Possible Spoilers.... This is the Urbain Donnadieu's story (Christian Clavier), a greedy and miserly businessman. He was brought up by his grand-mother: "Zézette" (Tsilla Chelton) and he married a tax inspector (Catherine Jacob) so as to avoid a tax adjustment. More important: he must take away 1000 gold ingots in Switzerland and for this, he hides them in a show-house.... You can guess it: it's not easy because Donnadieu's got to face unexpected events like his wife who'd love to appropriate the loot with her lover. Consequently: a mad chase starts. Gérard Oury didn't made a masterpiece, neither he made a really bad movie, it's just average and we are far from the "Grande Vadrouille"'s success. The movie's rhythm is lively and there aren't any injury times. Moreover, gags are numerous and excellent even if some of them are a bit huge and unlikely. I think about the crash between Clavier's truck and his girlfriend's car. The movie doesn't work very well due to the screenplay. Indeed, it's laboured, sometimes clumsy and it doesn't avoid the clichés of the miserliness. For example at the end, when the count's car, after an accident disappears in one of the Swiss lakes, it means that the gold is at the bottom of the lake. So guess, what Donnadieu and his grandmother are going to do........ The movie especially suffers from the choice of the actors. Clavier is quite convincing in his role of miserly businessman. This doesn't stop him from haming it up and sometimes he's a bit hesitant in his performance. The other actors aren't better. They're often left to themselves. Nevertheless, as the film is a road-movie in a big part, it enables to admire the beauty of the French landscapes. It's a little detail and it isn't sufficient enough to save the film. Oury was 76 years old when he made it. He'd better have a well-deserved rest.
3 Reviews
In the Name of De Funes, Oury and the Holy Gold...
ElMaruecan828 January 2021
From the sixties to the seventies, Gérard Oury's movies, starring either Bourvil or Louis de Funès, or both, made scores that are still impressive by today's standards. His 1966 classic "The Great Stroll" remained the most successful French movie until it was dethroned by "Welcome to the Ch'tis" in 2008.
But during the 90s, the box office king had obviously lost his touch. His "Thirst for Gold" was released the same year than a certain movie named "The Visitors" and attracted one tenth the viewers. However, both films confirmed one truth: Christian Clavier was becoming a king of comedy himself. Fans called him his successor, detractors a poor man's or a wannabe De Funès but that doesn't matter since even a man with half the comedic talent of 'Fufu' would be able to generate hilarity, and Clavier had something in him that confined to genius even when the material wasn't first rate (and to be fair, even De Funès elevated some B-movies with lousy plots to the level of enjoyability).
In this film, Clavier plays a millionnaire named Urbain Donnadieu (literally "gives to God") he's a greedy schmuck, in the great tradition of Molière's "Miser". a personality trait that can work as a great source of gags. In my review of Jean Girault "Miser", adapted from Molière's famous play and starring De Funès as Harpagon, I noted that greed, as detestable as it is, is yet an endearing trait because of its infantile implication; like a child, a greedy man sticks to his money and possession at the expenses of his own pride, fearing a loss of money more than ridicule. The characterization of Clavier works because while he's ridicule, he has his reasons, and the trick is to be able to pity and understand him.
And one of the things the film gets right is the long sequence where he chases a bill of 500 francs across Paris. The bill, flying more frantically than Forrest Gump's feather, has the irritating habit to wait till his hand comes at reach before flying again until it finally lands on the relic of a dog's digestion. Needless to say that this didn't stop Urbain. There's more than comedy in that scene (and it is a funny scene) there's the firm certitude that this man would stop at no cost to save and protect his money, except if the cost is higher than the stakes of course. He might be a two-dimensional character but he's consistent.
