Return of the Living Dead III (1993)
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- R
- 1h 37min
- Horror
- 25 Feb 1994 (Brazil)
- Movie
- 3 wins & 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
J. Trevor Edmond | ... |
Curt Reynolds
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Melinda Clarke | ... |
Julie Walker
(as Mindy Clarke)
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Kent McCord | ... |
Colonel John Reynolds
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James T. Callahan | ... |
Colonel Peck
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Sarah Douglas | ... |
Colonel Sinclair
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Abigail Lenz | ... |
Mindy
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Jill Andre | ... |
Chief Scientist
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Michael Decker | ... |
Science Technician
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Billy Kane | ... |
Sentry
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Mike Moroff | ... |
Santos
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Julian Scott Urena | ... |
Mogo
(as Fabio Urena)
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Pía Reyes | ... |
Alicia
(as Pia Reyes)
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Sal Lopez | ... |
Felipe
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Dana Lee | ... |
Store Owner
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Michael Deak | ... |
Cop #1
(as Michael S. Deak)
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Michael Northern | ... |
Squad Soldier
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Basil Wallace | ... |
Riverman
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Joe Sikorra | ... |
Squad Leader
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David Wells | ... |
Laboratory Technician
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Clarence Epperson | ... |
Cadaver
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Anthony Hickox | ... |
Dr. Hickox
(as Tony Hickox)
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Brian Peck | ... |
Ballistic Technician
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Rest of cast listed alphabetically: | |||
Rob Hampton | ... |
Barrel Corpse (uncredited)
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Christopher Landry | ... |
Military Policeman (uncredited)
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Gerry Lively | ... |
Quartermaster (uncredited)
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John Penney | ... |
Sergeant (uncredited)
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Gary Schmoeller | ... |
Base Captain (uncredited)
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Directed by
Brian Yuzna |
Written by
John Penney | ... | (written by) |
Produced by
Roger Burlage | ... | executive producer |
Tom Fox | ... | producer |
Andrew Hersh | ... | co-producer |
Lawrence Steven Meyers | ... | executive producer |
John Penney | ... | associate producer |
Gary Schmoeller | ... | producer |
Brian Yuzna | ... | producer |
Music by
Barry Goldberg |
Cinematography by
Gerry Lively | ... | director of photography |
Editing by
Christopher Roth |
Editorial Department
Douglas Crise | ... | assistant editor |
Ray Morfino | ... | color timer |
Keith H. Sauter | ... | first assistant editor (as Keith Sauter) |
Jordan Thau | ... | assistant editor |
Casting By
Jeffery Passero |
Production Design by
Anton Tremblay | ... | (as Anthony Tremblay) |
Art Direction by
Aram Allan | ... | (as Aram Allen) |
Set Decoration by
Greg Bartkus |
Costume Design by
Jananicole Mincer |
Makeup Department
Kevin Brennan | ... | special effects makeup |
