| Jean-Louis Trintignant | ... | Marx | |
| Jean Yanne | ... | Simon | |
| Mathieu Kassovitz | ... | Johnny | |
| Bulle Ogier | ... | Louise | |
| Christine Pascal | ... | Sandrine | |
| Yvon Back | ... | Mickey | |
| Yves Verhoeven | ... | Homosexual | |
| Marc Citti | ... | Informer | |
| Roger Mollien | ... | Marlon | |
| Pierre Guillemin | ... | Mr. Vernoux | |
| Philippe Du Janerand | ... | Merlin | |
| Rywka Wajsbrot | ... | Mme Rajenski | |
| Blats | ... | Donata | |
| Laurence Bienvenu | ... | Nurse | |
| François Toumarkine | ... | Hired man #1 | |
| Pascal Guégan | ... | Hired man #2 | |
| Serge Boutleroff | ... | Hired man #3 | |
| Philippe Collin | ... | Man at gambling club | |
| Gilles Fisseau | ... | Provocative man | |
| Valérie Gil | ... | Sandrine's friend | |
| Lionel Robert | ... | Thin man | |
| Hajib Anouar | ... | Hotel's manager | |
| reste de la distribution par ordre alphabétique: | |||
| Lionel Vitrant | ... | L'homme agressé par Marx (uncredited) | |
Réalisé par | |||
| Jacques Audiard | |||
Scénaristes(in alphabetical order) | ||
| Jacques Audiard | writer | |
| Alain Le Henry | writer | |
| Teri White | novel "Triangle" | |
Produit par | |||
| Didier Haudepin | .... | producer | |
Musique originale | |||
| Alexandre Desplat | |||
Image | |||
| Gérard Sterin | |||
Montage | |||
| Juliette Welfling | |||
Distribution des rôles | |||
| Nathalie Cheron | |||
Création des décors | |||
| Jacques Rouxel | |||
Création des costumes | |||
| Françoise Lefèvre | |||
Maquillage | |||
| Pascale Bouquière | .... | makeup artist | |
Assistant réalisateur | |||
| Serge Boutleroff | .... | first assistant director | |
| Olivier Coutard | .... | second assistant director | |
| Marie-Ange Heinrich | .... | assistant director | |
| Marie Legardeur | .... | assistant director | |
Art Department | |||
| Olivier Bouet | .... | construction crew | |
| Patrick Buisson | .... | construction crew | |
| Michel Dalens | .... | head painter | |
| Eric Fersing | .... | art department assistant | |
| Marc Gaillard | .... | painter: Lyon | |
| Frédérique Hurpeau | .... | assistant art director | |
| Marie-Claire Lalande | .... | art department assistant | |
| Bruno Lousteau | .... | construction manager | |
| Gilles Mouchez | .... | assistant art director | |
| Michel Racoillet | .... | construction crew | |
| Olivier Raoux | .... | first assistant decorator | |
| Tony Ribero | .... | art department assistant | |
| Julie Sfez | .... | set dresser | |
| Jean Clement Steux | .... | painter | |
| Philippe Sylvain | .... | property master (as Philippe Silvain) | |
Technicien du son | |||
| Julie Clemencin | .... | assistant sound editor | |
| Monique Dartonne | .... | sound editor | |
| Dominique Gaborieau | .... | sound re-recording mixer | |
| François Lepeuple | .... | foley artist | |
| Fred Mays | .... | post-synchronization | |
| François Waledisch | .... | sound | |
Cascadeur | |||
| Daniel Breton | .... | stunts | |
| Gilles Conseil | .... | stunts | |
| Pascal Guégan | .... | stunt coordinator | |
| Alain Guerillot | .... | stunts | |
| Christian Henning | .... | stunts | |
| Lionel Vitrant | .... | stunts | |
Camera and Electrical Department | |||
| Lionel Bailly | .... | additional electrician | |
| Stephane Canda | .... | additional grip | |
| Stephane Cresta | .... | key grip (as Stéphane Cresta) | |
| Eric Faure | .... | additional electrician | |
| Jean-Pierre Fedrizzi | .... | additional electrician | |
| Frédéric Goujon | .... | still photographer | |
| Pascal Henin | .... | electrician | |
| Christian Hereau | .... | gaffer | |
| Florence Moniquet | .... | second assistant camera | |
| Jean-Philippe Pasquier | .... | additional grip | |
| Michel Pasquier | .... | additional grip | |
| Mathieu Schiffman | .... | grip | |
| Michel Strasser | .... | additional grip | |
| Michel Thimoreau | .... | first assistant camera | |
| Michel Védié | .... | additional electrician | |
Casting Department | |||
| Catherine Deserbais | .... | extras casting | |
| Myrtille Laurent | .... | extras casting | |
Costume and Wardrobe Department | |||
| Catherine Pasteur | .... | assistant costume designer | |
| Véronique Pouzou | .... | assistant costume designer | |
Editorial Department | |||
| Pierre Berlot | .... | color timer | |
| Julie Clemencin | .... | assistant editor | |
| Nathalie Duran | .... | post-production assistant | |
Music Department | |||
| Alexandre Desplat | .... | conductor | |
Divers | |||
| Thierry Debove | .... | groupman | |
| Laurent Flaesch | .... | animal trainer | |
| Claude Luquet | .... | script supervisor | |
| Nicole Magne | .... | production secretary | |
| Valérie Niddam | .... | production administrator | |
| Frantz Richard | .... | location manager | |
| Lenny Rouxel | .... | production secretary | |
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| Le couperet | Trzy kolory: Bialy | Le locataire | Akai hashi no shita no nurui mizu | La cité des enfants perdus |
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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| Full cast and crew | Company credits | IMDb Drame section |
| IMDb France section | Add this title to MyMovies |
Jacques Audiard's directorial debut See How They Fall aka Regarde les Hommes Tomber is our old friend, the film with two different stories that gradually converge and turn out to be the same story after all, simply told from different sides. It's a shaggy dog story, with Matthieu Kassovitz's simpleton following unlucky-in-cards drifter Jean Louis Trintignant with mutt-like devotion that even stretches to killing for him when he's asked to repay his gambling debts in kind. Meanwhile, in a slightly different timeframe, Jean Yanne's over-the-hill travelling salesman becomes increasingly obsessed with finding the hit-man who put his cop friend into a brain-dead coma, his life, income and relationships gradually stripped away as he gets closer to his prey. Yet while it may offer the perfect setup for a modern-day neo noir, the film is often more surprisingly playful, more interested in quirks of character and a slightly skewed sense of humor (aptly served by the occasional ironic captions and Alexandre Desplat's half-jaunty, half-discordant score) than the traditional thriller set pieces and plot mechanics.
Unfortunately the film is ill-served by one of the worst Region 1 DVDs released in recent years: the picture quality on Synkronized's disc is so poor at times you keep on expecting to see the audience's heads in front of the picture like a pirate disc.