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Vue d'ensemble
Note Générale:
Réalisateur:
Scénaristes:
Jean-Jacques Annaud (writer)
Gérard Brach (writer)
suite
Date de sortie:
30 octobre 1992 (USA) suite
Genre:
Biographie | Drame | Romance suite
Accroche:
She gave her innocence, her passion, her body. The one thing she couldn't give was her love.
Intrigue:
In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other. full summary | add synopsis
Récompenses:
Nominated for Oscar. Another 2 wins & 6 nominations suite
Avis des utilisateurs:
Wonderfully evocative, refreshingly original, intriguing cinematography. plus de (80 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence) | Jane March | ... | The Young Girl |
 | Tony Leung Ka Fai | ... | The Chinaman |
| Frédérique Meininger | ... | The Mother |
| Arnaud Giovaninetti | ... | The Elder Brother |
 | Melvil Poupaud | ... | The Younger Brother |
| Lisa Faulkner | ... | Helene Lagonelle |
| Xiem Mang | ... | The Chinaman's Father |
| Philippe Le Dem | ... | The French Teacher |
| Ann Schaufuss | ... | Anne-Marie Stretter |
| Quach Van An | ... | The Driver |
| Tania Torrens | ... | The Principal |
| Raymonde Heudeline | ... | The Writer (end) |
| Yvonne Wingerter | ... | The Writer (beginning) |
| Do Minh Vien | ... | The Young Boy |
| Hélène Patarot | ... | The Assistant Mistress |
Détails supplémentaires
Autre(s) titre(s):
The Lover (UK)
suite
MPAA:
Rated R on appeal for graphic and explicit sexuality.
Parents Guide:
Durée:
115 min | USA:103 min (R-rated version) | USA:115 min (unrated version) | Germany:111 min (25 fps)
Langue:
Couleur:
Couleur (Eastmancolor)
Rapport de forme:
1,85 : 1 suite
Son:
Classification:
Canada:R (Manitoba/Nova Scotia/Ontario) | Iceland:16 | Germany:12 | Italy:T | Argentina:16 | Australia:R | Canada:16+ (Quebec) | Finland:K-16 | France:U | Hong Kong:III | Portugal:M/18 | Singapore:R(A) (original rating) | Singapore:R21 (re-rating) | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:NC-17 (original rating) | USA:R (re-rating on appeal)
Lieux de tournage:
Curiosités
Anecdotes:
Jane March denied that she and Tony Leung Ka Fai actually made love. (March: "I never had sex with Tony on or off the set. It's as simple as that.") All the sex scenes were done with careful choreography and body doubles. Director Jean-Jacques Annaud falsely implied the sex was real to boost publicity for the film, thus the sex-crazed English tabloid press trumpeted the rumor on its front pages for days, making life so miserable for March and her family that she got physically sick and had a nervous breakdown. March then fled to the Seychelles to escape. Annaud later stated the sex was not real, "At first I was flattered people believed [the sex]. But after that... I stopped doing press in Britain. Of course they didn't have sex." suite
Guillemet:
The Elder Brother:
Do you want to fight? Take care little buddy. It'd take two of you to do the job.
The Chinaman:
Oh no. A lot more than that. Four of me. You have no idea how weak I am...
suite
Connexions De Film:
figure dans "Joe Bob's Drive-In Theater: Aardvark Jubilee" (1995) suite
foire aux questions
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Liens liés
| Casting et équipe complète | Remerciements de la Société | Revues externes |
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My wife and I were enraptured and thoroughly enjoyed this gem. Deeply evocative and so real that we nearly felt the rain and hot humidity, we were swept along on this unique journey. The external and newsgroup reviews did not ring true for us. Well OK, the characters were very sad and March delivered stilted lines at times, but there was so much magic to see and hear! She sizzled. He struggled. They both yearned for what could not be.
Those harbour and river scenes were no Hollywood set or computer graphics, but just had to be the real thing: Vietnam! The reviews said 'not erotic' and 'like Penthouse'...?!? Just look beneath the surface: even though both characters are trapped in cultural barriers and subsequently repress so many emotions (especially the girl), they escape into the blissfully unreal world of the rented room where emotions run deep albeit confused.
You will not find the usual American 'formula film' composed of glitz, action, intrigue, syrupy sweetness and a predictable ending. Instead here is a film that is complex yet simple, both beautiful and ugly, about separateness and unions, and the sufferings of those who love but cannot love. We were captivated, enchanted. If you are prudish or do not like 'foreign films', then avoid this film. However, if you have ever travelled in Asia, if you love creative cinematography, if you enjoy small subtleties, if you like an insight into the past and a time of strong desires... then see this film! It was refreshing, and we did not want it to end.