Lisa Buono | ... | key hair stylist / key makeup artist |
Shauna Giesbrecht | ... | assistant makeup artist |
Steve Johnson | ... | special effects makeup |
Silvina Knight | ... | hair stylist (as Silvi Labrador) / makeup artist (as Silvi Labrador) |
Christopher Allen Nelson | ... | special effects makeup (as Christopher Nelson) |
Rodney Petreikis | ... | prosthetic effects crew: Max Effects |
Timothy Ralston | ... | special effects makeup (as Tim Ralston) |
Wayne Toth | ... | special effects makeup |
Production Management
Russell D. Markowitz | ... | production manager (as Russell Markowitz) |
Christopher Roth | ... | post-production supervisor (as Chris Roth) |
David Tripet | ... | executive in charge of production |
Cami Winikoff | ... | production supervisor |
Second Unit Director or Assistant Director
Steven Buhai | ... | additional second assistant director |
Steve Cowie | ... | additional second assistant director (as Steven Cowie) |
Christopher Landry | ... | second second assistant director |
Conte Mark Matal | ... | second assistant director |
Tom Milo | ... | first assistant director (as Tom E. Milo) |
Thomas C. Rainone | ... | second unit director |
Gary Schmoeller | ... | additional second unit director |
Art Department
Marc Alexandre | ... | construction foreman |
Steven Atwell | ... | carpenter (as Steve Atwell) |
Guy Belegaud | ... | carpenter |
Richard Berry | ... | carpenter |
Antoine Bonsorte | ... | carpenter |
Robert Campbell | ... | scenic |
Ian Hardy | ... | carpenter |
John Harrington | ... | prop master |
Matthew Haynes | ... | carpenter |
Patrick Lees | ... | carpenter |
Stephen Lock | ... | carpenter |
Jeannie M. Lomma | ... | art department assistant / assistant production designer |
José López | ... | scenic (as Jose Lopez) |
Ross H. Martin | ... | art department assistant (as Ross Martin) |
Garry McEvoy | ... | scenic (as Gary McEvoy) |
Shelly McKnight | ... | lead scenic (as Shelly E. McKnight) |
Will Meugniot | ... | storyboard artist |
Patric C. Murrough | ... | carpenter |
Jason Nunes | ... | assistant props |
Ray Pohlmeyer | ... | set dresser |
Danny Ronay | ... | set painter |
H. Christopher Roy | ... | carpenter |
Jose Sandoval | ... | scenic |
Adrian Saxton | ... | carpenter |
Mark Schouten | ... | carpenter |
Bill Smith | ... | art department assistant |
Erik Stieg | ... | carpenter |
Jayne-Ann Tenggren | ... | assistant prop master |
Pete von Sholly | ... | storyboard artist |
Jeremy Wakefield | ... | scenic |
Sound Department
Dwayne Avery | ... | dialogue editor (as Duane Avery) |
Ron Bedrosian | ... | adr mixer |
Gaston Biraben | ... | sound effects |
John 'Pee Wee' Carter | ... | sound recording engineer (as John Carter) |
Tim Chilton | ... | foley walker |
Gail Clark Burch | ... | adr supervisor (as Gail Burch) |
Liza Cornwall | ... | sound assistant (as Liza M. Cornwall) |
Frank Fleming | ... | sound recordist |
Stacey A. Foiles | ... | sound effects |
Robert W. Glass Jr. | ... | re-recording mixer |
Geoffrey Patterson | ... | sound mixer (as Geoffrey Lucius Patterson) |
John Post | ... | foley walker |
Steve Rice | ... | dialogue editor (as Steve M. Rice) |
Richard D. Rogers | ... | foley mixer / re-recording mixer |
Tom Ruff | ... | a.d.r. mixer |
James Seltenreich | ... | sound effects |
Ann L. Thornberg | ... | sound assistant |
Craig Woods | ... | boom operator |
David Lewis Yewdall | ... | supervising sound editor |
Lisa Howes Yewdall | ... | sound coordinator |
Special Effects by
Elaine Alexander | ... | prosthetic effects crew: Max Effects |
Trevor Alyn | ... | sculpture and design: Wayne Toth Productions |
John Axford | ... | prosthetic effects crew: Max Effects |
