- 1 win & 4 nominations.
- See more »
Photos and Videos
Cast verified as complete
Hugh Grant | ... |
Anthony Campion
|
|
Tara Fitzgerald | ... |
Estella Campion
|
|
Sam Neill | ... |
Norman Lindsay
|
|
Elle Macpherson | ... |
Sheela
|
|
Portia de Rossi | ... |
Giddy
|
|
Tziporah Malkah | ... |
Pru
(as Kate Fischer)
|
|
Pamela Rabe | ... |
Rose Lindsay
|
|
Ben Mendelsohn | ... |
Lewis
|
|
John Polson | ... |
Tom
|
|
Mark Gerber | ... |
Devlin
|
|
Julia Stone | ... |
Jane
|
|
Ellie MacCarthy | ... |
Honey
|
|
Vincent Ball | ... |
Bishop of Sydney
|
|
John Duigan | ... |
Earnest Minister
|
|
Lexy Murphy | ... |
British Bulldog Girl
|
|
Scott Lowe | ... |
Station Master
|
|
Bryan Davies | ... |
Barman
|
|
Lynne Emanuel | ... |
Barmaid
|
|
Kitty Silver | ... |
Pub Woman 1
|
|
Carolyn Devlin | ... |
Pub Woman 2
|
|
Peter Campbell | ... |
Articulate Drunk
|
|
Rest of cast listed alphabetically: | |||
Robert Dalton | ... |
Crewman on Ocean Liner / Sailor on Train (uncredited)
|
Directed by
John Duigan |
Written by
John Duigan | ... | (written by) |
Produced by
Justin Ackerman | ... | executive producer |
Hans Brockmann | ... | executive producer |
Micheline Garant | ... | line producer |
Robert Jones | ... | executive producer |
Sue Milliken | ... | producer |
Sarah Radclyffe | ... | co-producer |
Music by
Rachel Portman |
Cinematography by
Geoff Burton | ... | director of photography |
Editing by
Humphrey Dixon |
Editorial Department
Anna Aylward | ... | editor trainee |
Nick Breslin | ... | second assistant editor: Australia |
Jason Costelloe | ... | second assistant editor: UK |
Susan Midgley | ... | first assistant editor |
Jim Post | ... | assistant editor (1991) |
Rob Sciarratta | ... | video color timer |
Casting By
Liz Mullinar | ... | (as Liz Mullinar Consultants) |
Production Design by
Roger Ford |
Art Direction by
Laurie Faen |
Set Decoration by
Kerrie Brown | ||
Lin MacDonald |
Costume Design by
Tony Phillips | ||
Terry Ryan |
Makeup Department
Elaine Fitcher | ... | assistant makeup artist |
Ziggy Golden | ... | hair stylist (as Jan Zeigenbein) |
Noriko Watanabe | ... | makeup artist |
Production Management
Catherine Bishop | ... | production manager (as Tatts Bishop) |
Will Mathews | ... | unit manager |
Michael Solinger | ... | post-production supervisor |
Second Unit Director or Assistant Director
John Martin | ... | second assistant director |
Rowena Talacko | ... | third assistant director (as Rowena Tolacko) |
P.J. Voeten | ... | first assistant director |
Art Department
Danny Burnett | ... | construction manager |
Paul Delprat | ... | original paintings |
Colin Gibson | ... | props buyer/stand-by props |
Bart Groen | ... | art department assistant |
Annie Regol | ... | property master |
Prisque Salvi | ... | assistant art director (as Prisque Salvie) |
Andrew Short | ... | property buyer |
Sarah Tooth | ... | assistant designer |
Sound Department
Alan Bell | ... | sound editor |
Tim Cavagin | ... | re-recording mixer |
Richard Fettes | ... | assistant sound editor |
Dean Humphreys | ... | re-recording mixer |
Mark Keating | ... | boom operator |
David Lee | ... | sound recordist |
