Fiorile (1993) Poster

(1993)

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8/10
The curse of the gold
jotix10023 September 2009
Warning: Spoilers
There are a few brothers' teams working in movies today. They are, among others, the Dardennes from Belgium, the Coens from America and the Tavianis, based in Italy. Film making is a long and arduous process that can get in the nerves of most creators, and siblings are not exempt of the frustrations that must go on behind the camera at any given moment. Thus, the work of the three sets of directors mentioned, must be more than a work of love as their films keep on delighting audiences from all over the world.

That said, we came recently to "Fiorile" a 1993 Italian film by Paolo and Vittorio Taviani. Not having seen it when it first came out, we were surprised by this tale in which the Tavianis deal with several generations of a Tuscan family and their rise to prominence.

Set in the Tuscany countryside, the story centers around the Benedettis, a family of peasant origins. The narrative is told from Luigi Benedetti's point of view. He is driving with his own family to see his father, Massimo, whom he has not seen for many years. As they travel through the area, he points out to his two children how the family went from being so poor into the prominent figures of that part of Italy. He also tells his children about the "curse of the gold", which the locals believe has something to do with the turbulent side of the Benedettis.

In flashbacks one is taken to the time when Napoleon invaded Italy. The French were being fought by Tuscan patriots. The invaders brought a treasure in gold coins to support their war effort. The man in charge, Jean, sees the horse with the money disappear after a skirmish with the Italians. At the same time, he sees a young woman, Elisabetta, on the ground that has been wounded. He helps her and is taken by her beauty. Jean has to pay with his life for having lost the coins. Unknown to him, her brother Corrado seizes the opportunity to steal the gold. That gold, together with Elisabetta who is pregnant by Jean, play an important role in the Benedettis becoming landlords of much of the area.

The second vignette involves Alessandro Benedetti, a descendant of the original clan. Now rich and famous, he finds a chance for getting into politics in Rome. His sister Elisa has been seeing a young man that is considered below them and Alessandro tells her to stop seeing the man. Unfortunately, on an outing, Elisa and her brothers come into a clearing where wild mushrooms abound. The siblings decide to eat some of the good ones, but Elisa has something else in mind.

The third theme of the story has to do with Massimo, a young man in the Italy of the 1940s as the Fascists are in power. He is an earnest young man who sees the reigning power in his country for what they really are and with the help of his girlfriend, he prepares to do something to take care of someone that is an informer. Little does he know that the girl he loves has been taken prisoner and is being taken away in a truck that is following the man he is about to kill.

The Tavianis have always been able to get excellent performances from their casts, which is also what they got from this group of Italian actors. Claudio Bigagli, Galatea Ranzi and Michael Vartan are seen in different roles. The directors love to have their players do several roles, as is the case here. The supporting performers do justice to the story being told.

Giuseppe Lanci does wonders in getting the great landscapes with his camera. Tuscany is one of the most beautiful regions of Italy and it shows so here. The musical score by Nicola Piovani also serves the story. Ultimately, the credit for the overall achievement of the film has a name: Paolo and Vittorio Taviani.
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8/10
Romantic story, beautiful but a bit outdated
dromasca14 September 2003
The Taviani brothers have a definite place in the history of Italian cinema. They were highly regarded in the 70s and 80s, but lately their creative power and success seems to have diminished. 'Fiorile' is one of the later films, and the rust begins to be visible. It is a romantic story, spread over almost two hundred years and several generations, a story of love, lust, money and damnation. It is well filmed, and well told, but it is too conventional, and the message - if there is any - gets lost in the multitude of the characters, none really catching the eye or due to resist in the long term memory. We are left with a film in the good European tradition, good acting, nice filming, but still not a great achievement. Worth seeing in any case. 8/10 on my personal scale.
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7/10
Beautiful look at the Tuscan countryside
lastliberal10 July 2008
When you have several hundred films in your queue, sometimes you forget just why it is there. I am not familiar with the work of Paolo and Vittorio Taviani, and I don't recognize any of the stars. I haven't even seen Chiara Caselli before. She gives us a glimpse of her beauty late in the film, but I am told there are better films to see her.

So, did I just make a mistake and now regret it? No, the film was a beautiful fantasy drama that told how money can come to be looked upon as a curse. Even knowing that, the curse lives on in the children. Once you touch gold, you cannot let go.

It was a nice film, with brilliant cinematography, and not a waste of time.
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A Beautifully complex, intense story
peyman_toossy10 March 2002
Driving to visit his ill father in Italian countryside, a father recalls the story of his family for his daughter and son...this unforgettable story of human greed and dishonesty and how wealth can taint the spirit is one of the most intense and moving stories i've ever come across with... juxtaposition of present and past in the same sets and the multiple roles characters play is as precious as the script and photography.... don't miss this one even if you're too busy.
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6/10
A piece of craftmanship from the Taviani brothers
frankde-jong30 September 2020
The title of "Fiorile" refers to the month of "Floreal" (month of flowers), a month from the French Republican calender that was used in France from 1793 to 1806. The month lasted from April 20 to Mai 19.

The film "Fiorile" is about the concept of the original sin. A theft in the Napoleontic age gives the Benedetti family wealth and power, but is also responsible for the fact that they are hated and called the Maledettis (the cursed).