Norman Cabrera | ... | sculpture and design: Wayne Toth Productions |
Jackie Caydam | ... | prosthetic effects crew: XFX Inc. |
Bill Corso | ... | prosthetic effects crew: XFX Inc. |
Matt Croteau | ... | sculpture and design: Wayne Toth Productions |
Diane Duncan | ... | prosthetic effects crew: XFX Inc. |
David Dupuis | ... | prosthetic effects crew: XFX Inc. |
Earl Ellis | ... | prosthetic effects crew: Nelson EFX |
Jake Garber | ... | lab technician: Corn Ltd. |
David Greathouse | ... | prosthetic effects crew: Max Effects |
Greg Hanigan | ... | special effects set decorator |
Glen Hanz | ... | sculptor: Corn Ltd. |
Nori Honda | ... | prosthetic effects crew: XFX Inc. |
Leon Laderach | ... | prosthetic effects crew: XFX Inc. |
Bart Mixon | ... | animation effects assistant to Bret Mixon |
Brian Rae | ... | lead lab technician: Wayne Toth Productions |
Thomas C. Rainone | ... | special effects production supervisor |
Dan Rebert | ... | prosthetic effects crew: Max Effects |
Charles Rivera | ... | prosthetic effects crew: Nelson EFX |
Chris Robbins | ... | sculpture and design: Wayne Toth Productions (as Christopher Robbins) |
Shaun Smith | ... | prosthetic effects crew: XFX Inc. |
Joseph Young | ... | prosthetic effects crew: Max Effects |
Visual Effects by
Larry Arpin | ... | optical camera |
Susan Cavent | ... | model maker |
Phillip Hartmann | ... | model maker (as Phillip C. Hartman) |
Bret Mixon | ... | rotoscope animation |
Ted Van Dorn | ... | model maker |
Thomas Zell | ... | model maker |
Stunts
David Hugghins | ... | stunts |
Kurt D. Lott | ... | stunts (as Kurt Lott) |
Mildred A. Novak | ... | stunts (as Mildred Novak) |
Gary Paul | ... | stunt coordinator |
Denise Lynne Roberts | ... | stunts (as Denise Lynn Roberts) |
Scott Rogers | ... | stunts |
Monty L. Simons | ... | stunts (uncredited) |
Camera and Electrical Department
Arthur Scipio Africano | ... | second assistant camera (as Arthur Africano) |
Philippe Aubry | ... | electric swing |
Russ Brandt | ... | camera operator |
Vidal Cohen | ... | grip swing (as Vidal D. Cohen) |
Alicia Craft | ... | first assistant camera: second unit |
Giampaolo Debole | ... | second assistant camera |
John Dorsett | ... | grip |
Ron Edmondson | ... | grip swing |
Phillip Glau | ... | electric swing |
Andy Glomski | ... | electric swing (as Andrew C. Glomski) |
Michael Graef | ... | grip |
Michael Gulbin | ... | dolly grip |
Mitch Gulbin | ... | dolly grip |
Matthew Kennett III | ... | grip swing (as Matthew Kennett) |
Robert Knouse | ... | director of photography: second unit |
Amboy Korling | ... | camera assistant: second unit (as Amboy Korline) |
Eric H. Lasher | ... | still photographer (as Eric Lasher) |
Richard Lewin | ... | key grip |
John Mang | ... | best boy |
Keith A. Markham | ... | key grip (as Keith Markham) |
Michael Martino | ... | first assistant camera |
Michael McGarry | ... | grip (as Michael E. McGarry) |
Chris Milani | ... | best boy |
Linda Morgenstern | ... | first assistant camera: second unit |
Ngoli Vukani Nyirenda | ... | grip swing (as Ngoli V. Nyiranda) |
Steve Owen | ... | electric swing |
Dale Robinette | ... | still photographer (as Dale Rabinet) |
Alexander Salazar | ... | electric swing |
Adam Santelli | ... | gaffer |
Jason Santelli | ... | gaffer: second unit |
Taylor Evan Sparks | ... | electrician (as Taylor Sparks) |
David Taylor | ... | second assistant camera |
Anthony Van Dyk | ... | grip swing |
Jerry Watson | ... | director of photography: second unit |
Ignacio Woolfolk | ... | electrician (as Nacho Wolfolk) |
Casting Department
Mindy Johnson | ... | casting associate |
Costume and Wardrobe Department
Ernesto Martinez | ... | wardrobe supervisor |
Location Management
