| Photos (see all 10 | slideshow) |
| Sharon Stone | ... | Carly Norris | |
| William Baldwin | ... | Zeke Hawkins | |
| Tom Berenger | ... | Jack Landsford | |
| Polly Walker | ... | Vida Warren | |
| Colleen Camp | ... | Judy Marks | |
| Amanda Foreman | ... | Samantha Moore | |
| Martin Landau | ... | Alex Parsons | |
| CCH Pounder | ... | Lt. Victoria Hendrix | |
| Nina Foch | ... | Evelyn McEvoy | |
| Keene Curtis | ... | Gus Hale | |
| Nicholas Pryor | ... | Peter Farrell | |
| Anne Betancourt | ... | Jackie Kinsella | |
| Tony Peck | ... | Martin Kinsella | |
| Frantz Turner | ... | Doorman #1 | |
| Dr. Melvyn Kinder | ... | Dr. Palme | |
| Radu Gavor | ... | Dmitri | |
| Allison Mackie | ... | Naomi Singer | |
| José Rey | ... | Det. Corelli | |
| Jim Beaver | ... | Det. Ira | |
| Gilbert Rosales | ... | Janitor Rodriguez | |
| Mik Scriba | ... | Security Guard #1 | |
| Steve Carlisle | ... | Security Guard #2 | |
| Mark Bramhall | ... | Waiter | |
| Sid McCoy | ... | Mr. Anderson | |
| Sandy Gutman | ... | Ted Weisberger (as Alexander Gutman) | |
| Robin Groves | ... | Mrs. Ballinger | |
| Matthew Faison | ... | Mr. Ballinger | |
| Marnette Patterson | ... | Joanie Ballinger | |
| Christine Toy Johnson | ... | Reporter #1 (as Christine Toy) | |
| Philip Hoffman | ... | Reporter #2 | |
| Nicole Orth-Pallavicini | ... | Reporter #3 | |
| Arthur Eckdahl | ... | Waspy Man | |
| Patricia Allison | ... | Waspy Woman | |
| James Noah | ... | Doorman #2 | |
| Eduardo N.T. Andrade | ... | Doorman #3 | |
| Victor Brandt | ... | Det. McCracken | |
| Ryan Cutrona | ... | Det. Ennis | |
| Robert Miano | ... | Det. Howard | |
| Steve Eastin | ... | Det. Phillip | |
| Wendy Cutler | ... | Mrs. Colson | |
| Craig Hosking | ... | Helicopter Pilot | |
| Cliff Fleming | ... | Helicopter Pilot | |
| reste de la distribution par ordre alphabétique: | |||
| Christine Avila | ... | Doctor (uncredited) | |
| Rick Collins | ... | Weightlifter (uncredited) | |
| Cheryl Hunter | ... | Secretary (uncredited) | |
| Leonard Kelly-Young | ... | Priest (uncredited) | |
| Phillip Noyce | ... | Shaving Man (uncredited) | |
| Nick Taylor | ... | Homeless Man (uncredited) | |
| Joe Zazzu | ... | Reporter #4 (uncredited) | |
Réalisé par | |||
| Phillip Noyce | |||
Scénaristes(WGA) | ||
| Ira Levin | (novel) | |
| Joe Eszterhas | (screenplay) | |
Produit par | |||
| Joe Eszterhas | .... | executive producer | |
| Robert Evans | .... | producer | |
| Hawk Koch | .... | executive producer (as Howard W. Koch Jr.) | |
| William J. MacDonald | .... | co-producer | |
| Laura Viederman | .... | associate producer | |
Musique originale | |||
| Howard Shore | |||
Image | |||
| Vilmos Zsigmond | |||
Montage | |||
| Richard Francis-Bruce | |||
| William Hoy | |||
Distribution des rôles | |||
| Amanda Mackey Johnson | (as Amanda Mackey) | ||
| Cathy Sandrich | |||
Création des décors | |||
| Paul Sylbert | |||
Direction artistique | |||
| Peter Landsdown Smith | |||
Décorateur de plateau | |||
| Lisa Fischer | |||
Création des costumes | |||
| Deborah Lynn Scott | (as Deborah L. Scott) | ||
Maquillage | |||
| Milton Buras | .... | hair stylist: New York | |
| Kymbra Callaghan | .... | makeup artist: New York | |
| Laura De'Atley | .... | body makeup artist | |
| Sharon Ilson | .... | makeup artist | |
| Paul LeBlanc | .... | hair designer: Sharon Stone (as Paul Le Blanc) | |
| Lydia Milars | .... | makeup artist: New York | |
| Janine Rath | .... | hair stylist | |
| Tricia Sawyer | .... | makeup artist (as Tricia A. Sawyer) | |
| Dan Frye | .... | makeup effects lab technician (uncredited) | |
| Elaina P. Schulman | .... | second key hair stylist (uncredited) | |
Directeur de production | |||
| Edwin 'Itsi' Atkins | .... | unit production manager (as E.C. 'Itsi' Atkins) | |
Art Department | |||
| Christopher Amy | .... | assistant property master (as Christopher K. Amy) | |
| Cindy Lou Burroughs | .... | property person (as Cynthia L. Burroughs) | |
| Robert Camron | .... | property person (as Bob Camron) | |
| Danny D. Cappa | .... | property person | |
| Jeanette D'Ambrosio-Sylbert | .... | assistant: Mr. Sylbert | |
| Stacy Doran | .... | property person | |
