Beyond Rangoon (1995)

Note des utilisateurs:

6.4/10   

Réalisateur:

John Boorman

Writers (WGA):

Alex Lasker (written by) &
Bill Rubenstein (written by)

Release Date:

25 août 1995 (USA)

Genre:

Drame

Accroche:

Truth has a witness

Plot:

Laura is trying to pick up the pieces of her life after the murder of her husband and son, and goes on vacation with her sister to Burma...

Plot Keywords:

Burma | Travel | Regime | Bloody Body Of Child | Doctor

Awards:

2 wins & 3 nominations

Avis des utilisateurs:

terrifying political thriller

Ensemble

Patricia Arquette	...	Laura Bowman
U Aung Ko	...	U Aung Ko
Frances McDormand	...	Andy Bowman
Spalding Gray	...	Jeremy Watt
Tiara Jacquelina	...	San San, Hotel Desk Clerk
Kuswadinath Bujang	...	Colonel at Hotel
Victor Slezak	...	Mr. Scott
Jit Murad	...	Sein Htoo
Ye Myint	...	Zaw Win
Cho Cho Myint	...	Zabai
Johnny Cheah	...	Min Han
Haji Mohd Rajoli	...	Karen Father
Azmi Hassan	...	Older Karen Boy
Ahmad Fithi	...	Younger Karen Boy
Adelle Lutz	...	Aung San Suu Kyi

Autre(s) titre(s):

Rangoon (Canada: French title) (France) [fr]

MPAA:

Rated R for depiction of violent political oppression.

Durée:

100 min | Turkey:93 min (TV version)

Pays:

UK | USA

Langue:

Anglais

Couleur:

Couleur (Technicolor)

Aspect Ratio:

2.35 : 1

Son:

Dolby Digital | SDDS

Classification:

South Korea:12 | Singapore:PG | Argentina:16 | Finland:K-16 | Germany:12 (w) | Portugal:M/12 | Spain:13 | Sweden:15 | UK:12 | USA:R (certificate #33655) | Iceland:16 (video rating) | Iceland:12 (original rating)

Emplacements De Pelliculage:

Perak, Malaysia

Company:

Castle Rock Entertainment

Anecdotes:

Jodie Foster, Meryl Streep and Michelle Pfeiffer were all considered for the lead role.

Goofs:

Continuity: When Patricia Arquette arrives at the railroad station, a train is standing on the track nearest the platform. When she runs to get on the train, it is just pulling in to the station.

Guillemet:

U Aung Ko: We will need to make an offering.
Laura Bowman: What kind of offering?
U Aung Ko: That would depend on how much good karma you want for your next life.
Laura Bowman: Hmm, I can't plan that far ahead.
U Aung Ko: Then some fresh fruit from the market will do.

Movie Connections:

Referenced in "Seinfeld: The Pool Guy (#7.8)" (1995)

terrifying political thriller

This movie was working toward two goals: to make a political point and to tell a scary adventure story. It's often difficult to do make a political point and still tell a good story (consider the highly political but rarely-entertaining final season of Ellen). Beyond Rangoon finds a good balance between politics and storytelling.

I already knew that Aung San Suu Kyi had won the 1991 Nobel Peace Prize, and knew something about the oppressive political situation in Burma, so the political message of the movie was mostly a dramatization of what I already knew. But I thought the movie did a good job of telling about Aung San Suu Kyi and the mostly-faceless dictators who have for years tried to silence her. The device of presenting an unfamiliar setting through the eyes of a character that viewers can identify with is fairly common, but it's quite well done in this movie.

Of course, the real measure of the movie was its entertainment value. Arquette was excellent as a young woman whose sister took her to a distant, unfamiliar place to shake her out of her depression over the violent deaths of her husband and son. She is convincingly detached and depressed. Her grieving condition gives her a clear reason for her distracted wanderings into the thick of a dangerous situation she does not understand, something she'd otherwise be much too intelligent to stumble into.

Once the dangers become so obvious that she can see through them even through the cloud of grief, she's trapped, with no easy escape. That sets her on a path of adventure where she needs her intelligence to survive. The writers deserve much credit for making her intelligent and resourceful enough to deal with numerous dangerous situations, while still finding a plausible reason for her to be foolish enough to get into trouble in the first place. The directing is strong also, keeping up the tension throughout the race to escape the forces of the dictatorship.

This movie had additional impact on me and my wife because of other events of the same time period. We were preparing for a trip to India, and heard news reports of Western tourists who had been taken hostage by a terrorist group in India. Avoiding isolated terrorists in a peaceful democratic country is quite a different matter from escaping an oppressive dictatorship. But the movie and the news shared the element of avoiding danger in an unfamiliar country. That common characteristic gave the movie meaning beyond the strength of its own skillful storytelling. The movie illustrates the international tourist's worst nightmare.