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Stephen King (book)
Tony Gilroy (screenplay)
24 mars 1995 (USA) suite
Sometimes, an accident can be an unhappy woman's best friend suite
A big-city reporter travels to the small town where her mother has been arrested for the murder of an elderly woman that she works for as a maid. full summary | add synopsis
1 win & 6 nominations suite
Very successful film plus de (126 total)
| Kathy Bates | ... | Dolores Claiborne | |
| Jennifer Jason Leigh | ... | Selena St. George | |
| Judy Parfitt | ... | Vera Donovan | |
| Christopher Plummer | ... | Det. John Mackey | |
| David Strathairn | ... | Joe St. George | |
| Eric Bogosian | ... | Peter | |
| John C. Reilly | ... | Const. Frank Stamshaw | |
| Ellen Muth | ... | Young Selena | |
| Bob Gunton | ... | Mr. Pease | |
| Roy Cooper | ... | Magistrate | |
| Wayne Robson | ... | Sammy Marchant | |
| Ruth Marshall | ... | Secretary | |
| Weldon Allen | ... | Bartender | |
| Tom Gallant | ... | Searcher | |
| Kelly Burnett | ... | Jack Donovan | |
| Matt Appleby | ... | Kid on street | |
| Thomas Skinner | ... | Kid on street | |
| Vernon Steel | ... | Ferry vendor (as Vernon Steele) | |
| Taffara Jessica Stella Murray | ... | Young Selena (Age 5) | |
| Susan Lane | ... | Crying girl | |
| Frank Adamson | ... | Detective supervisor | |
| Edward Rubin | ... | Detective supervisor (as Ed Rubin) | |
| Sandy MacDonald | ... | Sheriff | |
| Dean Eilertson | ... | Moving man |
Réalisé par | |||
| Taylor Hackford | |||
Scénaristes(WGA) | ||
| Stephen King | (book) | |
| Tony Gilroy | (screenplay) | |
Produit par | |||
| Gina Blumenfeld | .... | associate producer | |
| Taylor Hackford | .... | producer | |
| Michael Kelly | .... | associate producer | |
| Charles Mulvehill | .... | producer | |
Musique originale | |||
| Danny Elfman | |||
Image | |||
| Gabriel Beristain | (director of photography) | ||
Montage | |||
| Mark Warner | |||
Distribution des rôles | |||
| Nancy Klopper | |||
Création des décors | |||
| Bruno Rubeo | |||
Direction artistique | |||
| Dan Yarhi | |||
Décorateur de plateau | |||
| Steve Shewchuk | |||
Création des costumes | |||
| Shay Cunliffe | |||
Maquillage | |||
| Réjean Goderre | .... | hair stylist | |
| Luigi Rocchetti | .... | supervising makeup artist | |
| Aldo Signoretti | .... | hair stylist | |
| Micheline Trépanier | .... | makeup artist | |
Directeur de production | |||
| Joseph Boccia | .... | production manager | |
| Jeffrey Stott | .... | unit production manager | |
Assistant réalisateur | |||
| Christopher Ball | .... | second assistant director | |
| Josh McLaglen | .... | first assistant director | |
| Kayla Popp | .... | third assistant director | |
| Kristie Sills | .... | second second assistant director | |
| Lars P. Winther | .... | third assistant director | |
| Kerric Macdonald | .... | trainee assistant director (uncredited) | |
Département Art | |||
| Lorne Armstrong | .... | set dresser | |
| Art Baxter | .... | construction manager | |
| David Baxter | .... | head carpenter | |
| Stephan Bernier | .... | head carpenter | |
| Malcolm Callaway | .... | stand-by painter | |
| Keith Currie | .... | prop person | |
| Dean Eilertson | .... | assistant property master | |
| Tricia Fish | .... | art department coordinator | |
| Elinor Rose Galbraith | .... | set decorator: additional Toronto crew (as Elinore Galbraith) | |
| Mark Goodwin | .... | stand-by carpenter | |
| Robert Grani | .... | set dresser | |
| Randy Hardy | .... | stand-by painter | |
| David Hopkins | .... | set dresser | |
| Denis Kirkham | .... | assistant set decorator | |
| Mark Laing | .... | draftsman | |
| Patricia Larman | .... | assistant set decorator | |
| Barbara Luxton | .... | prop person | |
| Scott MacFarlane | .... | head carpenter | |
| Fritz McEvoy | .... | assistant head carpenter | |
| Angela Murphy | .... | first assistant art director | |
| Dan Owens | .... | set dresser | |
| Raymond Prado | .... | storyboard artist | |
| Bruno Robotti | .... | key scenic artist | |
| Paul Robotti | .... | scenic painter | |
| Cassandra Saulter | .... | scenic painter | |
| Kathie Shaw | .... | art department runner | |
| Darlene Sheils | .... | art department trainee | |
| Mary Steckle | .... | sets buyer | |
| Grant Swain | .... | property master | |
| Karen Toole | .... | art department runner | |
| David Sutherland | .... | co-head carpenter (uncredited) | |
Effets spéciaux | |||
| Dan Purdy | .... | special effects assistant | |
| Ted Ross | .... | special effects coordinator | |
| Lawrence Willett | .... | special effects assistant | |
