Un week-end sur deux (1990)

Réalisateur:

Nicole Garcia

Scénaristes:

Anne-Marie Etienne (writer)
Jacques Fieschi (writer)

Date de sortie:

29 août 1990 (France)

Genre:

Drame

Intrigue:

Camille, a mercurial César-winning actress, has seen better times. Estranged from her husband, she's with her children only every other weekend...

Plot Keywords:

Vichy | Family Relationships | Number In Title

Récompenses:

2 nominations

Avis des utilisateurs:

mother you had me but I never had you

Ensemble

Hugues Avinens	...	Le cheuffeur du bus
Nathalie Baye	...	Camille Valmont
Paul Beauvais	...	Douanier
Sylvie Blotnikas	...	La femme de chambre
Jacques Boudet	...	Jacquet
Sacha Briquet	...	Albert, le maître d'hôtel
Martine Buffet	...	L'employée Hertz
Susan Carlson	...	Martha
Bruno Crovi	...	Douanier
Marie Daëms	...	Graziella Jacquet
Lucette Filiu	...	La gérante de l'hôtel
Henri Garcin	...	Camille's agent
Michelle Goddet	...	Marie-Ange
David Jalil	...	Homme banque
Jan Madd	...	Le prestidigitateur
Miki Manojlovic	...	Adrian
Lise Norpel Mathieu	...	Dame guichet
Felice Pasotti	...	Gaëlle (as Felicie Pasotti)
Robert Perz	...	Directeur groupe scolaire
Rafael Rojas
Jean-Marc Roulot	...	Le médecin
Frédérique Ruchaud	...	La Nurse
Joachim Serreau	...	Vincent
Nicolas Serreau	...	Le nageur
Zoubir Tligui	...	Le fils maghrébein
Yves Torchinsky	...	Le contre-bassiste
Gilles Treton	...	Stephane Frantet
Jacques Vincey	...	Lombard
Jean-Loup Wolff	...	Hertz
Ghazy Younès	...	Le réceptionniste de l'hôtel Vichy

Autre(s) titre(s):

Every Other Weekend

Durée:

100 min

Pays:

France

Langue:

Français

Couleur:

Couleur (Eastmancolor)

Son:

Mono

Lieux de tournage:

Hérault, France

Société:

Centre National de la Cinématographie (CNC)

mother you had me but I never had you

This premier effort from a beacon French actress, Nicole Garcia already shows where her author chose to go as regards her set of themes: family and problems that can reign in it. See also "le Fils Préféré" (1994) and especially the unsettling "l'Adversaire" (2002) with a mind-boggling Daniel Auteuil.

So, divorce and alternating custody of the children were to be privileged and the first originality of this "Week-End Sur Deux" is that here, it's a woman rather than a man who breaks the law to protract her stay with her children. Camille (Nathalie Baye) is an actress who devoted little time to her conjugal life with her husband Adrian (Miki Manojlovic) and so led to her separation with him and her children. When one week-end, she must go to Vichy for a new role, she has no other choice than to take her children with her. After a grievous telephone conversation during which her husband calls her an irresponsible, she cracks up and absconds with her children in a rented car towards Spain to attend a meteorite fall.

This rash impulse and Camille's headstrong attitude are an attempt from her to reconquer love and trust from her children, especially Antoine who has a hard time of the divorce. So, her mother begins to show interest in his likings, notably astronomy. The vivid portrait Nicole Garcia leaves of Camille underpins this unceremonious turn of events and is the backbone of the film. Garcia's edgy style serves the escape of a reckless mother who obey to her desires and who nearly loses her markers. See the sequence in the hotel when she thinks she has lost her bag. With this perspective, moments of suspense with the police, the customs or the rented cars agency subside to give way to a mercurial mother who wants to prove she can listen to her children's plight.

How will it end? Will her children and especially Antoine end up accepting her? And how will Adrian react? The answers are in this sensitive film.