... | script supervisor (3 episodes, 1990) |
| Gaye Pope | .... | publicist (3 episodes, 1991) |
| Mary Sweeney | .... | script supervisor (2 episodes, 1990) |
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| Jay Shapiro | .... | production assistant (unknown episodes) |
| D. Gunther Tarampi | .... | production assistant (unknown episodes) |
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Additional Details
Autre(s) titre(s):
"Mystères à Twin Peaks" (France) [fr]"Twin Peaks" (France) (rerun title) [fr]
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Durée:
47 min (29 episodes)
Aspect Ratio:
1.33 : 1
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Curiosités
Anecdotes:
There were plans to spin
Sherilyn Fenn's character Audrey Horne off into her own series, that didn't come off. Apparently, Audrey inspired
David Lynch for
Laura Harring's character in
Mulholland Dr. (2001), as Fenn said in an interview in 1997 about the Audrey Horne spin-off, "David was talking about 'Mulholland Drive', he talked about like 'Audrey goes to Hollywood'. She's driving along Mulholland in this convertible car... But it didn't end up happening."
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Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): In the first season, Doc Hayward reveals that the blood in the Leo's shirt is a "rare type AB-", and says that this is Jacques Renualt's blood type. In the second season premiere, when Albert Rosenfield and Cooper explains the Laura's murder, they said that the blood of the killer is "AB-, not of Ronnette, Leo or Jacques".
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Guillemet:
Dale Cooper:
In the grand design, women were definitely drawn from a different set of blueprints.
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foire aux questions
A NOTE REGARDING SPOILERS
Who is Theresa Banks, and how is she connected to the murders?
Who killed Laura Palmer?
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Message Boards
Discuss this movie with other users on
IMDb message board for "Twin Peaks" (1990)
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Angelo Badalamenti's sweet theme begins as smokestacks billow, and a robin assures the viewer of the presence of love in a little town located through the pines, just this side of sanity...or reality. Either way you choose to look at it (and the choice is yours), every episode of this groundbreaking television show grabbed the viewer in its seductive and destructive web... and wouldn't let go. "Twin Peaks" began a string of weird television shows in the early 90's, but, unlike those later shows, "Twin Peaks" would be beloved and remembered long after it was off the air. "Twin Peaks" has earned a spot next to "The Twilight Zone", "Night Gallery", and "Star Trek" in terms of pioneering television and in terms of a cult following deserving of conventions and fanzines. I believe that F.B.I. Special Agent Dale Cooper is one of the most enjoyable and inspiring characters in television history. His simple passions and quirky behavior was a welcomed sight in our living rooms every week during the shows very short run in the late 80's and early 90's. "Twin Peaks" started out on fire, gaining exposure during the pilot's multiple airings. The mystery of Laura Palmer's murderer practically invented conversations at the water cooler. However, the shows second season was scheduled to air on Saturday nights at 10:00, an advertiser's no-man's land. And, with the shows fan base out on the late weekend nights, the shows network decided to cancel it. David Lynch, the shows co-creator, directed a theatrically released film prequel to "Twin Peaks", showing all who missed the shows airings what really happened to Laura the week of her death, and, finally, her killer. As a huge fan of "Twin Peaks", I will tell you that the circle of events that occur within the story enable the viewer to relive the events over and over, each time around with more intensity than before. When you view the movie prequel, diving right back into the series becomes the natural path, allowing one to see things again for what they really are... or aren't. I highly recommend owning the entire series. Without a network messing up your viewing time, you can see the mystery unfold at your own pace. Viewing "Twin Peaks-Fire Walk With Me", along with the television pilot and the entire 29 episode series (about 33 hours all together), is the most fascinating and satisfying viewing experience that the entertainment industry has offered me so far. The music, costumes, editing, acting, and direction all received Emmy nominations, leading one to conclude that "Twin Peaks" not only satisfied the public, but the critics as well. An incredible achievement, "Twin Peaks" is my all-time favorite television show.