Fernand Bornard (Claude Rich) is the responsible for the Botanic Garden and Zoo in Paris during the Second World War. He was a coward in the First World War and used to lie to his granddaughter Philippine (the lovely Salomé Stévenin) about his heroic features and participation in the past war. His son Armand (Samuel Labarthe) is a smuggler and a cooperator with the Nazi regime in Paris. He does not take much care of Philippine. Philippine's mother is an actress and singer of cabarets and does not take also care of her. On Philippine's eightieth birthday, her father decides to leave her at the grandfather's home after the permitted retire schedule and is arrested by the Germans. Then, he is convicted to death by fusillade and his father witnesses the execution of his son. Fernand hides the death of Armand to Philippine. In order to justify the absence of the father, he tells her that his son is a highly graduated member of the French resistance and responsible for many explosions and sabotage of German facilities. The situations generated by this lie are delicious. This is indeed a lovely movie. With humor, innocence, great screenplay and direction and outstanding performances of Claude Rich and Salomé Stévenin, it is a type of movie to be watched by the whole family. This film is not well known in Brazil: looks like a hidden jewel to be discovered by viewers who appreciate a sensible story with wonderful performances and direction. Roberto Benigni, with his Oscar winner `Life is Beautiful', copied not only the screenplay of the fantastic `Train de Vie', but also the innocence of this marvelous `Les Jardin des Plantes'. My vote is nine.
3 Reviews
What happened in Paris's famous Jardin des Plantes during the War
robert-temple-115 September 2010
For all those who have had the pleasure of visiting the Jardin des Plantes (Botanical Gardens) in Paris, with its miniature zoo, this film is a charming tribute to that institution and its struggle during the Nazi occupation of Paris. The story concerns the resistance to the Nazis which was actually carried out using the zoo itself as a base. The film is directed with a light Gallic touch by director Philippe de Broca, who died in 2004. The chief character is a little girl named Philippine, played enchantingly by Salomé Stévenin. As the film begins, she is a boarder in a harshly disciplinary Catholic school for girls, where the nuns persecute her. Her parents are both hopeless, her mother being an egomaniacal stage actress with no time for children, and her father Armand being a handsome and amoral collaborator with the Germans, also with little time for children. So the little girl's professorial grandfather, played with insouciance by Claude Rich, rescues her from the school and takes her in at his house in the zoo, of which he is the Director. The family survive by eating hippopotamus eggs, which they tell people are hen eggs! There are countless amusing scenes with the zoo animals behaving like pets, including a tame chimpanzee. This film thus has a great appeal for family audiences. But the purpose of the film is serious. Armand has a temper tantrum early in the film and storms out of his father's house after a silly quarrel at dinner and thinks that he can with impunity defy the Nazi curfew because he is friendly with some Nazi officers. But he is arrested and ends up being included amongst a group of random people shot in retaliation for the assassination by the Resistance of a German officer. Since the little girl now has no father, and her mother cannot be bothered with her, the grumpy but kindly grandfather has to become the parent-in-chief. He does not wish the girl to know that her father is dead, so he invents fantasy tales about his being a secret agent who fights the Nazis, and the grandfather and the girl enact various fantasy acts of passing messages, keeping secrets, and so on. The little girl eventually learns the truth but, just as he has tried to avoid telling her, she avoids telling him, and by mutual complicity they continue their joint fantasy, trying to spare each other's feelings. However, it all becomes real, and genuine Resistance people end up hearing about the mysterious super-agent 'Captain Armand' who does not really exist, and they begin to assume that the zoo director's house is a hotbed of active resistance against the Germans, and real Jews and downed Allied airmen begin to turn up and be concealed there, so what had started as a fantasy becomes dangerous reality. The film is amusing and entertaining, and is typically French. It does not descend into saccharine over-sentimentality as a Hollywood production would inevitably have done, it does not have the realistic grit a British production would have had, but ripples contentedly like one of those lighter passages of Saint-Saens's piano music, where he appears to be drifting along a peaceful river on a summer day. In other words, it is a French film, and reflects the French temperament where charm and the light touch are acceptable even in the most dangerous situations, where children can be delightful without being too clinging and cloying, and where one can laugh and cry intermittently without it being thought to be a contradiction of mood.
Great bittersweet film
morgan_feralchilde10 February 2000
I know people who lived through occupied Paris, and this is a film that shows the humanity that occurred during that time. The grandfather isn't only shielding the grand-daughter, the girl is shielding the grandfather from the agony of witnessing his only son's execution. The German's soldiers occupying the zoo aren't evil SS men, they are some teachers who want to be home with their families and want to sit out the war with the Allied troops hiding in the cellar.
The question of this movie is what is heroism and where does one draw the line between people and enemies.
The question of this movie is what is heroism and where does one draw the line between people and enemies.
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