William Golding (novel)
Sara Schiff (screenplay)
16 mars 1990 (USA) suite
No parents. No teachers. No rules... No mercy. suite
Stranded on an island, a group of schoolboys degenerate into savagery. full summary | add synopsis
3 nominations suite
This Version Bites plus de (106 total)
| Balthazar Getty | ... | Ralph | |
| Chris Furrh | ... | Jack Merridew | |
| Danuel Pipoly | ... | Piggy | |
| James Badge Dale | ... | Simon (as Badgett Dale) | |
| Andrew Taft | ... | Sam, Twin #1 | |
| Edward Taft | ... | Eric, Twin #2 | |
| Gary Rule | ... | Roger | |
| Terry Wells | ... | Andy | |
| Braden MacDonald | ... | Larry | |
| Angus Burgin | ... | Greg | |
| Martin Zentz | ... | Sheraton | |
| Brian Jacobs | ... | Peter | |
| Vincent Amabile | ... | Patterson | |
| David Weinstein | ... | Mikey | |
| Chuck Bell | ... | Steve | |
| Everado Elizondo | ... | Pablo | |
| James Hamm | ... | John | |
| Charlie Newmark | ... | Will | |
| Brian Matthews | ... | Tony | |
| Shawn Skie | ... | Rapper | |
| Judson McCune | ... | Luke | |
| Zane Rockenbaugh | ... | Tex | |
| Robert Shea | ... | Billy | |
| Gordon Elder | ... | Rusty | |
| Bob Peck | ... | Marine Officer | |
| Bill Schoppert | ... | Marine Petty Officer | |
| Michael Greene | ... | Captain Benson, the Pilot |
Réalisé par | |||
| Harry Hook | |||
Scénaristes(WGA) | ||
| William Golding | (novel) (as Sir William Golding) | |
| Sara Schiff | (screenplay) | |
Produit par | |||
| Lewis M. Allen | .... | producer | |
| Peter Allen | .... | executive producer | |
| Jeffrey Bydalek | .... | assistant producer | |
| David V. Lester | .... | co-producer | |
| Ross Milloy | .... | producer | |
| Lewis Newman | .... | executive producer | |
| Peter Newman | .... | executive producer | |
| Walker Stuart | .... | associate producer | |
Musique originale | |||
| Philippe Sarde | |||
Image | |||
| Martin Fuhrer | |||
Montage | |||
| Harry Hook | |||
Distribution des rôles | |||
| Janet Hirshenson | |||
| Michael Hirshenson | |||
| Jane Jenkins | |||
Création des décors | |||
| Jamie Leonard | |||
Direction artistique | |||
| Jennifer Chang | |||
Création des costumes | |||
| Doreen Watkinson | |||
Maquillage | |||
| Mel Gibson | .... | assistant makeup artist | |
| Sarah Monzani | .... | makeup artist | |
| Suzanne Stokes-Munton | .... | key hair stylist | |
Directeur de production | |||
| Matthew Binns | .... | unit production manager | |
Assistant réalisateur | |||
| Bruce Franklin | .... | second assistant director | |
| Matt Hinkley | .... | first assistant director | |
| Matthew B. Locey | .... | first assistant director: Hawaii | |
Département Art | |||
| Owen Barnes | .... | stand-by stagehand | |
| Wellington Batten | .... | props | |
| Vincent Brooks | .... | stand-by painter | |
| George Clark | .... | stand-by stagehand | |
| Andy Evans | .... | construction manager | |
| Samuel Fisher | .... | props | |
| Gordon Fitzgerald | .... | dressing props | |
| Cecil Howard | .... | greensman | |
| Piero Jamieson | .... | lead man | |
| Lascelles Kirby | .... | landscape foreman | |
| James Lindsey | .... | stand-by stagehand | |
| Jackie Martin | .... | props | |
| Dave Pearce | .... | carpenter supervisor (as David Pearce) | |
| Byron Phillips | .... | stand-by stagehand | |
| Leroy Robertson | .... | greensman | |
| Alfred Steele | .... | stand-by stagehand | |
| Alman Wiggins | .... | stand-by carpenter | |
| Tim Youngman | .... | property master | |
Technicien du son | |||
| Douglas B. Arnold | .... | sound mixer | |
| Bob Beemer | .... | sound re-recording mixer | |
| Fred J. Brown | .... | supervising sound editor | |
| Evelyn Dutton | .... | foley artist | |
| Carl Fischer | .... | boom operator | |
| Jerelyn J. Harding | .... | adr editor | |
| Michael Herbick | .... | sound re-recording mixer | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Margie O'Malley | .... | foley artist | |
| Kant Pan | .... | sound effects associate | |
| Christy Richmond | .... | first assistant sound editor | |
| Michele Sharp | .... | sound editor | |
| Jonathan Sorrell | .... | synclavier operator | |
| Jay Wilkinson | .... | sound editor | |
Cascadeur | |||
| Jerry Gatlin | .... | stunt coordinator | |
