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Rudyard Kipling (characters from novel "The Jungle Book")
Ron Yanover (story) ...
(suite)
25 décembre 1994 (USA) suite
Born of man, raised by animals, destined for adventure.
A faithful adaptation of Rudyard Kipling's classic tale of Mowgoli the jungle boy who is raised by wolves... suite | add synopsis
1 nomination suite
Boys young & old like adventure yarns and this is a good one! plus de (24 total)
| Jason Scott Lee | ... | Mowgli | |
| Cary Elwes | ... | Captain William Boone | |
| Lena Headey | ... | Katherine 'Kitty' Brydon | |
| Sam Neill | ... | Colonel Geofferey Brydon | |
| John Cleese | ... | Dr. Julien Plumford | |
| Jason Flemyng | ... | Lt. John Wilkins | |
| Stefan Kalipha | ... | Buldeo | |
| Ron Donachie | ... | Sgt. Harley | |
| Anirudh Agarwal | ... | Tabaqui (as Anirudh Agrawal) | |
| Faran Tahir | ... | Nathoo | |
| Sean Naegeli | ... | Mowgli, age 5 | |
| Joanna Wolff | ... | Kitty Brydon, age 5 | |
| Liza Walker | ... | Alice | |
| Rachel Robertson | ... | Rose | |
| Natalie Morse | ... | Margaret | |
| Gerry Crampton | ... | Sergeant Major | |
| Amrik Gill | ... | Butler | |
| Rick Glassey | ... | Sgt. Claiborne | |
| reste de la distribution par ordre alphabétique: | |||
| Ed Gale | ... | Baby Baloo (uncredited) | |
Réalisé par | |||
| Stephen Sommers | |||
Scénaristes(WGA) | ||
| Rudyard Kipling | (characters from novel "The Jungle Book") | |
| Ron Yanover | (story) (as Ronald Yanover) & | |
| Mark Geldman | (story) (as Mark D. Geldman) | |
| Stephen Sommers | (screenplay) and | |
| Ronald Yanover | (screenplay) & | |
| Mark Geldman | (screenplay) (as Mark D. Geldman) | |
Produit par | |||
| Eric Angelson | .... | associate producer | |
| Mark Damon | .... | executive producer | |
| Edward S. Feldman | .... | producer | |
| Yash Johar | .... | associate producer | |
| Michael J. Kagan | .... | co-producer | |
| Rajendra Kumar | .... | co-executive producer | |
| Rajendra Kumar | .... | co-producer | |
| Lawrence Mortorff | .... | executive producer | |
| Raju Patel | .... | producer | |
| Sharad Patel | .... | executive producer | |
Musique originale | |||
| Basil Poledouris | |||
Image | |||
| Juan Ruiz Anchía | (director of photography) (as Juan Ruiz-Anchia) | ||
Montage | |||
| Bob Ducsay | |||
Distribution des rôles | |||
| Celestia Fox | |||
Création des décors | |||
| Allan Cameron | |||
Création des costumes | |||
| John Mollo | |||
Maquillage | |||
| Wendy Bell | .... | makeup artist: second unit | |
| Stacey K. Black | .... | additional assistant hair stylist | |
| Tina Harrelson | .... | additional makeup artist | |
| Sandy Jo Johnston | .... | makeup artist | |
| Michael Tyler | .... | key hair stylist | |
| Noriko Watanabe | .... | makeup artist | |
| Cindy J. Williams | .... | makeup artist | |
Directeur de production | |||
| Rajen Rajkhowa | .... | unit production manager | |
| Charles Salmon | .... | unit production manager | |
Assistant réalisateur | |||
| Adam Druxman | .... | additional second assistant director | |
| David R. Ellis | .... | second unit director | |
| Gabreal Franklin | .... | assistant director | |
| Greg Michael | .... | second unit director | |
| Artist W. Robinson | .... | assistant director | |
| Adam Somner | .... | second second assistant director | |
Département Art | |||
| Richard Blankenship | .... | construction coordinator: USA | |
| Michael R. Clark | .... | scenic artist | |
| Jeffrey DeBell | .... | construction gang boss | |
| James C. Feng | .... | art director: US | |
| Daniel J. Gillooly | .... | greens coordinator | |
| Lillian Heyward | .... | painter (as Lillian Bryne) | |
| Jay Koiwai | .... | stand-by painter | |
| Robert Loring Jr. | .... | stand-by greens | |
| James Passanante | .... | paint supervisor: South Carolina | |
| Wendy Richardson | .... | art coordinator | |