Ross C. Day | ... | location scout (as Ross Day) |
Lara Mensh | ... | location assistant |
Jeff Rubinstein | ... | location manager (as Jeff P. Rubinstein) |
Music Department
John 'Pee Wee' Carter | ... | score recording engineer (as John Carter) |
John Philip Shenale | ... | composer: additional music / orchestrator |
Script and Continuity Department
Kelly Akers | ... | script supervisor |
Lexxie Cariste | ... | script supervisor (as Lexxie Wentzel) |
Toby Forlenza | ... | script supervisor |
Jayne-Ann Tenggren | ... | script supervisor: second unit |
Dee Whitehurst | ... | script supervisor |
Transportation Department
Milo Brown | ... | transportation coordinator |
Dennis Ford | ... | transportation captain |
Terilyn Ford | ... | van driver (as Terri Ford) |
Roger Greer | ... | driver: honeywagon |
Jeff Habberd | ... | driver |
Dan Porteous | ... | production van driver (as D.W. Porteous) |
David J. Schubert | ... | driver: camera car |
Robert Stitt | ... | driver: insert car |
Claude Alan Thompson | ... | generator driver / grip driver |
David Wang | ... | picture car coordinator |
Additional Crew
Michael Becquet | ... | caterer |
Kevin Brennan | ... | creator: prosthetic effects for "Gang Band" |
John Douglas | ... | production assistant |
Bruce Eisen | ... | legal affairs: Trimark (as Bruce Eisen Esq.) |
Jeff Himmel | ... | puppeteer |
Steve Johnson | ... | creator: prosthetic effects for "Julie" |
Mike Jolly | ... | puppeteer |
Luke Khanlian | ... | laboratory technician |
Jake McKinnon | ... | laboratory technician |
Carole J. Meyer | ... | assistant accountant |
Louis Shaw Milito | ... | production assistant (as Louis Milito) |
Christopher Allen Nelson | ... | creator: prosthetic effects (as Christopher Nelson) |
Heidi S. Pavey | ... | production assistant (as Heidi Pavey) |
Timothy Ralston | ... | creator: prosthetic effects for "Riverman Endoskeleton" |
Judith Reilly | ... | production assistant |
Edwin Stalter | ... | production assistant |
Margaret Staples | ... | craft service |
Tracy Teresi | ... | production assistant |
Wayne Toth | ... | creator: prosthetic effects for "Zombies in the Barrels" |
Clarissa Troop | ... | production coordinator |
Michael Vogler | ... | production accountant |
Robert E. Watson | ... | laboratory technician |
Allen D. Weingartner | ... | production assistant |
Nicholas Worth | ... | laboratory technician |
Thanks
Elizabeth Brown | ... | special thanks |
Karen Dare | ... | special thanks |
Michael Deak | ... | special thanks (as Michael S. Deak) |
Diane Healey | ... | thanks |
Richard Jordan | ... | special thanks |
Ken Manson Jr. | ... | special thanks: Cocal Cola USA (as Ken Manson) |
JoAnn May-Pavey | ... | special thanks (as Joanne May Pavey) |
Ellen Phillips | ... | special thanks |
Jeremy Stanton | ... | special thanks: Nistka Clothing |
Alona Tripet | ... | special thanks |
Cami Winikoff | ... | special thanks |
Cathy Yuzna | ... | special thanks (as Cathy Cherry Yuzna) |
Production Companies
Distributors
- Trimark Pictures (1993) (United States) (theatrical)
- Astral Films (1993) (Canada) (theatrical)
- Metropolitan Filmexport (1994) (France) (theatrical)
- Shooting Star Film Distribution BV (1994) (Netherlands) (theatrical)
- 8-Films (2019) (Germany) (Blu-ray)
- Astral Video (1994) (Canada) (VHS)
- Bandai Visual Company (1993) (Japan) (VHS)
- Columbia TriStar Home Video (1994) (Canada) (VHS) (distributed by)
- Dutch FilmWorks (DFW) (1999) (Netherlands) (VHS)
- King Records (2006) (Japan) (DVD)
- Koch Media (2018) (Germany) (Blu-ray)
- Laser Paradise (2011) (Germany) (Blu-ray)
- Laser Paradise (Germany) (DVD) (unknown)
- Lionsgate Films (2019) (World-wide)
- Lionsgate Home Entertainment (2001) (United States) (DVD)
