| Photos (Voir toutes les 8 | Diaporama) | Videos (see all 2 NOUVEAU) |
| River Phoenix | ... | Eddie Birdlace | |
| Lili Taylor | ... | Rose | |
| Richard Panebianco | ... | Berzin | |
| Anthony Clark | ... | Oakie | |
| Mitchell Whitfield | ... | Benjamin | |
| Holly Near | ... | Rose Sr. | |
| Elizabeth Daily | ... | Marcie (as E.G. Daily) | |
| Sue Morales | ... | Ruth Two Bears | |
| Christina Mastin | ... | Linda | |
| Christopher Shaw | ... | Donavin | |
| John Lacy | ... | Fector | |
| Chris San Nicholas | ... | Dogfight Buddy | |
| Brian Gotta | ... | Dogfight Marine | |
| Peg Phillips | ... | Older Cafe Customer | |
| Neal Allen | ... | Sgt. Judge | |
| Ron Lynch | ... | LCpl. Judge | |
| Dale Garman | ... | Restaurant Maitre d' | |
| Bruce Pearson | ... | Walter | |
| Angie Utt | ... | Thrift Shop Woman | |
| Kenneth Utt | ... | Thrift Shop Man (as Kenny Utt) | |
| Julian Schembri | ... | Navy Bill | |
| Barb Benedetti | ... | Alice | |
| Ivars Mikelson | ... | Bob | |
| Brendan Fraser | ... | Sailor #1 (as Brendon Fraser) | |
| Matt Skerritt | ... | Sailor #2 | |
| Dion Williams | ... | Older Brother on Bus | |
| Jason Moore | ... | Younger Brother on Bus | |
| Denise Williams | ... | Mother on Bus | |
| Kristie Gamer | ... | Pretty Girl | |
| David MacIntyre | ... | Bartender (as Dave McIntyre) | |
| Art Cahn | ... | Bar Owner | |
| Robert Munns | ... | '50s drinker (as Bob Munns) | |
| Jessica Wallenfels | ... | Arcade Girl (as Jessica Wallenfells) | |
| Bonnie Fox | ... | Arcade Hooker | |
| Sandra Ellis Lafferty | ... | Crying Woman | |
| Joseph Franklin | ... | Crying Customer | |
| Frank Walters | ... | Newscaster | |
| Jacob Luft | ... | Neighborhood Boy | |
| Constance McCord | ... | Dogfight Waitress | |
| Laura Vetter | ... | Truckstop Waitress | |
| Krisha Fairchild | ... | Truckstop Cook | |
| George Evans | ... | Bus Driver | |
| Jillian Armenante | ... | Girl on Street | |
| Anne Elizabeth Washburn | ... | Friend of Girl on Street | |
| John Fry | ... | Marine on Bus | |
| Albert Farrar | ... | Corpsman | |
| Rafael Orozco | ... | Hippie (as Raf Orozco) | |
| reste de la distribution par ordre alphabétique: | |||
| Don Berg | ... | PX Marine (uncredited) | |
| Dale Carman | ... | Maitre 'd (uncredited) | |
| Joe James | ... | Sailor (voice) (uncredited) | |
| Dewayne Luckett | ... | Sailor #3 (uncredited) | |
Réalisé par | |||
| Nancy Savoca | |||
Scénaristes(WGA) | ||
| Bob Comfort | (written by) | |
Produit par | |||
| Richard Guay | .... | producer | |
| Peter Newman | .... | producer | |
| Cathleen Summers | .... | executive producer | |
| Llewellyn Wells | .... | associate producer | |
Musique originale | |||
| Mason Daring | |||
Image | |||
| Bobby Bukowski | |||
Montage | |||
| John Tintori | |||
Distribution des rôles | |||
| Marion Dougherty | |||
Création des décors | |||
| Lester Cohen | (as Lester W. Cohen) | ||
Direction artistique | |||
| Daniel Talpers | |||
Décorateur de plateau | |||
| Jessica Lanier | |||
Création des costumes | |||
| Eugenie Bafaloukos | |||
Maquillage | |||
| Sheryl Berkoff | .... | key makeup artist | |
| Robaire Charbonneau | .... | assistant hair stylist | |
| Angela Nogaro | .... | assistant makeup artist | |
| Gordon J. Smith | .... | special makeup effects (as Gordon Smith) | |
| Jenny Stolee | .... | special makeup effects | |
| Bill Sturgeon | .... | special makeup effects | |
| Mimi Vodnoy | .... | key hair stylist | |
Directeur de production | |||
| Steven Stoke | .... | post-production supervisor | |
| Llewellyn Wells | .... | unit production manager | |
| Mark Yellen | .... | production manager: San Francisco unit | |
Assistant réalisateur | |||
| Frank Kostenko Jr. | .... | second assistant director (as Frank Kosteko) | |
| Elisa Sansalone | .... | second second assistant director | |
| J. Miller Tobin | .... | first assistant director | |
Département Art | |||
| Keith Bergman | .... | construction coordinator: Chinatown sequence | |
| Loren Corney | .... | construction coordinator | |
| Kirk Corwin | .... | property master | |
| Matthew Ebert | .... | on-set dresser | |
| Matthew Ebert | .... | set dresser | |
| John Harrington | .... | assistant property master | |
| Teresa Mastropierro | .... | scenic artist | |
| Kenneth Milfred | .... | lead man (as Ken Milford) | |
| Michael Perman | .... | set decorator: Chinatown sequence | |
| Phillip Schneider | .... | scenic artist | |
| Sarah Stollman | .... | set designer | |
| Suellyn Tackitt | .... | set decorator: Chinatown sequence | |
| Alun Vick | .... | construction foreman | |
| Gilbert Wong | .... | art director: Chinatown sequence | |
Technicien du son | |||
| Stuart Emanuel | .... | sound editor | |
| Mark Goodermote | .... | boom operator | |
| Neil L. Kaufman | .... | sound editor | |
| George A. Lara | .... | foley mixer | |
| Lisa J. Levine | .... | adr editor (as Lisa Levine) | |
| Tim Squyres | .... | supervising sound editor | |
| John Sutton | .... | sound mixer | |
| Peter Waggoner | .... | sound re-recording engineer | |
Effets spéciaux | |||
| Ray Brown | .... | special effects | |
| Bob Riggs | .... | special effects (as Bobby Riggs) | |
