Directed by
George Mihalka |
Writing Credits (in alphabetical order)
Suzette Couture | ... | (writer) |
Sylvie Pilon | ... | (additional dialogue) |
Pierre Sarrazin | ... | (writer) |
Cast (in credits order) complete, awaiting verification
Produced by
Claude Bonin | ... | executive producer / producer |
Jacques Bonin | ... | executive producer |
Suzette Couture | ... | executive producer |
Pierre Sarrazin | ... | executive producer / producer |
Music by
Milan Kymlicka |
Cinematography by
Rene Ohashi |
Editing by
Yves Chaput | ||
François Gill |
Production Design by
Perri Gorrara |
Art Direction by
Barbra Matis |
Set Decoration by
André Chamberland | ... | head set decorator |
Costume Design by
Paul-André Guérin |
Makeup Department
Jocelyne Bellemare | ... | makeup artist |
Melina Di Cristo | ... | makeup trainee |
Benjamin Robin | ... | hair stylist |
Production Management
Muriel Lizé | ... | production manager |
Mario Nadeau | ... | unit manager |
Pierre Roy | ... | assistant unit manager |
H. Gordon Woodside | ... | post-production supervisor |
Second Unit Director or Assistant Director
Sean Dwyer | ... | second assistant director |
Jacques Laberge | ... | first assistant director |
Shauna Patterson | ... | trainee assistant director |
Art Department
Francis Back | ... | storyboard artist |
William F. Gambill | ... | charge scenic |
Denis Hamel | ... | property master |
Étienne Lapointe-Proulx | ... | assistant property master |
Fred Schwendel | ... | set dresser |
Barbara Seinfeld | ... | art coordinator (as Barbara S. Shelton) |
Sound Department
Terry Burke | ... | sound effects |
Tony Currie | ... | sound editor |
Douglas Ganton | ... | sound |
Alastair Gray | ... | assistant dialogue editor |
Paul Shikata | ... | foley assistant |
Jane Tattersall | ... | supervising sound editor |
Special Effects by
Marc Banich | ... | special effects foreman |
Louis Craig | ... | special effects supervisor |
Mario Dumont | ... | senior special effects technician |
J.B. Jones | ... | special effects coordinator |
Stunts
Jay Amor | ... | stunt coordinator |
Camera and Electrical Department
John Berrie | ... | additional cinematographer |
Louis de Ernsted | ... | camera operator |
Pierre Dury | ... | still photographer |
Pierric Jouvante | ... | electrician |
Mitch Reeves | ... | grip (as James M. Reeves) |
Casting Department
Andrew Meade | ... | local casting |
Editorial Department
Aube Foglia | ... | assistant editor |
Annie Jean | ... | assistant editor |
Ricardo Olivero | ... | color timer |
Location Management
Elizabeth Elwell | ... | location manager (as Liz Elwell) |
Music Department
Christopher Dedrick | ... | orchestrator |
Peter Measroch | ... | composer: additional music |
Script and Continuity Department
Raynald Desmeules | ... | script advisor |
Lorette Leblanc | ... | continuity |
Additional Crew
Daniaile Jarry | ... | direction advisor |
Élisabeth Lamy | ... | administrator |
Ronald Santerre | ... | driver |
Linda F. Smith | ... | production coordinator |