Memoirs of an Invisible Man (1992)
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- PG-13
- 1h 39min
- Comedy, Romance
- 28 Feb 1992 (USA)
- Movie
After a freak accident, a company executive turns completely invisible, goes on the run and becomes hunted by a treacherous CIA official, whilst trying to cope with his new reality.
Director:
Writers:
Stars:
Awards:
- 5 nominations.
- See more »
Photos and Videos
Cast verified as complete
Chevy Chase | ... |
Nick Halloway
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Daryl Hannah | ... |
Alice Monroe
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Sam Neill | ... |
David Jenkins
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Michael McKean | ... |
George Talbot
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Stephen Tobolowsky | ... |
Warren Singleton
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Jim Norton | ... |
Dr. Bernard Wachs
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Pat Skipper | ... |
Morrissey
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Paul Perri | ... |
Gomez
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Richard Epcar | ... |
Tyler
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Steven Barr | ... |
Clellan
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Gregory Paul Martin | ... |
Richard
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Patricia Heaton | ... |
Ellen
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Barry Kivel | ... |
Drunk Businessman
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Donald Li | ... |
Cab Driver
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Rosalind Chao | ... |
Cathy DiTolla
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Jay Gerber | ... |
Roger Whitman
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Shay Duffin | ... |
Patrick
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Edmund L. Shaff | ... |
Edward Schneiderman
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Sam Anderson | ... |
Chairman of the House Committee
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Elaine Corral Kendall | ... |
News Anchor
(as Elaine Corral)
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Ellen Albertini Dow | ... |
Mrs. Coulson
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Jonathan Wigan | ... |
Delivery Boy
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I.M. Hobson | ... |
Maitre d'
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John Carpenter | ... |
Helicopter Pilot
(as Rip Haight)
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Chip Heller | ... |
Man Who Hails Taxi
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Aaron Lustig | ... |
Technician
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Rest of cast listed alphabetically: | |||
Brian Danker | ... |
S.F.P.D. Officer (uncredited)
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Steven A. Hite | ... |
SWAT Team Officer (uncredited)
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Tina Kotrich | ... |
Tennis Fan (uncredited)
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Steve C. Porter | ... |
Cab Driver (uncredited)
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Jim Rhine | ... |
SWAT Team Member (uncredited)
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Theodore Carl Soderberg | ... |
CIA (uncredited)
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Tirralan Watkins | ... |
Student (uncredited)
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Directed by
John Carpenter | ... | (directed by) |
Written by
H.F. Saint | ... | (book) |
Robert Collector | ... | (screenplay) & |
Dana Olsen | ... | (screenplay) and |
William Goldman | ... | (screenplay) |
Produced by
Bruce Bodner | ... | producer |
Dan Kolsrud | ... | producer |
Arnon Milchan | ... | executive producer |
Music by
Shirley Walker |
Cinematography by
William A. Fraker | ... | director of photography |
Editing by
Marion Rothman |
Editorial Department
Donah Bassett | ... | negative cutter |
Ray Martin | ... | color timer |
Reine-Claire | ... | assistant editor |
Saul Saladow | ... | assistant editor |
Casting By
Sharon Howard-Field |
Production Design by
Lawrence G. Paull |
Art Direction by
Bruce Crone |
Set Decoration by
Rick Simpson |
Costume Design by
Joe I. Tompkins |
Makeup Department
Lee Harman | ... | makeup artist |