| Jim Meisner | .... | special effects crew (uncredited) | |
Visual Effects | |||
| Richard Bain | .... | visual effects digital designer | |
| David Fuhrer | .... | digital artist: CFC | |
| Rob Hodgson | .... | visual effects digital designer | |
| Richard E. Hollander | .... | additional visual effects | |
| Stuart McAra | .... | visual effects producer | |
| Janek Sirrs | .... | visual effects | |
| Janet Yale | .... | visual effects producer | |
| Bryan Hirota | .... | CG artist: VIFX (uncredited) | |
| Michele Maples | .... | visual effects producer (uncredited) | |
Cascadeur | |||
| Shelley Cook | .... | stunts | |
| Shannon Millen | .... | stunts | |
| Sammy Thurman | .... | stunts | |
| Tye Tyukodi | .... | stunts | |
| Ron Van Hart | .... | stunts | |
Département Casting | |||
| Ross Clydesdale | .... | casting: Toronto | |
| John Dunsworth | .... | extras casting | |
| Stacey Rosen | .... | casting associate | |
Département Costume et garde-Robe | |||
| Patricia Cowmeadow | .... | wardrobe runner (as Tisha Cowmeadow) | |
| Roberta Palmer | .... | wardrobe assistant | |
| Karen Renaut | .... | wardrobe mistress | |
| Robert Roberts | .... | wardrobe master | |
| Rhea Theriault | .... | seamstress | |
| Georgina Yarhi | .... | costume ager (uncredited) | |
Département Musique | |||
| Steve Bartek | .... | orchestrator | |
| Andy Bass | .... | score recordist | |
| Danny Elfman | .... | music producer | |
| Robert Fernandez | .... | orchestra recordist | |
| Arlene Fishbach | .... | music consultant | |
| Christopher Kennedy | .... | score editor: temporary score | |
| David Marquette | .... | score recordist | |
| Hendrik Meurkens | .... | composer: song "Night in the Afternoon" | |
| Shawn Murphy | .... | score mixer | |
| Edgardo Simone | .... | additional orchestrator | |
| Curt Sobel | .... | music editor | |
| Richard Stone | .... | conductor | |
| Patti Zimmitti | .... | music contractor | |
| Richard Ziegler | .... | assistant music editor (uncredited) | |
Département Transport | |||
| John Allen | .... | picture vehicle coordinator | |
| Robert Bennett | .... | head driver | |
| William M. Corkum | .... | production driver | |
| Gary Duncan | .... | driver: camera car | |
| Gert Gielen-MacGregor | .... | production driver | |
| Rob 'Huck' Hovis | .... | production driver | |
| Jannette Joudrey | .... | production driver | |
| Rick Leger | .... | driver: camera car | |
| Forbes MacDonald | .... | production driver | |
| Paul MacEachern | .... | production driver | |
| Bob MacIsaac | .... | production driver | |
| Dave Marwick | .... | production driver | |
| Stuart Mitchell | .... | production driver | |
| Steve Murphy | .... | production driver | |
| Donnie Ongo | .... | production driver | |
| Kelly Peterson | .... | production driver | |
| James Ritchie | .... | production driver | |
| Gordie Roberts | .... | production driver | |
| Gib Russell | .... | production driver | |
| Rohan Singh | .... | production driver | |
| Kimberly Smith | .... | production driver | |
| Nick Sweetman | .... | transportation coordinator | |
| Emmanuel 'Manny' Taylor | .... | transportation captain | |
| Grant Volkers | .... | production driver | |
Divers | |||
| Leslie J. Adamson | .... | accommodation manager | |
| Greg Allen | .... | craft service | |
| Diana Alvarez | .... | assistant coordinator | |
| Christopher Archibald | .... | craft service | |
| Debra Beers | .... | location manager | |
| Dave Bennett | .... | post-production accountant | |
| Lynne Birdt | .... | assistant production accountant | |
| Peter Brenders | .... | security wrangler | |
| Kathryn Buck | .... | script supervisor: additional Toronto crew | |
| Doug Caron | .... | film assistant: Toronto | |
| Christopher Comrie | .... | assistant production accountant | |
| Shelley Crawford | .... | script supervisor | |
| Rita Davis | .... | accounting assistant | |
| James Donlon | .... | movement coach | |
| Gina Fowler | .... | production coordinator | |
| Alex Hackford | .... | gull wrangler | |
| John Hencher | .... | office production assistant | |
| Elizabeth Himelstein | .... | dialect coach | |
| Alan Jacques | .... | projectionist | |
| Leo Jones | .... | safety officer | |
| K. Lenna Katich | .... | production accountant | |
| Missy Kelly | .... | assistant: Taylor Hackford | |
| Beverley Kolbe | .... | assistant: Taylor Hackford | |
| Nancy Lohnes | .... | stand-in | |
| Charles N. Love | .... | technical advisor | |
| Barbara MacDonald | .... | stand-in | |
| Anne MacPherson | .... | craft service | |
| Andrew McInnes | .... | assistant location manager | |
| Dawn McKelvie Cyr | .... | stand-in | |