| Harveer Singh | .... | assistant property master | |
Technicien du son | |||
| Kim B. Christensen | .... | sound effects editor | |
| David A. Cohen | .... | adr editor | |
| Kyrsten Mate Comoglio | .... | sound effects editor | |
| Teresa Eckton | .... | co-supervising sound editor | |
| Jennifer Myers | .... | foley artist | |
| Margie O'Malley | .... | foley artist | |
| David Parker | .... | sound re-recording mixer | |
| Richard Quinn | .... | dialogue editor | |
| Philip Rogers | .... | sound recordist | |
| Jatin Sarma | .... | sound assistant | |
| Frederic Vautier | .... | apprentice sound editor | |
| Nancy Jencks | .... | assistant sound editor (uncredited) | |
| Linda Lew | .... | foley recordist (uncredited) | |
Effets spéciaux | |||
| Evan Campbell | .... | sculptor | |
| Chris Evans | .... | special effects | |
| Eddie Surkin | .... | special effects | |
| Patrick Tantalo | .... | special effects technician | |
| David Watkins | .... | special effects technician | |
| Steve Wolf | .... | special effects foreman: second unit | |
| Steve Wolf | .... | special effects technician: second unit | |
| Michael J. Hudson | .... | special effects technician (uncredited) | |
Visual Effects | |||
| Craig Barron | .... | visual effects supervisor: Matte World | |
| Michael Curtis | .... | digital compositor | |
| Denise Davis | .... | visual effects coordinator: BVVE | |
| Krystyna Demkowicz | .... | executive in charge of production: Matte World | |
| Caroleen Green | .... | digital matte artist: Matte World | |
| Bryan Hirota | .... | cg artist: VIFX | |
| Joel Hladecek | .... | motion control camera | |
| Dorne Huebler | .... | digital supervisor | |
| Lee Lanier | .... | digital artist | |
| Paul Lasaine | .... | matte artist | |
| Winston Quitasol | .... | digital compositor | |
| Paul Rivera | .... | digital compositor | |
| Joe Salazar | .... | digital artist | |
| Wally Schaab | .... | digital artist | |
| Juliette Yager | .... | visual effects editor | |
| Rich McKay | .... | camera assistant (uncredited) | |
Caméra et Département Electrique | |||
| Logan R. Berkshire | .... | grip | |
| Jim Budd | .... | camera maintenance engineer | |
| Frank Connor | .... | still photographer | |
| Mulchand Dedhia | .... | gaffer: India | |
| Lynn Dodson | .... | gaffer: second unit | |
| David Emmerichs | .... | Steadicam operator | |
| Linda Gacsko | .... | assistant camera | |
| Mark Gutterud | .... | first assistant camera: second unit | |
| Graham Hall | .... | assistant camera | |
| Steven Hiller | .... | assistant camera | |
| W.D. Hill | .... | best boy grip | |
| Dan Jones | .... | electrician | |
| Eddie Knight | .... | best boy | |
| Jon Kranhouse | .... | camera operator: Wescam camera | |
| David L. Merrill | .... | key grip: second unit | |
| Evan A. Nesbitt | .... | first assistant camera | |
| John L. Oates | .... | best boy | |
| David 'D.R.' Rhineer | .... | second assistant camera | |
| Peter Robertson | .... | director of photography: additional photography | |
| Tony Rush | .... | video assist operator: second unit | |
| Brian Sullivan | .... | assistant camera | |
| Garlan Wilde | .... | gaffer | |
Département Casting | |||
| Howard Meltzer | .... | casting: New York | |
Département Costume et garde-Robe | |||
| Layne Brightwell | .... | set costumer | |
| Barbara Rutter | .... | assistant costume designer | |
| Thomas Stokes | .... | wardrobe supervisor | |
Dpartement Editorial | |||
| Dale E. Grahn | .... | color timer | |
| Kelly Matsumoto | .... | first assistant editor | |
| Martha Rubin | .... | assistant editor | |
Département Musique | |||
| Lawrence Ashmore | .... | additional orchestrator | |
| John Bell | .... | additional orchestrator | |
| Tim Boyle | .... | score mixer | |
| Stephen Croes | .... | song producer: "Two Different Worlds" | |