| Martha Fishkin | .... | property person: New York | |
| K.C. Fox | .... | additional set decorator | |
| Ron Frazier | .... | propmaker foreperson | |
| Antoinette J. Gordon | .... | set designer | |
| Bruce Lee Gross | .... | leadperson: New York | |
| Denise Heinrich | .... | art department coordinator | |
| Bill Iiams | .... | construction coordinator | |
| Marion Kolsby | .... | set designer: New York | |
| Walter P. Martishius | .... | set designer | |
| William S. Maxwell III | .... | lead person | |
| Elizabeth Meyerson | .... | art department coordinator: New York | |
| Margaret Milchorena | .... | property person | |
| David J. Negron Jr. | .... | illustrator | |
| Erik L. Nelson | .... | property master | |
| Greg Nestor | .... | property person | |
| Christopher Nowak | .... | art director: New York | |
| Roderick Nunnally | .... | paint foreperson (as Roderick K. Nunnally) | |
| Elaine O'Donnell | .... | assistant set decorator: New York | |
| Mark Peltzer | .... | property master: New York | |
| Richard Peters | .... | construction foreperson | |
| James J. Pickering | .... | property person (as Jimmy Pickering) | |
| Leslie A. Pope | .... | set decorator: New York | |
| Mark Rasmussen | .... | propmaker foreperson | |
| Anthony Samuel Saso | .... | labor foreperson (as Tony Saso) | |
| John A. Scott III | .... | property person | |
| Ed Williams | .... | propmaker foreperson | |
| Patricia Woodbridge | .... | assistant art director: New York (as Pat Woodbridge) | |
| Todd Young | .... | propmaker foreperson (as Todd A. Young) | |
| Mike Brooks | .... | propmaker (uncredited) | |
| Lloyd A. Buswell | .... | construction foreman (uncredited) | |
| Christopher Nelson | .... | set dresser (uncredited) | |
| Denis Zack | .... | set dresser (uncredited) | |
| D.A. Zingelewicz | .... | paint foreman (uncredited) | |
Effets spéciaux | |||
| Eric Allard | .... | special effects makeup | |
| Kenneth C. Clark | .... | special effects (as Ken Clark) | |
| Gene Grigg | .... | special effects coordinator | |
| John Ottesen | .... | special effects: New York (as John M. Ottesen) | |
| Ron Ottesen | .... | special effects: New York (as Ronald R. Ottesen Jr.) | |
| Darrell Pritchett | .... | special effects coordinator | |
| Robert Cole | .... | special effects (uncredited) | |
| Steve Riley | .... | special effects technician (uncredited) | |
Visual Effects | |||
| Christopher Duddy | .... | Vista Vision plate photography | |
Cascadeur | |||
| Steve Boyum | .... | stunt coordinator | |
| Bud Davis | .... | stunt coordinator | |
| Annie Ellis | .... | stunts | |
| David R. Ellis | .... | stunt coordinator (as David Ellis) | |
| Jon H. Epstein | .... | stunts (as Jon Epstein) | |
| Donna Keegan | .... | stunts | |
| Spiro Razatos | .... | stunts | |
| Ronnie Rondell Jr. | .... | stunt coordinator (as Ronnie Rondell) | |
| Jennifer Watson-Johnston | .... | stunts | |
| Cheryl Wheeler-Dixon | .... | stunts | |
| Kenny Bates | .... | stunts (uncredited) | |
| Nick Brett | .... | utility stunts (uncredited) | |
| Michael Haynes | .... | stunts (uncredited) | |
| Merritt Yohnka | .... | stunts (uncredited) | |
Animation Department | |||
| Brian Callier | .... | animations: Macintosh | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Lousie Landham | .... | extras casting assistant: New York | |
| Karen Miller | .... | casting associate (as Karen Lynn Miller) | |
| Dan Parada | .... | extras casting | |
| Elizabeth Shea | .... | extras casting assistant: New York | |
| Bernie Styles | .... | extras casting | |
Costume and Wardrobe Department | |||
| Marsha Bozeman | .... | costumer (as Marsha Lynn Bozeman) | |
| David Le Vey | .... | assistant costume designer | |
| George L. Little | .... | costume supervisor | |
| Carlane Passman | .... | costume supervisor | |
| Don Vargas | .... | costumer | |
| Fran Vega-Buck | .... | costumer (as Francisca Vega-Buck) | |
| Mira Zavidowsky | .... | costumer | |
Editorial Department | |||
| Bill Babington | .... | apprentice film editor | |
| Sue Blainey | .... | assistant film editor | |
| Jeff Canavan | .... | assistant film editor (as Jeff W. Canavan) | |
| Lisa M. Citron | .... | additional film editor (as Lisa Citron) | |
