The Piano (1993)

Note des utilisateurs:

7.5/10   

Réalisateur:

Jane Campion

Scénariste:

Jane Campion (written by)

Release Date:

12 novembre 1993 (USA)

Genre:

Drame | Romance

Plot:

A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.

Plot Keywords:

Piano | New Zealand | Arranged Marriage | Mute | 1850s

Awards:

Won 3 Oscars. Another 54 wins & 25 nominations

Avis des utilisateurs:

Magnificent, symbolic film masterpiece plays beautifully, like a piano.

Ensemble

Holly Hunter	...	Ada McGrath
Harvey Keitel	...	George Baines
Sam Neill	...	Alisdair Stewart
Anna Paquin	...	Flora McGrath
Kerry Walker	...	Aunt Morag
Geneviève Lemon	...	Nessie (as Genevieve Lemon)
Tungia Baker	...	Hira
Ian Mune	...	Reverend
Peter Dennett	...	Head Seaman
Te Whatanui Skipwith	...	Chief Nihe
Pete Smith	...	Hone
Bruce Allpress	...	Blind Piano Tuner
Cliff Curtis	...	Mana
Carla Rupuha	...	Heni - Mission Girl
Mahina Tunui	...	Mere - Mission Girl

Autre(s) titre(s):

La leçon de piano (France)
Pleasure (Australia) (working title)
The Black Keys (Australia) (working title)
The Piano Lesson (Australia) (original script title)

MPAA:

Rated R for moments of extremely graphic sexuality.

Durée:

121 min

Pays:

Australia | New Zealand | France

Langue:

Anglais | British Sign Language | Maori

Couleur:

Couleur (Eastmancolor)

Aspect Ratio:

1.85 : 1

Son:

Dolby

Classification:

Iceland:12 (video rating) | Iceland:L | Brazil:16 | Philippines:R-18 | France:U | Argentina:16 | Australia:M | Chile:18 | Finland:K-14 | Germany:12 | Hong Kong:III | Netherlands:16 | Portugal:M/16 | Singapore:M18 | South Korea:18 | Spain:13 | Sweden:11 | UK:15 | USA:R | Malaysia:(Banned)

Emplacements De Pelliculage:

Auckland, New Zealand

Company:

Australian Film Commission, The

Anecdotes:

The play performed in the movie is an adaptation of "Bluebeard", which is a French fairy tale recorded by Charles Perrault about a man who marries, kills his wives after they fail a test, stashes their bodies in a small chamber, then marries again. In the original story, the main character (Bluebeard's current wife) escapes her psychopathic husband and finds happiness elsewhere.

Goofs:

Continuity: When the boat leaves the island, Ada trails her hand in the water, which is still and calm. On long shots, it is foaming from the action of the oars, and the boat on the water.

Guillemet:

Flora: I know why Mr. Baines can't play the piano. She never gives him a turn. She just plays whatever she pleases and sometimes she doesn't play at all.
Stewart: And when is the next lesson?
Flora: Tomorrow.

Movie Connections:

Referenced in "Coupling: Inferno (#1.4)" (2000)

Soundtrack:

The Heart Asks Pleasure First/The Promise

Magnificent, symbolic film masterpiece plays beautifully, like a piano.

There are very few female directors in the film industry that have been given proper acknowledgment or had their works introduced to mainstream filmgoers. Jane Campion is one of these precious few, a director who carefully paces and sculpts her works so that they magnificently flow like a musical interlude. "The Piano" is her ultimate masterpiece, a film of such simplicity, described with calm and tense complexity. Holly Hunter received an Oscar for her fascinating performance as Ada, a mute woman who is forced into an arranged marriage with a New Zealand landowner, played convincingly by Sam Neill, a native Australian actor himself. Ada journeys to New Zealand with her young daughter (Anna Paquin, also an Oscar-winner that year), few other possessions, and her treasured piano, a part of her that amplifies her voice that she cannot express through vocal communication.

I believe it would be wrong to assume that any of the characters are martyrs in this tragic story, nor would it be right to think Sam Neill's character a villain. You may think this is crazy, but I think the piano itself serves as both a good and bad omen for all that are involved. I would relate it to a "Pandora's box" of sorts, a treasure that exposes all the evil and sin in the world, but which also provides hope as well. The piano is Ada's sounding box, a tool that allows her to escape from a world that does not understand her, but that also threatens her moral compass, removing her from marital conventions and forces her to lose herself.

The performances in "The Piano" are particularly good, especially Holly Hunter's. It is interesting to note that all of Hunter's piano playing in the film is actually Hunter herself performing in front of us. You can visually and aurally feel the mood of Hunter's character through the music she plays. We the audience lose ourselves right along with her, lost upon a sea of music. We see why Keitel becomes enamored by her, and why Neill becomes overcome with jealousy and betrayal. Not many films would allow us to enter the emotions of all three main characters, but this film is truly an exception.

Rarely do we witness real beauty captured on film. "The Piano" is such a visually stunning film, it's almost intoxicating how its atmosphere sweeps across the screen. This landscape is equaled by the performances, bringing understanding and mystery to this wonder. Sometimes symbolism of this nature can be distracting to an audience. "The Piano" dares to follow this symbolic path, and hits a bullseye with full emotional force. Rating: Four stars.