Susan Midgley | ... | sound editor |
Steve Spencer | ... | assistant sound editor |
Visual Effects by
James Whitlam | ... | visual effects artist |
Stunts
Randy Fife | ... | stunts |
Mireille Samson | ... | stunts |
Camera and Electrical Department
Grant Atkinson | ... | electrician |
Matt Buchan | ... | electrician |
Robbie Burr | ... | electrician (as Robert Burr) |
Lara Connor | ... | camera attachment |
Leilani Hannah | ... | clapper loader |
Dave Hanson | ... | grip |
Robert McFarlane | ... | still photographer |
Kathryn Milliss | ... | director of photography: second unit / focus puller |
Moira Moss | ... | camera attachment |
Kerry Phillips | ... | lighting stand-in |
Ian Plummer | ... | gaffer |
Simon Quaife | ... | key grip |
Costume and Wardrobe Department
Gavin Barbey | ... | wardrobe secondment |
Mel Dykes | ... | costume coordinator |
Heather Laurie | ... | stand-by wardrobe |
Ali Yeldham | ... | wardrobe runner |
Location Management
Maude Heath | ... | location manager |
Music Department
Rachel Portman | ... | orchestrator |
David Snell | ... | conductor |
Christine Woodruff | ... | music coordinator |
Allen Walley | ... | musician: double bass (uncredited) |
Script and Continuity Department
Susan Wiley | ... | continuity (as Sue Wiley) |
Transportation Department
Tim Parry | ... | vehicle coordinator |
Additional Crew
Scott Barlow | ... | horse wrangler |
Antonia Barnard | ... | completion guarantor (as Antonio Barnard) |
Evanne Chesson | ... | dogs trainer |
Barbara Cope | ... | unit caterer |
Kerry Fetzer | ... | unit caterer |
Kathryn Forward | ... | dog wrangler |
Rea Francis | ... | unit publicist |
Jayne Horvath | ... | production assistant |
Dennis Hulm | ... | unit assistant |
Pauline Hume | ... | title designer |
Kim Hunter | ... | assistant to publicist |
Bobbie Johnson | ... | accountant: UK |
Ena Joyce | ... | watercolors |
Sara Kaye | ... | accounting assistant |
Sara Kaye-Hardie | ... | accounting assistant (as Sara Kaye) |
Susan Lane | ... | assistant to producer |
Terry Lee | ... | helicopter pilot |
Tony Leonard | ... | insurance broker |
Su Lim | ... | production executive: WMG Pictures |
Dixie Linder | ... | assistant to producer |
Andrew Litvin | ... | runner |
Steeves Lumley | ... | insurance broker |
Noelle Maxwell | ... | unit assistant |
Charles McDonald | ... | publicist: UK |
Sandra Mckenzie | ... | researcher |
Wil Milne | ... | unit assistant |
Shane Naylor | ... | unit assistant |
S. Shane Newell | ... | production executive |
Paula Paizes | ... | business and legal affairs |
Hélène Ross | ... | production coordinator |
Ian Russell | ... | laboratory liaison |
Emma Schofield | ... | production coordinator |
Jill Steele | ... | production accountant |
Kim Stone | ... | tutor |
Neris Thomas | ... | production coordinator: UK |
Eric Todd | ... | oil copies |
Tadao Tomomatsu | ... | production assistant |
Sylvia Walker-Wilson | ... | post-production australia |
Martin Williams | ... | unit runner |
Ali Yeldham | ... | milliner |
Production Companies
- British Screen Finance Ltd. (with the participation of) (presents)
- Samson Productions Pty. Ltd.