Caméra et Département Electrique | |||
| John Bramley | .... | still photographer | |
| Donald Brown | .... | generator operator | |
| Rudy M. Fenenga Jr. | .... | first assistant camera: second unit | |
| Eric Gigandet | .... | key grip | |
| Gregg Guellow | .... | best boy grip | |
| Rene Lang | .... | best boy grip | |
| Jonathan Leslie-Earp | .... | clapper loader | |
| Richard Levy | .... | best boy grip | |
| Tom Meyer | .... | best boy electric | |
| David Morgan | .... | focus puller | |
| Charles Patey | .... | photographer: second unit | |
| Lenford Roye | .... | best boy grip (as Roy Linford) | |
| Gary Shephard | .... | gaffer | |
| Jeff Simon | .... | underwater photographer | |
| Brian Sullivan | .... | electrician | |
| William Tobin | .... | underwater photographer | |
| James Tomaro | .... | electrician (as Jim Tomaro) | |
| Keith Wheeler | .... | electrician | |
Département Casting | |||
| Robin Joy Allan | .... | casting associate: Los Angeles (as Robin Allan) | |
| Deborah Aquila | .... | casting associate: East Coast | |
| Donald Paul Pemrick | .... | casting: east coast | |
Département Costume et garde-Robe | |||
| Ray Usher-Cooper | .... | wardrobe supervisor | |
Dpartement Editorial | |||
| Alan Edward Bell | .... | assistant editor | |
| Jackie Johnston | .... | post-production coordinator | |
| Tom Priestley | .... | supervising editor | |
| Adrian Trent | .... | first assistant editor | |
Département Musique | |||
| Sally Boldt | .... | music editor | |
| Hubert Bougis | .... | orchestrator | |
| Billy Byers | .... | orchestrator | |
| Michael Davis | .... | musician: violin solo | |
| Andrew Findon | .... | musician: tin whistle (as Andy Findon) | |
| Gordon Langford | .... | orchestrator | |
| David Lindup | .... | orchestrator | |
| Harry Rabinowitz | .... | conductor | |
| Jonathan Sorrell | .... | musician: keyboards and programming | |
| Richard Tauber | .... | musician: bass recorder | |
| John Timperley | .... | music recording engineer | |
| Trinity Boys Choir | .... | choir | |
Département Transport | |||
| Harold Anderson | .... | driver | |
| George Bailey | .... | driver | |
| Lloyd Bentley | .... | driver | |
| Junior Brown | .... | driver | |
| Michael Farr | .... | driver | |
| Neville Green | .... | driver | |
| Roger Greer | .... | driver | |
| Winston Hall | .... | driver | |
| Owen Harry | .... | driver | |
| Frederick Haughton | .... | driver | |
| Balgrove Johnson | .... | driver | |
| Wayne Jones | .... | transportation co-captain | |
| Ken Killingsworth | .... | driver | |
| Oscar Lawson | .... | driver | |
| Dan McAlpin | .... | driver | |
| Lindell Miller | .... | driver | |
| Melville Phillips | .... | driver | |
| Headley Radcliffe | .... | driver | |
| Jonathan A. Rosenfeld | .... | transportation captain | |
| David Siegel | .... | transportation coordinator | |
| David Siegel | .... | transportation coordinator | |
90 min
1,85 : 1 suite
Norway:15 | Iceland:12 | South Korea:12 | Spain:13 | Finland:K-15 | Portugal:M/16 | Italy:T | Australia:M | Sweden:11 | UK:15 | USA:R | West Germany:12 | Singapore:PG | Canada:A (Nova Scotia)
Chris Furrh was in another movie this same year about a group of kids stranded alone on an island: Exile (1990) (TV). suite
Erreurs factuelles: As Piggy is short-sighted, his spectacles could not be used as a "magnifying glass" to light a bonfire: lenses for short-sightedness would scatter, not concentrate, the sun's rays. (This error occurs in the original novel.) suite
Jack Merridew: See you tonight, girls. suite
Parodié dans "The Simpsons: Kamp Krusty (#4.1)" (1992) suite
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| Lord of the Flies | The Holy Mountain | Batoru rowaiaru | If.... | Boy A |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Aventure section | IMDb USA section | Add this title to MyMovies |
Sorry folks, the 1963, low budget, English black & white version is much better. Hollywood can never leave a good story alone. On occasion they can do it better, sometimes on par , usually they blow it. This version blows. I give it 3 stars out of 10 for production value and some good casting, but it wasn't enough to save it. Rent the 1963 version or better yet read the book.