| Marc Jordan | .... | composer: theme song "Two Different Worlds" | |
| George A. Martin | .... | music editor | |
| Greig McRitchie | .... | music arranger: Johann Strauss excerpts | |
| Greig McRitchie | .... | orchestrator | |
| Dean Parks | .... | musician: guitars "Two Different Worlds" | |
| Basil Poledouris | .... | music producer | |
| Conrad Pope | .... | orchestrator | |
| Spencer Proffer | .... | composer: theme song "Two Different Worlds" | |
| David Snell | .... | conductor | |
| Tom Villano | .... | music editor | |
| Greig McRitchie | .... | composer: additional music (uncredited) | |
Département Transport | |||
| Robert Gillis | .... | driver | |
| A. Welch Lambeth | .... | transportation coordinator | |
| Sonya Tomaro | .... | driver | |
| Charlie Wright | .... | driver | |
El libro de la selva (USA: Spanish title)
Rudyard Kipling's The Jungle Book (USA) (complete title)
suite
Rated PG for action/violence and some mild language.
111 min
Couleur (Technicolor)
2,35 : 1 suite
Iceland:L | South Korea:Tous | Peru:PT | Argentina:Atp | Australia:PG | Chile:TE | Finland:K-10/8 | Germany:6 (w) | Portugal:M/6 | Spain:T | Sweden:11 | UK:PG | USA:PG | Singapore:PG
Erreurs factuelles: Actually when lady points out monkeys, she identifies first one as macaque, then the next two as Rhesus monkeys (which are also called Rhesus macaques), and the last two as Langurs. The ones that she points out as Langurs, are actually Lemurs, but they look a little alike. suite
Captain William Boone:
He's vicious and uncivilized
Katherine 'Kitty' Brydon:
Then we'll make him civilized.
suite
Parodies The Jungle Book (1967) suite
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| Jungle Book | The Jungle Book | The Jungle Book 2 | The Princess Bride | Jungle Drums of Africa |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Famille section | IMDb USA section | Add this title to MyMovies |
What a rollicking adventure story this film is - straight from the pages of Rudyard Kipling's Jungle Books and as uncomplicated as any schoolboy adventure yarn. It's really about the laws of man and the laws of the jungle and the divergence of opinions which continue even today. Most of the humans in this film are depicted as tiresome bores, courageous only when their finger is on the trigger of a rifle. The animals of the jungle seem to be the most maligned, but somehow get the upper hand. After all, the jungle is their territory. The film gives some hope for the future when Mowgli (reared by wild animals) and Kitty, a sweet English girl fall in love. The athletic Mowgli with the agility of a leopard in his jungle home is forced to lead a party of soldiers to the monkey palace where untold treasure has been accumulated. It's a difficult trek, but greed drives them on to the secret place. Action hots up as the animals fight back to preserve their territory. Kitty's life is threatened many times, but handsome Mowgli with his animal instincts is able to save her. A touching scene in the film (and one of the quieter moments) is Mowgli's discovery of a room in which the heads of hunted animals are stuffed and mounted as trophies on the walls. Without being too cynical, I must say that Mowgli is surprisingly adaptable as Kitty makes attempts to "civilize" him and teach him to dance. He is certainly a quick learner. But the English aristocracy do not accept him. If one can believe all that Kipling portrays, one feels his heart lies in the jungle which he trekked through himself during his travels in Africa. Maybe his attitude to the jungle is over-romanticized, but the resulting film adds up to great family entertainment. With regard to the monkey palace, it is truly a wonder to behold. The technological experts have done a great job in managing the special effects. They defy analysis. Better to just sit back and enjoy each exciting moment.