Dream of Light (1992)
El sol del membrillo (original title)Reference View | Change View
- 2h 13min
- Documentary, Biography
- 02 Apr 1993 (UK)
- Movie
- 8 wins & 2 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Antonio López | ... |
Self
(as Antonio Lopez)
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María Moreno | ... |
Self
(as Maria Moreno)
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Enrique Gran | ... |
Self
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María López | ... |
Self
(as Maria Lopez)
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Carmen López | ... |
Self
(as Carmen Lopez)
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Elisa Ruiz | ... |
Self
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José Carretero | ... |
Self
(as Jose Carretero)
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Amalia Avia | ... |
Self
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Lucio Muñoz | ... |
Self
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Esperanza Parada | ... |
Self
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Julio López Hernández | ... |
Self
(as Julio Lopez Hernandez)
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Fan Xiao Ming | ... |
Self
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Yan Sheng Dong | ... |
Self
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Janusz Pietrzkiak | ... |
Self
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Marek Domagala | ... |
Self
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Grzegorz Ponikmia | ... |
Self
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Directed by
Víctor Erice | ... | (as Victor Erice) |
Written by
Víctor Erice | ... | () (as Victor Erice) |
Antonio López | ... | () (as Antonio Lopez) |
Produced by
Ángel Amigo | ... | associate producer (as Angel Amigo) |
Carmen Martínez Rebé | ... | line producer |
María Moreno | ... | executive producer (as María Moreno) |
Music by
Pascal Gaigne |
Cinematography by
Javier Aguirresarobe | ||
Ángel Luis Fernández | ... | (as Angel Luis Fernandez) |
José Luis López-Linares | ... | (as Jose Luis Lopez Linares) |
Editing by
Juan Ignacio San Mateo |
Editorial Department
Julia Juaniz | ... | assistant editor |
Juan Carlos Martinez | ... | assistant editor (as Juan Carlos Martinez) |
Nere Pagola | ... | second assistant editor |
Production Management
Jesús Rodríguez Delgado | ... | production assistant (as Jesus Rodriguez Delgado) |
Víctor Albarrán | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
Paco Lucio | ... | assistant director (as Francisco J. Lucio) |
Jos Oliver | ... | assistant director |
Sound Department
Sergio Bürmann | ... | boom operator (as Sergio Burmann) |
Luis Castro | ... | foley artist |
Juan Carlos Cid | ... | boom operator |
Eduardo Fernández | ... | re-recording mixer |
Iván Marín | ... | boom operator (as Ivan Marin) |
Daniel Goldstein | ... | sound (uncredited) |
Ricardo Steinberg | ... | sound recordist (uncredited) |
Camera and Electrical Department
Montserrat Escudero | ... | clapper loader |
Montxo Escudero | ... | assistant camera |
José María Lara | ... | first assistant camera (as Jose Maria Lara) |
Juan Leiva | ... | first assistant camera (as Juan Martin Sabell) |
Carmen Negrón | ... | clapper loader (as Carmen Negron) |
José Antonio Oliva | ... | electrician (as Jose Antonio Oliva) |
Teodoro Ortega | ... | electrician |
José Luis Torrecilla | ... | gaffer (as Jose Luis Torrecilla) |
Miguel Udo Villaverde | ... | video assist (as Miguel Udo) |
Ángel Yebra | ... | assistant camera 2nd unit (uncredited) |
Additional Crew
Nani Bustillo | ... | production secretary |
Puy Oria | ... | production assistant |
María Rodríguez | ... | runner (as Maria Rodriguez) |
Iñaki Ros | ... | production assistant |
Cristina Somalo | ... | production trainee |
Thanks
Paco Solorzano | ... | in memory of |
Production Companies
- Euskal Media
- Igeldo Zine Produkzioak
- Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)
- Maria Moreno P.C.
Distributors
- Films sans Frontières (1993) (France) (theatrical)
- France Eigasha (1993) (Japan) (theatrical)
- Shibata Organisation (1993) (Japan) (theatrical)
- Facets Multimedia Distribution (2000) (United States) (subtitled)
- trigon-film (2011) (Austria) (Special DVD edition)
- trigon-film (2011) (Switzerland) (Special DVD edition)
Special Effects
Other Companies
- Cinearte (music recorded at)
- Cinelux (grip and lighting equipment)
- Exa (post-production facilities)
- Legiscine (office services)
- Story Film (titles)
- Taller de Ruidos (special sound effects)
Storyline
Plot Summary |
The artist, Antonio Lopez, tries to paint the quince tree he planted some time back in his garden. Throughout his life, he has worked on the same theme many times, almost as if it were a physical necessity. Every year, with the arrival of autumn, this need resurfaces. The artist's work has never represented the sun's rays between the leaves of the tree, and, given his characteristic realist style, he tries to achieve this. But he goes about it in the same way, without consciously pursuing a finished picture - he just wants to be close to the fragile lavish tree for a few weeks.
Written by L.H. Wong |
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Did You Know?
Movie Connections | Featured in Valon draama (2010). See more » |