"Fiorile" is not the best film of the Taviani brothers. The reviews at the time of release were a bit disappointing. With hinsight it is however their last good movie (with the possible exception of "Caesar must die" (2012) which I didn't see). The Tuscan landscape is beautiful, the cinematography is good and the Taviani brothers are born storytellers after all.
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10/10
An enchanting magical journey across the generations of Tuscany
Roncito-22 July 2000
If you've been looking for a great story, beautifully told, watch this movie. Like many Italian films, it portrays truths that are absent the linear, "everything has to pay off" American cinema. The story drifts in and out of different epochs with clever transitions that would make David Lean jealous. The actors are uniformly excellent with special praise owed to the exquisite Galatea Ranzi.

This is a film that can be seen again and again and enjoyed each time for the new discoveries and pleasures that it brings.
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10/10
They dont get much better than this
mp.visser19 November 2002
I really enjoyed this movie, and am ever so happy I taped it at the time it ran on TV. The great thing about this movie is that it is so normal. A family driving to granny and telling the kids a story on the way. And then later how the kids are playing and weaving the story their parents told them in their play. I far prefer European films like this to the ones we get here from the states. Why, you wonder, well if this was made in Hollywood, an escaped gangster would have come along to steal the treasure and father would have taken revenge or something like that... No, the only thing that is a petty is that movies like this are not distributed main stream, but only in arty farty circles. So most movies like this will never reach main stream audience, or even will be distributed outside their originating country. I am pretty sure there are a lot of movies that are great, brilliant movies, but I will never get to see them, because of the distribution.

Pieter
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3/10
flashbacks are not history
pyamada16 April 2002
Like all the Taviani Brothers films, this one looks great, but it is rotten to the core with false romanticism, and coincidences heap upon each other in some facsimile of a "story". In actuality, this is really just a sentimentally cheap tear jerker posing as an intellectually distinguished art film.
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8/10
Lovely
The Tavianis astonished me with Kaos (1984) and The Night Sun (1990). With Fiorile they have stolen my heart.

I cannot approach the statement I have just made logically. I can't tell you why I yearn to hear my mother play Grieg's Waltz (from his Lyric Pieces) more than any great player play one of the complicated masterpieces. There is something about ingenuity and virtuosity and flawlessness that is besides the point.

Fiorile is cosmic and sweet.

Its flaws are what makes it beautiful.

The story is about a family who curse themselves down through the generations themselves by stealing treasure and causing an intolerable injustice. But the wealth of the film is in the Tavianis ability to create heightened moments, full of nostalgia for times and places you never knew.
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8/10
They kept the gold, but it came with a curse
Red-12524 June 2015
Fiorile (1993) was co-written and co-directed by Paolo and Vittorio Taviani. The Taviani brothers are great directors, and their genius comes through in this unusual film. The plot starts off innocuously enough, with a young couple and their two children traveling in Italy to meet the husband's father. The family apparently live in France, and the husband has not seen his father for over ten years. The children are both under ten years old, so they don't know what to expect of their grandfather.

The father tells his children about a curse placed on their family because of an incident during the Napoleonic wars in Italy 200 years earlier. Gold is involved, and the subject of gold and the curse continues throughout the film. There's another episode in the early 20th Century, and a third during World War II.

Galatea Ranzi plays two roles--Elisabette in the Napoleonic episode, and Elisa in the early 20th Century episode. The two characters are quite different in temperament, but Ranzi is a good actor, and you believe her in both roles. (She is also very, very beautiful. You can see how a young French officer would forget his official military obligations in her presence.)

We saw this film on VHS, and it worked well on the small screen. Most of the action takes place indoors, or in small outdoor spaces, so a large screen isn't really required. This isn't a movie that you must seek out and see at all costs. However, if you can find it, it's worth watching.
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10/10
Sumptuous Italiana
p.newhouse@talk21.com5 January 2015
Warning: Spoilers
A neat historical thriller, fiorile is my first Taviani film, but it probably won't be my last. I hadn't really read much about the film, except to form the opinion that it was probably a routine quality children's fantasy film, so I let it pass me by for years. It is actually a historical thriller about several generations of a family, told as a tale to the children of the present day family, mingled with a caution about the legend's possible effect on the children. There are some rather predictable elements to the film, but the acting is excellent by all, and the sumptuous Italian settings give a feel of Shakespeare mixed with the modern day, and the ending has considerable style. Well worth adding to your collection.
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8/10
Should you be responsible for what your ancestors did?
lee_eisenberg27 January 2024
While taking an ethics course in undergrad, I mentioned instances of atrocities committed by people's ancestors and how the descendants try to atone for it. The professor noted that a person is not responsible for bad things that their ancestors did, no matter how hideous.

This topic is a large part of the subject matter of the Taviani brothers' "Fiorile", where a family visiting a relative discusses a curse placed on the family for a misdeed during Napoleon's invasion of Italy 200 years earlier.

We get this moral conundrum as well as some great shots of the Tuscan countryside. This is definitely a movie that you should check out if possible. I don't know if it's on any streaming service, so you'll have to look in neighborhood video rental stores (there's bound to be at least one in your city). In the meantime, I hope to see more movies from the Taviani brothers.
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