John Isaacs | ... | hair stylist |
Cheri Ruff | ... | hair stylist |
Rick Sharp | ... | makeup artist |
Production Management
Art Seidel | ... | unit production manager (as Arthur Seidel) |
Second Unit Director or Assistant Director
Otie Brown | ... | second second assistant director |
Alan Edmisten | ... | second assistant director |
William M. Elvin | ... | first assistant director |
Arlene Fukai | ... | second second assistant director |
K.C. Hodenfield | ... | second second assistant director (as Kurt C. Hodenfield) |
Art Department
Edward Aiona | ... | property master |
Bryan Belair | ... | construction coordinator |
Steve Blakney | ... | assistant property master (as Steven Blakney) |
Steven Fuller | ... | construction foreman |
Ted Harms | ... | construction foreman |
Mike Higelmire | ... | lead man |
Martin A. Kline | ... | production illustrator (as Marty Kline) |
Gary Kudroff | ... | swing gang |
Elizabeth Lapp | ... | set designer |
Tom Lifsey | ... | construction foreman |
Alan J. Meyer | ... | construction foreman: San Francisco |
Luigi Mugavero | ... | swing gang |
Barbara Murphy | ... | stand-by painter |
Dan Pemberton | ... | construction foreman |
Lauren E. Polizzi | ... | set designer (as Lauren Polizzi) |
Doug Rosenberger | ... | construction foreman |
Stephanie Schwartzman | ... | art department researcher |
John A. Scott III | ... | swing gang (as John Scott) |
Michael Sexton | ... | assistant property master |
Mark Siegel | ... | action property performer |
Gerald Sigmon | ... | set designer |
I.J. Van Perre | ... | construction coordinator: San Francisco |
William Kemper Wright | ... | swing gang (as William Wright) |
Sandra M. Kraft | ... | construction estimator (uncredited) |
Luigi Mugavero | ... | lead man (uncredited) |
Tom von Badinski | ... | carpenter (uncredited) |
Frank White | ... | welding foreman (uncredited) |
Sound Department
James R. Alexander | ... | production sound mixer (as Jim Alexander) |
Gary Blufer | ... | sound effects recordist |
Robert Bradshaw | ... | sound editor (as Bob Bradshaw) |
Patrick Clark | ... | boom operator (as Pat Clark) |
John Davis | ... | sound effects recordist |
Rickley W. Dumm | ... | assistant sound editor |
Gordon Ecker | ... | supervising sound editor |
Bruce Fortune | ... | sound editor |
Leslie Gaulin | ... | foley editor |
Steven Gerrior | ... | assistant sound editor (as Steve Gerrior) |
Hector C. Gika | ... | sound editor (as Hector Gika) |
Glenn Hoskinson | ... | sound editor |
Holly Huckins | ... | adr editor |
Scott D. Jackson | ... | foley supervisor |
John Kwiatkowski | ... | sound editor |
Lee Lemont | ... | assistant adr editor |
John Leveque | ... | supervising sound editor |
Robert J. Litt | ... | re-recording mixer |
Anthony Milch | ... | sound editor |
Rocky Moriana | ... | sound editor |
John Roesch | ... | foley artist |
Katie Rowe | ... | foley artist (as Katy Rowe) |
Greg P. Russell | ... | re-recording mixer |
Steve Schwalbe | ... | foley editor |
Kim Secrist | ... | sound editor |
Becky Sullivan | ... | supervising adr editor |
Shawn Sykora | ... | foley editor |
Elliot Tyson | ... | re-recording mixer |
Donald L. Warner Jr. | ... | sound editor (as Don Warner) |
Richard E. Yawn | ... | sound editor |
David Behle | ... | sound recordist (uncredited) |
Noyan Cosarer | ... | re-recording mixer (uncredited) |
Robert Gravenor | ... | sound mixer (uncredited) |
Jack Keller | ... | sound recordist (uncredited) |
Lance Laurienzo | ... | assistant sound editor (uncredited) |
Special Effects by
Larz Anderson | ... | special effects |
Albert Delgado | ... | special effects foreman |
Ken Pepiot | ... | special effects coordinator |
Gintar Repecka | ... | special effects |
Wayne Rose | ... | special effects |
Daniel Sudick | ... | special effects (as Dan Sudick) |
A.J. Thrasher | ... | special effects |
T. Dow Albon | ... | miniature model maker (uncredited) |
Harry Walton | ... | optical effects (uncredited) |
Visual Effects by
Sandra Almond | ... | visual effects assistant (as Sandra Almond Williams) |
Scott E. Anderson | ... | computer graphics animator |
Brett Bentley | ... | computer graphics |
Barbara Brennan | ... | digital effects artist |
Jill Brooks | ... | digital/scanning |
Shannon Cassedy | ... | engineering services |
Camille Cellucci | ... | visual effects and plate coordinator |
Robert Cooper | ... | action property performer (as Bob Cooper) |