| Patricia A. Galvin | .... | first assistant film editor (as Patty Galvin) | |
| Craig Hayes | .... | assistant film editor | |
| Phil Hetos | .... | color timer (as Philip Hetos) | |
| Robert C. Lusted | .... | first assistant film editor (as Robert Charles Lusted) | |
| Lindsay Mofford | .... | assistant film editor | |
| Martha Pike | .... | assistant film editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Jim Sevin | .... | on-line editor (as James L. Sevin) | |
| Albert Coleman | .... | assistant editor (uncredited) | |
| David Reale | .... | assistant film editor (uncredited) | |
Music Department | |||
| Bunny Andrews | .... | music editor | |
| Bob Bornstein | .... | music preparation | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| Christopher Kennedy | .... | music editor | |
| John Richards | .... | music scoring mixer | |
| Timothy R. Sexton | .... | music supervisor (as Tim Sexton) | |
| Howard Shore | .... | conductor | |
| Howard Shore | .... | orchestrator | |
| Rick Winquest | .... | music scoring mixer (uncredited) | |
Transportation Department | |||
| Joseph Fanning | .... | transportation coordinator: New York | |
| Michael Fennell | .... | transportation captain: New York (as Michael D. Fennel) | |
| Anthony C. Steere | .... | transportation captain | |
| James Thornsberry | .... | transportation coordinator (as James W. Thornsberry) | |
| Bobby Marsh | .... | driver (uncredited) | |
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Sliver is the movie you'd expect a high-school media student to make if you thrust a camera into his hands and commanded 'make me another Basic Instinct'. It's all sex before plot, cinematography before composition, style before substance. It's Basic Instinct without the intrigue, tension, psychological subtext or Hitchcockian twist (which, to be fair, really just leaves the sex). Sharon Stone revisits the role of blonde centrepiece, although this time she's the slightly-reluctant and unknowning victim rather than the carnivorous bi-nympho of BI. Sadly, this does not work in the least, and it shows one of the key distinctions between a good actress - as Stone is - and great actresses like Jodie Foster: the ability to recognise and choose a role. Stone obviously thought this was another sex-and-death ride to box-office success, and it was little more than a stinker.
That is not to say that Sliver doesn't occasionally grab your attention, however it does so in a base, superficial way. The sex scenes are numerous, stylistic, moderately explicit and, to be fair, not as unrealistic as your usual cinematic couplings. Stone's character Carly is more sexually repressed than Catherine Tramell in Basic Instinct, but that doesn't stop her from masturbating in the bath or being readily seduced by Baldwin's Zeke. Lurking on the fringes is Tom Berenger's character Jack, who's neither fully explained or explored and just provides a counterpoint for the interplay between Stone and Baldwin. The major theme here is voyerism - Baldwin apparently has all the Sliver apartments wired for vision so he can spy on the lives of the residents, whether mundane singles, drug-takers or child-molesting fathers. Baldwin's fascination is not lewd, sexual or perverse, he just seems to revel in the power of information, of *knowing* who people are and what they do behind closed doors (perhaps Noyce and Esterhaz are taking a back-handed swipe at the audience themselves).
All this is lovely, but it doesn't change one thing - Sliver ultimately becomes boring and tame. The interest in the sex peters out midway through the movie, the TV wall-screens and Zeke's hi-tech gadgetry are all interesting but not enough to sustain the movie. We're given snippets of the lives of others in the building, but not enough to fatten the narrative, while the main characters themselves are neither interesting, likeable or 'deep' enough to hold our interest. And the script also sucks, feeling as though creative muscles were strained in order to compensate for an anemic plot. Sliver is a ham-fisted Basic Instinct clone that is more mirrors than Machievelli and should be avoided unless you want to see Sharon Stone naked.