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Réalisé par | |||
| Martin Scorsese | |||
Scénaristes(WGA) | ||
| John D. MacDonald | (novel "The Executioners") | |
| James R. Webb | (earlier screenplay) | |
| Wesley Strick | (screenplay) | |
Produit par | |||
| Barbara De Fina | .... | producer | |
| Kathleen Kennedy | .... | executive producer | |
| Frank Marshall | .... | executive producer | |
| Robert De Niro | .... | producer (uncredited) | |
| Steven Spielberg | .... | executive producer (uncredited) | |
Image | |||
| Freddie Francis | |||
Montage | |||
| Thelma Schoonmaker | |||
Distribution des rôles | |||
| Ellen Lewis | |||
Création des décors | |||
| Henry Bumstead | |||
Direction artistique | |||
| Jack G. Taylor Jr. | |||
Décorateur de plateau | |||
| Alan Hicks | |||
Création des costumes | |||
| Rita Ryack | |||
Maquillage | |||
| Stephan Dupuis | .... | special burn makeup (as Stephan L. Dupuis) | |
| Donna Battersby Greene | .... | hair stylist (as Donna Greene) | |
| Edouard F. Henriques | .... | hair stylist: Mr. Nolte (as Edouard F. Henriques III) | |
| Edouard F. Henriques | .... | makeup artist: Mr. Nolte (as Edouard F. Henriques III) | |
| Ilona Herman | .... | hair stylist: Mr. De Niro | |
| Ilona Herman | .... | makeup artist: Mr. De Niro | |
| Elizabeth Lambert | .... | makeup artist | |
| Neal Martz | .... | special makeup effects artist | |
| Dorothy J. Pearl | .... | makeup artist: Ms. Lange (as Dorothy Pearl) | |
| Lyndell Quiyou | .... | hair stylist: Ms. Lange | |
| Jo-Anne Smith-Ojeil | .... | assistant special burn makeup | |
Directeur de production | |||
| Deborah Lee | .... | unit production manager | |
| Margery Mailman | .... | post-production supervisor | |
Assistant réalisateur | |||
| Deborah Lupard | .... | second second assistant director | |
| Joseph P. Reidy | .... | first assistant director (as Joseph Reidy) | |
| Nathalie Vadim | .... | second assistant director | |
Technicien du son | |||
| Andy Aaron | .... | sound effects recordist | |
| Marko A. Costanzo | .... | foley artist | |
| William Docker | .... | assistant sound editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Kenton Jakub | .... | assistant sound editor | |
| Brian Johnson | .... | assistant sound editor | |
| Frank Kern | .... | foley editor | |
| Skip Lievsay | .... | supervising sound editor | |
| Marissa Littlefield | .... | dialogue editor | |
| Tod A. Maitland | .... | production sound mixer (as Tod Maitland) | |
| Sylvia Menno | .... | assistant sound editor | |
| T.J. O'Mara | .... | boom operator (as Terence J. O'Mara) | |
| Bruce Pross | .... | foley supervisor | |
| Shari Schwartz | .... | apprentice sound editor | |
| Gail Showalter | .... | adr editor | |
| Philip Stockton | .... | supervising dialogue editor | |
| Kevin M. Tromer | .... | cable person | |
| Steven Visscher | .... | foley editor | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Effets spéciaux | |||
| David A. Duvall | .... | special effects | |
| Cary Jones | .... | special effects | |
| J.B. Jones | .... | special effects coordinator | |
| J.B. Jones Jr. | .... | special effects | |
| John Patteson | .... | special effects (as John F. Patteson) | |
| James L. Roberts | .... | special effects foreman (as James L. Roberts II) | |
| Thomas Kittle | .... | special effects (uncredited) | |
Cascadeur | |||
| Daniel W. Barringer | .... | stunts (as Daniel Barringer) | |
| Doug Coleman | .... | stunt double: Mr. De Niro | |
| Leon Delaney | .... | stunt coordinator | |
| Donna Evans | .... | stunt double: Ms. Lange | |
| Marcia Holley | .... | stunt double: Ms. Lewis | |
| Billy Judkins | .... | stunts | |
| Don Pulford | .... | stunt double: Mr. Nolte (as Don Polford) | |