Jay Cotton | ... | effects animator |
Jim Danforth | ... | matte supervisor |
Timothy Eaton | ... | visual effects editor (as Tim Eaton) |
Vicki L. Engel | ... | visual effects assistant |
Christopher Evans | ... | matte painting artist (as Chris Evans) |
Robert Finley Jr. | ... | stage technician (as Bob Finley Jr.) |
Ron Fode | ... | visual effects editor |
Jack Gallagher | ... | plate photography coordinator: ILM |
Steve Gawley | ... | chief model maker |
Ray Gilberti | ... | visual effects camera operator |
Chris Goehe | ... | chief model maker |
James M. Goodman | ... | digital/scanning |
Ned Gorman | ... | visual effects producer |
Gregory Gorsiski | ... | digital effects artist |
Chris R. Green | ... | effects animator (as Chris Green) |
Steve Grumette | ... | computer effects supervisor |
James Hagedorn | ... | digital effects artist (as Jim Hagedorn) |
Sandy Houston | ... | rotoscope artist |
Benton Jew | ... | conceptual effects designer |
Keith Johnson | ... | optical camera operator |
Bill Kimberlin | ... | chief visual effects editor |
Laurel Klick | ... | digital effects artist |
Ken Koblenzer | ... | assistant camera: visual effects unit |
Tad Krzanowski | ... | modelshop project supervisor |
Jennifer Hall Lee | ... | optical line-up: ILM (as Jennifer Lee) |
Bradford Lewis | ... | visual effects art director |
James Lim | ... | optical camera operator |
Mike MacKenzie | ... | engineering services |
Greg Maloney | ... | digital effects artist |
Dan Michalske | ... | stage technician: visual effects unit |
Dennis Michelson | ... | visual effects production liaison |
Carl Miller | ... | assistant camera: visual effects unit |
Craig Mohagen | ... | stage technician: visual effects unit |
Terry Molatore | ... | rotoscope artist |
Susan Montgomery | ... | production accountant: visual effects unit |
Mark Moore | ... | visual effects art director |
Ellen Mueller | ... | rotoscope supervisor |
Bruce Nicholson | ... | visual effects supervisor |
Michael Olague | ... | chief stage technician |
Joshua Pines | ... | digital/scanning |
Chuck Ray | ... | stage technician: visual effects unit |
Steve Reding | ... | photographer: visual effects camera |
Christopher Reed | ... | chief model maker (as Chris Reed) |
Stuart Robertson | ... | digital effects supervisor: ILM |
Stephen Rosenbaum | ... | computer graphics animator |
Martin Rosenberg | ... | key visual effects camera operator (as Marty Rosenberg) |
Thomas Rosseter | ... | optical line-up |
Michael Santy | ... | assistant camera: visual effects unit |
Kenneth Smith | ... | optical camera operator |
Thomas J. Smith | ... | digital effects artist (as Tom Smith) |
Douglas Smythe | ... | computer graphics supervisor (as Doug Smythe) |
Wes Takahashi | ... | animation supervisor (as Wes Ford Takahashi) |
Kristen Trattner | ... | optical line-up |
Bruce Vecchitto | ... | optical photography supervisor |
Harry Walton | ... | stop motion animator: ILM |
Doug Zeffer | ... | computer graphics |
Susan Adele Colletta | ... | post production coordinator (uncredited) |
Jim Danforth | ... | matte artist (uncredited) / matte photographer (uncredited) |
Benoit Eon | ... | digital effects (uncredited) |
John Graves | ... | visual effects (uncredited) |
Michael F. Hoover | ... | miniature artist (uncredited) |
Al Magliochetti | ... | visual effects (uncredited) |
Jim Morris | ... | senior staff: ILM (uncredited) |
Ted Rae | ... | matte plate photography (uncredited) |
Amy Young | ... | stage technician: Industrial Light & Magic (uncredited) |
Stunts
Simone Boisseree | ... | stunts |
Brad Bovee | ... | stunts |
Troy Brown | ... | stunts |
Kurt Bryant | ... | stunts |
Kerrie Cullen | ... | stunts |
Jeff Dashnaw | ... | stunts |
Shane Dixon | ... | stunts |
Cheryl Wheeler Duncan | ... | stunts (as Cheryl Wheeler-Dixon) |
James M. Halty | ... | stunts (as James Halty) |
Jeff Imada | ... | stunt coordinator |
Henry Kingi | ... | stunts |
Gary McLarty | ... | stunts |
Alan Oliney | ... | stunts |
Chuck Picerni Jr. | ... | stunts |
Louis J. Ramirez IV | ... | stunts |
Chad Randall | ... | stunts |
John Robotham | ... | stunts |
Danny Rogers | ... | stunts (as Dan Rogers) |
Thomas Rosales Jr. | ... | stunts |
Bill Saito | ... | stunts |
Jeff Smolek | ... | stunts |
Cris Thomas-Palomino | ... | stunts |
Dick Ziker | ... | stunts |