What works too is that he's seconded by his grandmother, played by Tsilla Chelton is equally despicable and convincing because her Tatie Danielle was so obnoxious I could see her as a continuation of her former persona. Sure subtlety isn't the film's strongest suit but this is a fast-paced comedy that needs to establish its characters and their motives in the right timing. And so we have the so-called friend played by Philippe Korshand having an affair with Urbain's wife by Catherine Jacob who specialized in playing uptight girl scouts. She was her tax controller and to cover up for his frauds, she accepted to marry him and have a share of his fortune, after three years, she outlived her usefulness since the Law can't sue him. Naturally, she wants her revenge. Yes, this is a gallery of characters who are all candidates for unpleasantness but Oury has a way to deal with them, they're either laughable or admirable.
Indeed, there comes a point where you stop looking at Urbain as a clown. I admired his scheme to smuggle one thousand of gold bars from France to Switzerland by hiding each one of them in a brick, contributing to the most valuable mobile home to ever be exported. That was the trickiest part of the plot because we had to believe in the plan and seriously it was such a masterstroke of ingenuousness I almost rooted for Urbain. And yes I could buy that even the most meticulous and zealous customs officer would miss them. It's not a detail because to make the cat-and-mouse chase entertaining and full of twists, we got to have the villains with a few chances to enter the house and look for the money. So the hiding place is clever and inspires some funny situations, now all is left for the film is to make the 'main course', the sixty minutes of chase worth watching and on that the film is a mixed bag.
Gerard Oury who had directed the most successful films of French cinema and never minded the accusation of being commercial, knew how to mix comedy and action, moral fables with slapstick and the film features a great deal of chases and explosions not too overused but betraying a lack of genuine inspiration. There's also a little romantic subplot whose purpose is to show that there's more than money in Urbain's world, but the love interest played Marine Delterme is a follower who never really finds a place within that quartet of loony gold diggers (and gold hiders).
Some pompous critics will deem it as a wannabe De Funès in a film made by a worn-out Oury or by Clavier succumbing to his own thirst for gold, but I won't deny my pleasure. the film gets many things right despite a few lousy gags, four good protagonists, an interesting premise, a short running time and a satisfying ending. I knew I shouldn't expect a happy ending because the nature of movies about flawed characters is to have an Aesop: the bad guys couldn't win but neither could the good guys and I just love the throwaway ending and the epilogue was so random and funny that it might have earned a few extra points.
But during the 90s, the box office king had obviously lost his touch. His "Thirst for Gold" was released the same year than a certain movie named "The Visitors" and attracted one tenth the viewers. However, both films confirmed one truth: Christian Clavier was becoming a king of comedy himself. Fans called him his successor, detractors a poor man's or a wannabe De Funès but that doesn't matter since even a man with half the comedic talent of 'Fufu' would be able to generate hilarity, and Clavier had something in him that confined to genius even when the material wasn't first rate (and to be fair, even De Funès elevated some B-movies with lousy plots to the level of enjoyability).
In this film, Clavier plays a millionnaire named Urbain Donnadieu (literally "gives to God") he's a greedy schmuck, in the great tradition of Molière's "Miser". a personality trait that can work as a great source of gags. In my review of Jean Girault "Miser", adapted from Molière's famous play and starring De Funès as Harpagon, I noted that greed, as detestable as it is, is yet an endearing trait because of its infantile implication; like a child, a greedy man sticks to his money and possession at the expenses of his own pride, fearing a loss of money more than ridicule. The characterization of Clavier works because while he's ridicule, he has his reasons, and the trick is to be able to pity and understand him.
And one of the things the film gets right is the long sequence where he chases a bill of 500 francs across Paris. The bill, flying more frantically than Forrest Gump's feather, has the irritating habit to wait till his hand comes at reach before flying again until it finally lands on the relic of a dog's digestion. Needless to say that this didn't stop Urbain. There's more than comedy in that scene (and it is a funny scene) there's the firm certitude that this man would stop at no cost to save and protect his money, except if the cost is higher than the stakes of course. He might be a two-dimensional character but he's consistent.