- Sarah Radclyffe Productions - Sirens Limited
- WMG Film (presents)
Distributors
- Roadshow Films (1994) (Australia) (theatrical)
- Cinepix / Famous Players Distribution (C/FP) (1994) (Canada) (theatrical)
- Miramax (1994) (United States) (theatrical)
- C/FP Video (1994) (Canada) (VHS)
- CTV International (1995) (France) (theatrical)
- Cinepix / Famous Players Distribution (C/FP) (1995) (Canada) (VHS) (Québec)
- Touchstone Home Video (1995) (Australia) (VHS)
- Transeuropa Video Entertainment (TVE) (1995) (Argentina) (VHS)
- Comstock (1996) (Japan) (theatrical)
- Buena Vista Home Video (1996) (United States) (VHS) (through)
- Miramax Home Entertainment (1996) (United States) (VHS)
- Buena Vista International (Australia) (2001) (Australia) (DVD)
- Cecchi Gori Home Video (2005) (Italy) (DVD)
- Winkler Film (2008) (Germany) (DVD)
- Umbrella Entertainment (2010) (Australia) (DVD)
- Umbrella Entertainment (2010) (Australia) (tv)
- Umbrella Entertainment (2010) (Australia) (video) (VOD)
- Echo Bridge Home Entertainment (2011) (United States) (DVD)
- 101 Films (2016) (United Kingdom) (Blu-ray)
- 101 Films (2016) (United Kingdom) (DVD)
- 101 Films (2016) (United Kingdom) (video) (VOD)
- Studio Hamburg Enterprises (2019) (Germany) (Blu-ray)
- Studio Hamburg Enterprises (2019) (Germany) (DVD)
- Buena Vista International (1994) (United Kingdom) (theatrical)
- Columbia TriStar Films de España (Spain) (theatrical)
- Lucky Red (1995) (Italy) (theatrical)
- Magnolia Pictures (2023) (United States)
- Top Tape (Brazil) (VHS)
- Umbrella Entertainment (2021) (World-wide)
Special Effects
Other Companies
- Australian Film Finance Corporation (AFFC) (funding)
- C.T.S. Studios (music recorded at)
- General Screen Enterprises (titles and opticals)
- Kollage Catering (catering)
- Liz Mullinar Consultants (casting)
- Moneypenny Services (production accounting)
- Mountain Wide Security (security provided by)
- New South Wales Film & Television Office (financing)
- New York Production & Design (digital enhancement)
- Sapex Scripts (post-production script services)
- Sylvia Wheeler Film Services (negative cutting)
- Twickenham Film Studios (sound re-recording)
Storyline
Plot Summary |
Anthony, a young reverend and his wife, Estella are on the way from England to Australia to minister to their flock. The bishop asks him to visit Norman, an eccentric artist prone to sexual depictions and requests that he voluntarily withdraw a controversial work call "Crucified Venus" from his show. The minister, who considers himself a progressive, is shocked at the amoral atmosphere surrounding the painter, his wife, and the three models living at his estate. The minister's wife is troubled also, and has to deal with latent sexual urges while trying to remain loyal to her husband.
Written by Ed Sutton |
Plot Keywords | |
Taglines | In the 1930s, an artist and his models scandalized a nation with their controversial paintings. For a young couple, meeting them was the experience of a lifetime. [USA Theatrical] See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Did You Know?
Trivia | Although this is a work of fiction, it is centered around a real person. Norman Lindsay was a real-life artist and author in Australia during the early 1900s. Several of his books have been adapted into movies, including Age of Consent (1969) which tells a different version of this same story. See more » |
Goofs | In the first dining room scene, as Norman leaves the table, Giddy offers Estella some tea. Moments later in the scene, as Tony is speaking, Giddy and Estella can be seen repeating the action in the background. See more » |
Movie Connections | Edited from A Steam Train Passes (1974). See more » |
Soundtracks | Grey Funnel Line See more » |
Crazy Credits | The situations depicted in this film are fictitious and do not represent events in the lives of Rose, Norman, Jane and Honey Lindsay. See more » |
Quotes |
Giddy:
Did you know it's dangerous to wake somebody up if they're dreaming because, well, you leave part of your brain behind. And if it happens too many times, you go feeble in the head. Sheela: Yeah. You're living proof. See more » |