Camera and Electrical Department
Gerald H. Boatright | ... | chief lighting technician (as Jerry Boatright) |
Ted Chu | ... | assistant camera: "b" camera |
David E. Diano | ... | camera operator (as David Diano) |
Howard Hagadorn | ... | second grip |
Marlin Hall | ... | key grip (as Marlin E. Hall) |
Matt Hawkins | ... | rigging |
John Lubin | ... | second grip |
Nick Papanickolas | ... | dolly grip |
Ron Phillips | ... | still photographer |
Thomas P. Powell | ... | lighting technician |
Lex Rawlins | ... | first assistant camera |
Alex Rodriguez | ... | assistant chief lighting technician |
Tim Roe | ... | second assistant camera |
Richard Turner | ... | camera operator: "b" camera |
Michael 'Dutch' Van Woert | ... | rigging gaffer |
Don Yamasaki | ... | assistant chief lighting technician |
Billy Craft | ... | lighting technician (uncredited) |
Adam Glick | ... | set lighting technician (uncredited) |
Randy Nolen | ... | steadicam operator (uncredited) |
Ted Rae | ... | photographer: second unit (uncredited) |
Casting Department
Susan Peck | ... | casting associate |
Nancy Hayes | ... | extras casting: San Francisco (uncredited) |
Costume and Wardrobe Department
Adrianna Bernard | ... | costumer: women |
Roberto Carneiro | ... | costume supervisor (as Roberto M. Carneiro) |
Steve Ellsworth | ... | costumer: men |
Kathy Monderine | ... | costume supervisor (as Kathy Moderine) |
Anne Polland | ... | costumer: women |
Location Management
Lisa Blok-Linson | ... | location manager |
Dan Gorman | ... | assistant location manager |
John Lehane | ... | location manager: San Francisco |
Music Department
Thomas Milano | ... | music editor |
Lisa Bloom | ... | orchestrator (uncredited) |
Tom Boyd | ... | oboe soloist (uncredited) |
Robert Fernandez | ... | scoring mixer (uncredited) |
Bruce Fowler | ... | orchestrator (uncredited) |
The Hollywood Studio Symphony | ... | music performed by (uncredited) |
Malcolm McNab | ... | musician: trumpet (uncredited) |
Larry Rench | ... | orchestrator (uncredited) |
Louise Di Tullio | ... | musician: flute (uncredited) |
Shirley Walker | ... | conductor (uncredited) |
Script and Continuity Department
Larry K. Johnson | ... | script supervisor |
Transportation Department
Keith Dillin | ... | transportation coordinator |
Randy Luna | ... | transportation captain |
Rob Marshall | ... | helicopter camera pilot (uncredited) |
Larry Stelling | ... | picture car coordinator (uncredited) |
Additional Crew
James Bakeman | ... | first aid |
Paul A. Calabria | ... | animal trainer (as Paul Calabria) |
Loraine Coutin | ... | assistant: Mr. Carpenter |
James Deeth | ... | helicopter pilot (as Jim Deeth) |
Angela Kaye | ... | assistant: Mr. Chase |
Jeff Kloss | ... | assistant accountant |
John Labib | ... | office assistant |
Steve M. Miliotti | ... | craft service |
Seth Miller | ... | production runner |
Lana Morgan | ... | assistant: Ms. Hannah (as Lana Opp Morgan) |
Anne S. Reilly | ... | unit publicist (as Anne Reilly) |
Jay Roberts | ... | assistant accountant |
Scott Rosencrans | ... | production runner |
Julie Shaw | ... | office assistant |
Karen Shaw | ... | production coordinator |
Joan Wellman | ... | assistant production secretary |
Thomas Bianco | ... | assistant accountant (uncredited) |
Bill Daly | ... | post-production accountant manager (uncredited) |
Gabe de Kelaita | ... | set production assistant (uncredited) |
Tom Lent | ... | adr voice (uncredited) |
Production Companies
- Warner Bros. (presents)
- Canal+ (in association with)
- New Regency Productions (in association with)
- Alcor Films (in association with)
- Cornelius Productions
Distributors
- Warner Bros. (1992) (United States) (theatrical)
- Explosive-Media (2019) (Germany) (Blu-ray)
- Roadshow Films (1992) (Australia) (theatrical)
- Warner Bros. Finland (1992) (Finland) (theatrical)
- Warner Bros. Pictures Germany (1992) (Germany) (theatrical)
- Warner Bros. Pictures (1993) (Spain) (theatrical)
- Warner Bros. Pictures (1992) (United Kingdom) (theatrical)
- Warner Bros. Pictures (1992) (India) (theatrical) (as Warner Bros. F. E. Inc.) (Bombay)
- Warner Bros. (1992) (Japan) (theatrical)
- Warner Bros. (1992) (Finland) (theatrical)
- Warner Bros. (1992) (France) (theatrical)
- Warner Bros. (1992) (Japan) (theatrical)
- Warner Bros. (1992) (Netherlands) (theatrical)
- Warner Bros. (1992) (Sweden) (theatrical)