| Bob Stephens | .... | stunts | |
Casting Department | |||
| Patricia Wilson | .... | principal casting assistant | |
| Ellen Jacoby | .... | casting: Florida (uncredited) | |
Costume and Wardrobe Department | |||
| Vivian Cocheo | .... | wardrobe supervisor (as Vivian J. Cocheo) | |
| Kathleen Gerlach | .... | assistant costume designer | |
| Linda Hamilton | .... | wardrobe supervisor | |
Editorial Department | |||
| Mark Ginsberg | .... | color timer | |
| Joel Hirsch | .... | apprentice editor | |
| Carolyn Horton | .... | apprentice editor (as Carolyn J. Horton) | |
| Nell Kelly | .... | assistant editor | |
| Lisa J. Levine | .... | assistant editor | |
| Cara Silverman | .... | first assistant editor | |
Music Department | |||
| Diana Barry | .... | assistant music editor | |
| Elmer Bernstein | .... | conductor | |
| Emilie A. Bernstein | .... | orchestrator | |
| Emile Charlap | .... | orchestra contractor | |
| Kathy Durning | .... | music editor | |
| Shawn Murphy | .... | music scoring mixer | |
| Christopher Palmer | .... | music consultant | |
Transportation Department | |||
| Walter 'Red' Bedell | .... | driver (as Red Bedell) | |
| Dick Boyles | .... | driver | |
| Connie Lee Brown | .... | driver (as Connie Brown) | |
| Ben Coney | .... | transportation co-captain | |
| Todd Dickison | .... | driver | |
| Pete Dilella | .... | driver | |
| Bill Girard | .... | driver | |
| Olga González | .... | driver (as Olga Gonzalez) | |
| Edward Haber | .... | driver (as Eddie Haber) | |
| George Hamilton | .... | driver | |
| Charlie Joe | .... | driver (as Joe Charlie) | |
| Clarence Lark III | .... | driver | |
| Joyce M. Lark | .... | transportation captain | |
| Eddie Manson | .... | driver | |
| Verdell Owen | .... | driver (as Verdell Owens) | |
| Richard P. Pecora | .... | driver (as Richie Pecora) | |
| Matt Watson | .... | driver | |
| Denny Caira | .... | transportation coordinator (uncredited) | |
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Robert De Niro plays Max Cady, an illiterate criminal who has been imprisoned for fourteen years on rape and battery charges. Nick Nolte plays Sam Bowden, Cady's lawyer who intentionally buried a valuable document, which may have allowed Cady's prison sentence to be significantly shorter. Cady learns to read while in prison. He starts with 'See Spot Run,' then proceeds to study law books. Cady's rage and desire for revenge grows with each additional day that he is in prison. Although Cady's original prison sentence was only eight years, it is increased to fourteen years due to battery of another inmate. He memorizes the Bible and tattoos his body with scripture referring to vengeance. When Cady is finally released from prison, he immediately seeks out Bowden and his family. Cady has become a scripture slinging psychopath hell bent on revenge. The director Martin Scorsese is attempting to prove that everyone has skeletons in their closet. Bowden might appear to be a terrific lawyer and loving family man on the surface, but underneath the perfect image lies a cheating husband and corrupt lawyer. Scorsese also shows how powerful the emotion of revenge can be and how it can distort ones version of what is right and wrong. Scorsese demonstrates this by showing Cady's knowledge of scripture and his acceptance of the terror that he is inflicting on the Bowden family. Scorsese's use of cameo appearances by Robert Mithcum and Gregory Peck was brilliant. The fact that they played such opposite roles in the original film was an interesting twist. I enjoyed the original 1962 version more than this remake, but I feel that the blood being in color definitely added to the terror that this film inflicts.