- Lionsgate Home Entertainment (2016) (United States) (Blu-ray) (as Vestron Video)
- Media Discount Group (1996) (Netherlands) (VHS) (marketed and distributed by)
- NSM Records (2009) (Austria) (DVD)
- New Vision Video (1994) (Germany) (VHS)
- Plaion Pictures (2023) (Germany) (Blu-ray)
- RTL Entertainment (1996) (Netherlands) (tv) (RTL5)
- Screen Power Home Entertainment (1998) (Germany) (VHS)
- Sirius Publishing (1994) (United States) (video) (CD-ROM)
- The Sci-Fi Channel (2003) (United States) (tv)
- Video Look (1996) (Netherlands) (VHS) (through Media Discount Group)
- Vidmark Entertainment (1994) (United States) (VHS)
- Vértice 360 (1994) (Spain) (VHS)
- Zima Entertainment (1999) (Mexico) (DVD)
- Zima Entertainment (1999) (Mexico) (VHS)
Special Effects
- CORN Ltd. (prosthetic makeup effects)
- Max Animatronics (prosthetic makeup effects)
- Max FX
- Nelson F/X (prosthetic makeup effects)
- Steve Johnson's XFX (prosthetic makeup effects)
- Wayne Toth Productions (prosthetic makeup effects)
- XFX Images
Other Companies
- Completion Bond Company (completion bond provided by)
- Eclipse Studios (set construction)
- Filmtrucks (locations equipped by)
- Hollywood Optical Systems (titles and opticals)
- Leigh French's Custom Looping (looping group)
- Magic Film Works (negative cutting)
- Ryder Sound Services (sound)
- TBS Casting (extras casting)
- The Coca-Cola Company (special thanks)
- Truman Van Dyke Company (production insurance provided by)
- Visual Icon (exclusive clip and still licensing)
- Wang Laboratories (special thanks)
Storyline
Plot Summary |
The teenager Curt Reynolds steals the security key card from his father, Colonel John Reynolds, to snoop in the military base where his father works, with his girlfriend Julie Walker. They witness a top-secret experiment of reviving corpses for combat by Trioxin led by Colonel Reynolds, Colonel Peck and Colonel Sinclair. However, the greatest problem is to control the zombies from their hunger for human brains and their project fails with casualties of scientists. Curt and Julie flee from the base, Colonel Reynolds is removed from the project, being transferred to Oklahoma, and Colonel Sinclair assumes the command of the project. When Colonel Reynolds tells his son that he will be reassigned to Oklahoma City, Curt says no and decides to leave home with Julie. While riding his motorcycle, Julie plays with Curt and he loses control of his bike, throwing Julie to a pole and killing her. He uses his father's card to bring Julie inside the laboratory in the base and reanimates her using Trioxin and creating havoc in the base. They succeed to escape from the base, but when Julie's hunger increases, their problems begin. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
Plot Keywords | |
Taglines | Love never dies. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
Also Known As |
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Filming Locations |
Box Office
Budget | $2,000,000 (estimated) |
Opening Weekend United States | $14,810, 31 Oct 1993 |
Did You Know?
Trivia | According to Brian Yuzna's commentary, Trimark did not require the film to use the same actors or have the same comedic elements as the previous two films but they did require the zombies (including Julie) crave and eat brains. See more » |
Goofs | When the Colonel says he put out an all-state alert, yet Curt and Julie are riding downtown and a police car turns left behind them, if there was such an alert, the police would be actively looking for them. See more » |
Movie Connections | Featured in Pierre Woodman und Brian Yuzna (2007). See more » |
Quotes |
Curt Reynolds:
Julie, are you eating him? You should stop it. See more » |