Overview
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Release Date:
18 novembre 1995 (South Korea)
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Plot:
A broken-hearted hit man moves to the desert where he finds skilled swordsmen to carry out his contract killings.
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Awards:
10 wins
&
6 nominations
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Avis des utilisateurs:
Memories Cut Deeper Than Swords...
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Additional Details
Autre(s) titre(s):
Ashes of Time Redux (International: English title) (International: English title) (recut version)
Ashes of Time (Hong Kong: English title)
Dong xie xi du (Hong Kong: Mandarin title)
Dong xie xi du zhongji ban (China: Mandarin title) (recut version)
Dung che sai duk redux (Hong Kong: Cantonese title) (recut version)
Les cendres du temps (France) [fr]Les cendres du temps - Redux (France) [fr]
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Rated R for some violence.
Durée:
100 min | 93 min (Redux version) | 93 min
Aspect Ratio:
1.85 : 1
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Emplacements De Pelliculage:
China
Curiosités
Anecdotes:
This film had an exhausting effect on
Kar Wai Wong. While on hiatus during the editing process he wrote and shot
Chung Hing sam lam (1994) (Chungking Express) to "clear his head".
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Guillemet:
Ou-yang Feng:
[
to a potential customer] For all these years, there must be some people who you don't want to mention or you don't want to meet again. Because they did something really awful to you. Maybe you want to kill them. But you dare not. In fact, it's really easy to kill a person. Not difficult at all. I have a friend who is great at solving problems. But he has been a little short lately. If you can give him some money, he must be able to solve your problems. Indeed you can think my proposal over. But be quick!
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"Ashes of Time Redux" is Wong Kar Wai's venture into the martial arts genre. However, energetic action and narrative clarity take a backseat to the visual poetry that contemplates wounded hearts, loneliness and the memories of lost love that cut deeper than any sword. Best appreciated as a sensory experience, "Ashes of Time Redux" unfolds as a series of beautiful yet melancholic images like the soft brush strokes of a Chinese landscape painting. Even the sword fights are shot as swirling, hallucinatory dreamscapes. The haunting desert landscape gorgeously captured in saturated colors by cinematographer Christopher Doyle, a brooding cello score by Yo-Yo Ma and the beauty of the actors (an all-star Hong Kong cast) contribute to a movie experience that both pleases the senses and engages the heart.