Pulp Fiction (1994)

Réalisateur:

Quentin Tarantino

Scénaristes:

Quentin Tarantino (stories) &
Roger Avary (stories) ...

Date de sortie:

14 octobre 1994 (USA)

Genre:

Crime | Thriller

Accroche:

Girls like me don't make invitations like this to just anyone!

Intrigue:

The lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

Plot Keywords:

Boxer | Restaurant | Briefcase | Diner | Coffee

Récompenses:

Won Oscar. Another 43 wins & 40 nominations

Avis des utilisateurs:

Hands down, the best film of the '90s.

Ensemble

John Travolta	...	Vincent Vega
Samuel L. Jackson	...	Jules Winnfield
Tim Roth	...	Pumpkin - Ringo
Amanda Plummer	...	Honey Bunny - Yolanda
Eric Stoltz	...	Lance
Bruce Willis	...	Butch Coolidge
Ving Rhames	...	Marsellus Wallace
Phil LaMarr	...	Marvin
Maria de Medeiros	...	Fabienne
Rosanna Arquette	...	Jody
Peter Greene	...	Zed
Uma Thurman	...	Mia Wallace
Duane Whitaker	...	Maynard
Paul Calderon	...	Paul
Frank Whaley	...	Brett

Autre(s) titre(s):

Black Mask (USA) (working title)

MPAA:

Rated R for strong graphic violence and drug use, pervasive strong language and some sexuality.

Durée:

154 min | USA:168 min (special edition)

Pays:

USA

Langue:

Anglais | Espagnol | Français

Couleur:

Couleur

Rapport de forme:

2,35 : 1

Son:

Dolby Digital

Classification:

Canada:18A (re-rating) | Canada:R (original rating) | Mexico:C | Singapore:R21 (re-rating) (uncut) | Australia:R | Brazil:18 | Hungary:18 | Italy:VM14 (re-rating after appeal) (1997) | Italy:VM18 (original rating) | Finland:K-16 (video rating) (1995) (cut) | Finland:K-18 (original rating) (1995) (uncut) | Philippines:R-18 | India:A | South Africa:18 | Canada:18A (Alberta) (2009) | USA:R | Argentina:18 | Canada:16+ (Quebec) | Chile:18 | Denmark:15 | France:-12 | Germany:16 | Hong Kong:III | Iceland:16 | Ireland:18 | Israel:18 | Japan:R-15 | Netherlands:16 | New Zealand:R18 | Norway:18 | Poland:15 | Portugal:M/16 | Portugal:M/18 (Qualidade) | Singapore:R(A) (original rating) (cut) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 | UK:18 (original rating) | UK:18 (video rating) (1995) (cut)

Lieux de tournage:

Hawthorne Grill - 13763 S. Hawthorne Boulevard, Hawthorne, California, USA

Société:

A Band Apart

Anecdotes:

Uma Thurman originally turned down the role of Mia Wallace. Quentin Tarantino was so desperate to have her as Mia, he ended up reading her the script over the phone, finally convincing her to take on the role.

Goofs:

Continuité: In the Big Kahuna burger scene, the paper cup (with Sprite) changes its position, judging by its label.

Guillemet:

[first lines]
Pumpkin: Forget it. Too risky. I'm through doing that shit.
Yolanda: You always say that. That same thing every time, "I'm through, never again, too dangerous".
Pumpkin: I know that's what I always say. I'm always right, too.
Yolanda: But you forget about it in a day or two.
Pumpkin: Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.

Connexions De Film:

Référencé sur "The Sopranos: In Camelot (#5.7)" (2004)

Bande son:

Rumble

Hands down, the best film of the '90s.

Pulp Fiction, despite borrowing from just about every movie ever made, is the most invigorating cinema experience a filmgoer can ever hope for. Its hodgepodge of violence, mayhem, and generally deviant behavior is an assault on the senses, not to mention political correctness. However, despite all the film's cleverness and style, it hinges on the performance put forth by Samuel L. Jackson as Jules. The fact that he was denied an Oscar is a downright shame. Martin Landau, the best supporting actor winner that year, was terrific and funny in Ed Wood, but Jackson was perhaps the most commanding screen presence in film history as the bible-quoting, godfearing hitman. The last scene in the coffee shop with Tim Roth still sends chills down my spine, no matter how many times I've seen it. Rumors of a prequel involving Jules and Vincent (John Travolta) have been floating around lately. If Quentin Tarantino wishes to regain the fans he lost with the dissapointing (but still pretty good) Jackie Brown, he should get to work right away. I'll be the first in line to see the finished product.