Cascadeur | |||
| David Boushey | .... | stunt coordinator (as Dave Boushey) | |
| Joe Finnegan | .... | stunts | |
| Gene Hartline | .... | stunts | |
| Scott Leyse | .... | stunts | |
| Kevin Leise | .... | stunts (uncredited) | |
Caméra et Département Electrique | |||
| Mark L. Anderson | .... | third assistant camera | |
| Katherine M. Butler | .... | second assistant camera | |
| John Cardoni | .... | rigging gaffer | |
| Charley Gilleran | .... | best boy grip | |
| Jim Grce | .... | gaffer | |
| Christopher Hall | .... | best boy electric | |
| Victor Korte | .... | dolly grip | |
| Chris Lombardi | .... | first assistant camera (as Cris Lombardi) | |
| Bob Marshak | .... | still photographer | |
| Ivan H. Migel | .... | grip | |
| Thaddeus Wadleigh | .... | key grip | |
Département Casting | |||
| Susan Dixon | .... | casting: Seattle | |
| David H. Kramer | .... | adr voice casting | |
| Elizabeth Yoffe | .... | casting: Seattle | |
Département Costume et garde-Robe | |||
| Laurie Hudson | .... | costume supervisor | |
| Nancy Konrardy | .... | costume supervisor | |
Dpartement Editorial | |||
| Jolie Gorchov | .... | assistant editor | |
| Tim Squyres | .... | assistant editor | |
Département Musique | |||
| Jeffrey Kimball | .... | music supervisor | |
Département Transport | |||
| Robert T. Chestnut | .... | transportation captain | |
| Jon McCarthy | .... | transportation coordinator | |
| Ed Ramos | .... | transportation captain: San Francisco | |
| Mike Sassen | .... | driver | |
Divers | |||
| David Bockmann | .... | stand-in: River Phoenix | |
| Jennifer Campbell | .... | assistant production coordinator | |
| Mary Cybulski | .... | script supervisor | |
| Mitchell E. Dauterive | .... | production coordinator | |
| Dale Dye | .... | military consultant (as Capt. Dale Dye) | |
| Tony Grob | .... | assistant location manager | |
| Mark Haslett | .... | production assistant | |
| Robert Jarzen | .... | adr loop group | |
| Kerri Kroll | .... | production secretary | |
| Solomon J. LeFlore | .... | production financing | |
| Tasha Le Mel | .... | production aide | |
| Michael Leon | .... | location manager | |
| Mitchell Nyberg | .... | production assistant | |
| Brian Russo | .... | production assistant | |
| Frank Simeone | .... | additional crew | |
| Mike Stokey | .... | assistant military consultant (as Sgt. Mike Stokey) | |
| Mira Tweti | .... | unit publicist | |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb USA section | Add this title to MyMovies |
Dogfight is a little gem that is so often overlooked in so many ways. The most obvious is that people today often only watch this film to see River Phoenix, an actor we all so sorely miss, but most often, unless you are a real hardcore fan, this one is not the one you rent to see him in. The usual famous films of his career, My Own Private Idaho, Stand by Me, etc., are always rented first and although these are great films, none of them are as subtly beautiful, compelling and important as Dogfight. (Stand by Me comes close.) And I've seen every one of River's films. He turns in a touching and believable performance as usual, but the best surprise of this film, other than the sure handed direction, is Lili Taylor. She is so likeable an so touching that you end up arguing every point she makes. She will always make you smile. The story is very dark and not romantic, yet it's also an out and out love story. In my opinion, it's also the best war film ever made. This being said about a film with only one war scene. I say this because unlike other war films, you get to know and love these young marines and understand their world, then realize how these men's worlds are shattered by the fight: the true tragedy of a war. The onscreen chemistry between Lili and River is so nonexistent at first glance, that it's overwhelmingly pure and true. This is how two people with nothing in common, yet everything in common would act together. And the sequence where Eddie goes off to Okinawa after his night with Rose, with the great folk music of the era playing is like a beautiful dream we all have, a dream we never want to end. The same is true of the beautifully orchestrated, ever so gentle sequence in the music room at the fair. You never want these two people to pull away from the embrace. I do not enjoy romance films, but I don't think there is anyone who could dislike this film because it is so real and belivable. I've never seen a film that is so moving, yet not corny or sappy in ANY way. And it has one of the best endings in film history,the only way a real love story can end: unknown. It allows you to contemplate and figure out for yourself what's goin to happen for these two characters in the future, something also so indicative of the time period. This film also has an extraordinary soundtrack with the best folk artists of the era including Bob Dylan, Peete Seeger, Woody Guthrie and Joan Baez for people who are interested. NO ONE CAN MISS THIS MASTERPIECE! It's truly unforgettable and opens you up to the awkwardness and the perfectness of love, (or something like it), in a way very few films accomplish or even attempt.