What works too is that he's seconded by his grandmother, played by Tsilla Chelton is equally despicable and convincing because her Tatie Danielle was so obnoxious I could see her as a continuation of her former persona. Sure subtlety isn't the film's strongest suit but this is a fast-paced comedy that needs to establish its characters and their motives in the right timing. And so we have the so-called friend played by Philippe Korshand having an affair with Urbain's wife by Catherine Jacob who specialized in playing uptight girl scouts. She was her tax controller and to cover up for his frauds, she accepted to marry him and have a share of his fortune, after three years, she outlived her usefulness since the Law can't sue him. Naturally, she wants her revenge. Yes, this is a gallery of characters who are all candidates for unpleasantness but Oury has a way to deal with them, they're either laughable or admirable.
Indeed, there comes a point where you stop looking at Urbain as a clown. I admired his scheme to smuggle one thousand of gold bars from France to Switzerland by hiding each one of them in a brick, contributing to the most valuable mobile home to ever be exported. That was the trickiest part of the plot because we had to believe in the plan and seriously it was such a masterstroke of ingenuousness I almost rooted for Urbain. And yes I could buy that even the most meticulous and zealous customs officer would miss them. It's not a detail because to make the cat-and-mouse chase entertaining and full of twists, we got to have the villains with a few chances to enter the house and look for the money. So the hiding place is clever and inspires some funny situations, now all is left for the film is to make the 'main course', the sixty minutes of chase worth watching and on that the film is a mixed bag.
Gerard Oury who had directed the most successful films of French cinema and never minded the accusation of being commercial, knew how to mix comedy and action, moral fables with slapstick and the film features a great deal of chases and explosions not too overused but betraying a lack of genuine inspiration. There's also a little romantic subplot whose purpose is to show that there's more than money in Urbain's world, but the love interest played Marine Delterme is a follower who never really finds a place within that quartet of loony gold diggers (and gold hiders).
Some pompous critics will deem it as a wannabe De Funès in a film made by a worn-out Oury or by Clavier succumbing to his own thirst for gold, but I won't deny my pleasure. the film gets many things right despite a few lousy gags, four good protagonists, an interesting premise, a short running time and a satisfying ending. I knew I shouldn't expect a happy ending because the nature of movies about flawed characters is to have an Aesop: the bad guys couldn't win but neither could the good guys and I just love the throwaway ending and the epilogue was so random and funny that it might have earned a few extra points.
Clavier and Oury in top form
pete3621 October 2007
French comedy about a very greedy millionaire who is trying to smuggle a large amount of goldbars (hence the title 'Lust for Gold') out of France and into tax haven Switzerland, with his mom as his partner in crime but with his ex-wife and her boyfriend in hot pursuit.
One of Oury's better efforts of the latter stage of his career, it has a quite frenetic pace, only matched by Christian Clavier over-the-top interpretation. Loaded with slapstick and some spectacular car crashes this is really very entertaining and is an excellent time-passer, so even if you are not French you will enjoy it.
Gerard Oury was (and probably will remain) France's most successful director with immense popular triumphs as " La Grande Vadrouille," The Brain" and 'Rabbi Jacob' to his name. His later efforts though, left something to be desired but "La Soif de l'Or'" proves to be one of his better ones, especially taking into account he was already 74 years of age when he made this.
Christian Clavier went on to star in super hits "The visitors", the prestigious TV-series "Napoleon", the Asterix & Obelix-series, up until the recent box-office smash (in France anyway)'Les Bronzés 3' and remains one of France's popular (and highest-paid) actors.
One of Oury's better efforts of the latter stage of his career, it has a quite frenetic pace, only matched by Christian Clavier over-the-top interpretation. Loaded with slapstick and some spectacular car crashes this is really very entertaining and is an excellent time-passer, so even if you are not French you will enjoy it.
Gerard Oury was (and probably will remain) France's most successful director with immense popular triumphs as " La Grande Vadrouille," The Brain" and 'Rabbi Jacob' to his name. His later efforts though, left something to be desired but "La Soif de l'Or'" proves to be one of his better ones, especially taking into account he was already 74 years of age when he made this.
Christian Clavier went on to star in super hits "The visitors", the prestigious TV-series "Napoleon", the Asterix & Obelix-series, up until the recent box-office smash (in France anyway)'Les Bronzés 3' and remains one of France's popular (and highest-paid) actors.
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