- Warner Bros. (1993) (Spain) (theatrical)
- EuroVideo (2012) (Germany) (DVD)
- Explosive-Media (2021) (Germany) (Blu-ray)
- Explosive-Media (2021) (Germany) (DVD)
- Fabulous Films (2018) (United Kingdom) (DVD)
- Koch Media (2019) (Germany) (Blu-ray)
- Mainostelevisio (MTV3) (1996) (Finland) (tv)
- National Broadcasting Company (NBC) (1994) (United States) (tv)
- Paramount Channel (2020) (France) (tv)
- Sandrew Metronome Distribution (2003) (Finland) (DVD)
- Scream Factory (2018) (United States) (Blu-ray)
- Warner Home Video (1992) (Australia) (VHS)
- Warner Home Video (Netherlands) (VHS)
- Warner Home Video (2003) (Netherlands) (DVD)
- Warner Home Video (1993) (Finland) (VHS)
- Warner Home Video (1993) (Germany) (VHS)
- Warner Home Video (1993) (United Kingdom) (VHS)
- Warner Home Video (1993) (United States) (video) (laserdisc)
- Warner Home Video (1995) (United States) (VHS)
- Warner Home Video (2003) (United States) (DVD)
- Warner Home Video (2004) (Germany) (DVD)
- Warner Home Video (2004) (United Kingdom) (DVD)
Special Effects
Other Companies
- Donah Bassett and Associates (negative cutting)
- Effects Associates (matscenes)
- Pacific Title (titles and opticals)
- Pazzo Catering Services (catering)
- The Garden of Allah (miniature construction)
- Varèse Sarabande (soundtrack)
- Visual Icon (exclusive clip and still licensing)
- Willow Peripherals (thermal imaging hardware)
Storyline
Plot Summary |
Nick Halloway is made invisible during an accident. When Jenkins finds out about Nick, he set out to recruit him into the world of espionage, seeing the potential for an invisible CIA agent. When Alice Monroe falls in love with Nick, they are forced to flee the attentions of Jenkins. Nick also has the problem of living invisibly whilst trying to find a cure. Written by Rob Hartill |
Plot Keywords | |
Taglines | Women want him for his wit. The C.I.A. wants him for his body. All Nick wants is his molecules back. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Box Office
Budget | $40,000,000 (estimated) |
Did You Know?
Trivia | John Carpenter has stated that this is his least favorite of all the films he's directed, and is the film he "hates thinking about the most". One reason was because of the constant studio interference that didn't allow Carpenter much creative freedom. Carpenter also called Chevy Chase "a director's worst nightmare" and "nearly impossible to direct", also saying the same about Daryl Hannah. According to Carpenter, Chase would complain non-stop about the film's tone and hated wearing the special effects, often prematurely removing his makeup and ruining hours of filming. At one point, Carpenter broke a clipboard in half over his knee in a fit of rage when Chase removed his makeup mid-take. Carpenter said that Chase and Hannah were "immune to any punishment from the studio, and they knew it, so they walked over me and everyone else on set and essentially told us we'd be replaced if we had any problem with them...it was like working with your boss's snooty children who would tattle on you if you didn't bend to their every will." Despite this, Carpenter ended up bonding and seeking comfort in Sam Neill over the troubling production and the two became close friends, with Neill agreeing to work with Carpenter again on In the Mouth of Madness (1994). See more » |
Goofs | Nick often casts a shadow. See more » |
Movie Connections | Edited into The Green Fog (2017). See more » |
Crazy Credits | Over the first minute or so of the end credits we see Nick skiing in snowy mountains, his head and face covered with a hat, goggles and scarf. He comes to a stop outside a large cabin. Alice comes out, evidently pregnant. Nick lifts his goggles and pulls the scarf down from around his face, but of course he is still invisible. Alice kisses him, and takes his gloved hand and holds it to her belly, so he can feel the baby kicking... See more » |
Quotes |
Morrissey:
[reading Nick's record]
Never been married, parents both deceased... the guy's got a few friends, but not real close to any of them. Not exactly a workaholic, either. He kind of plays it fast and loose. David Jenkins: I've dealt with people like this before. No close personal ties, no strong political beliefs, no particular interests... in fact, when you think about it, the man has the perfect profile. He was invisible *before* he was invisible. See more » |