| Stephen Moore | .... | dailies projectionist | |
| Bettina Tendler O'Mara | .... | product promotions coordinator (as Bettina Tendler-O'Mara) | |
| Rae V. O'Neil | .... | office receptionist | |
| Franco Pante | .... | film assistant: Toronto | |
| Susan Pile | .... | production publicity | |
| Scott Pritchett | .... | production assistant | |
| Diane Ray | .... | craft service | |
| Robin M. Reelis | .... | office production assistant | |
| Kim Smith | .... | boat wrangler | |
| Blake Starratt | .... | office production assistant | |
| Gary Swim | .... | location manager | |
| Tavin Marin Titus | .... | assistant: Charles Mulvehill (as Tavin Marin) | |
| Jacqueline Wechselberger | .... | assistant production accountant | |
| Linda L. Wehbi | .... | assistant: Ms. Bates | |
| Suzanne De Grandis | .... | first assistant production accountant: prepartion only, Los Angeles (uncredited) | |
| Derek Filiatrault | .... | production assistant (uncredited) | |
| Eric Von Arx | .... | location scout (uncredited) | |
Rated R for language and domestic abuse.
132 min
Couleur (Technicolor)
2,35 : 1 suite
Singapore:NC-16 | Iceland:12 | USA:R (certificate #33558) | Philippines:R-18 | Argentina:16 | Australia:MA | Chile:14 | Finland:K-16 | Germany:12 (bw) | Netherlands:12 | Norway:15 | Portugal:M/16 | South Korea:18 | Spain:18 | Sweden:15 | UK:18
Author Stephen King wrote the character of Dolores with Kathy Bates in mind. Bates had impressed the author after meeting him on the set of Misery (1990). suite
Erreurs factuelles: The eclipse is dated early in the movie as occurring in 1975. However, according to the NASA Sunsearch database records, there were no solar eclipses (total or annular) on Earth in all of 1975. Additionally, from 1961 to 1980 there were no total eclipses visible in the filming locations. The closest was visible only in the Pacific Northwest in February of 1979. suite
Vera Donovan: Sometimes you have to be a high-riding bitch to survive. Sometimes being a bitch is all a woman has to hold onto. suite
Référencé sur Miracles and Mystery: Creating 'The Green Mile' (2006) (V) suite
Night in the Afternoon suite
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
Kathy Bates made quite an impact, so to speak, on the movie-going public with her bravura performance in another Stephen King adaptation, 'Misery.' But showy (and fun) as that role was, it wasn't really much of an acting part--the real heavy lifting in that film was done by James Caan in his quieter, subtler role as the object of Bates's affection.
In 'Dolores Claiborne,' Bates finally gets a King role fully worthy of her range and subtlety. She pulls off the age transformations beautifully--I actually wondered at times whether young Dolores or old Dolores was closer to her real age. She still gets to have fun with King's trademark Maine dialect ('Now you listen to me, Mr. Grand High Poobah of Uppah Buttcrack!' is a line that gets me every time), but she never goes too far, and her every gesture tells of her great loves for her daughter and her friend, without ever exaggerating or sentimentalizing them. It's a remarkable performance, and the actress is probably right to remember it as her best role.
The rest of the film into which the performance fits creaks a bit in places (the final melodramatic scene at the hearing is pretty hokey), and it's complicated somewhat by Jennifer Jason Leigh's performance, which may be *too* good--her Selena comes off as so angry and selfish that we don't particularly *want* her to reconcile with her mother. But overall, the film's an artistic success, done in a classic American style, and using the simple but effective device of changing the color scheme to ease us from the present to the past.
The supporting cast more than stands up to Bates, too. Judy Parfitt is all too believable as Vera Donovan, especially in her younger incarnation--those of us who grew up in tourist towns are very familiar with this kind of harpy queen who comes to town and sets up shop for good. But the part isn't a simple caricature--those tears of anger and pride that Vera cries for Dolores and her daughter feel very real indeed. Christopher Plummer, with his mushy red nose and schoolteacher's diction, overdoes it a bit, perhaps, but it basically goes with the character he's been given. And David Strathairn's Joe St. George surely deserves a high place in the canon of Stephen King movie villains. Strathairn makes him as bad as can be, and yet there's occasionally a playful touch that *almost* makes us see why Dolores married him in the first place.
In the end, a rather underrated film, successful on many levels. 8.5. out of 10.