| Videos (see all 6) |
Réalisé par | |||
| Joel Coen | |||
| Ethan Coen | (uncredited) | ||
Scénaristes(WGA) | ||
| Joel Coen | (written by) & | |
| Ethan Coen | (written by) | |
Produit par | |||
| Tim Bevan | .... | executive producer | |
| John Cameron | .... | line producer | |
| Ethan Coen | .... | producer | |
| Eric Fellner | .... | executive producer | |
| Joel Coen | .... | producer (uncredited) | |
Musique originale | |||
| Carter Burwell | |||
Image | |||
| Roger Deakins | |||
Montage | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
Distribution des rôles | |||
| John S. Lyons | (as John Lyons) | ||
Création des décors | |||
| Rick Heinrichs | |||
Direction artistique | |||
| Thomas P. Wilkins | |||
Décorateur de plateau | |||
| Lauri Gaffin | |||
Création des costumes | |||
| Mary Zophres | |||
Maquillage | |||
| John Blake | .... | key makeup artist | |
| Daniel Curet | .... | key hair stylist | |
| Bart Mixon | .... | special makeup effects artist (uncredited) | |
Directeur de production | |||
| Margaret Hayes | .... | post-production supervisor | |
| Gilly Ruben | .... | unit production manager | |
Assistant réalisateur | |||
| Michelangelo Csaba Bolla | .... | first assistant director | |
| James Alan Hensz | .... | second assistant director (as James Allen Hensz) | |
| Donald Murphy | .... | second second assistant director | |
| Brian O'Kelley | .... | second assistant director | |
Effets spéciaux | |||
| Bruce R. Anderson | .... | special effects technician | |
| Wilfred Caban | .... | pyrotechnician | |
| Joe Carroll | .... | special effects technician | |
| Michael Kranz | .... | special effects technician | |
| Paul Murphy | .... | special effects coordinator | |
| Dieter Sturm | .... | special effects snowmaker | |
| Yvonne Sturm | .... | snowmaker | |
Visual Effects | |||
| John Alagna | .... | opticals | |
Cascadeur | |||
| Danny Downey | .... | stunts | |
| Jery Hewitt | .... | stunt coordinator | |
| Jery Hewitt | .... | stunts | |
| Jennifer Lamb | .... | stunts | |
| Eddie L. Watkins | .... | stunts (uncredited) | |
Caméra et Département Electrique | |||
| Jim Bridges | .... | still photographer (as James Bridges) | |
| Robin Brown | .... | camera operator | |
| Robin Brown | .... | director of photography: second unit | |
| Peter Clemence | .... | best boy grip | |
| Tony Corapi | .... | electrician | |
| Ed Dally | .... | film loader | |
| Milo Durben | .... | dolly grip | |
| Tom Franchett | .... | electrician | |
| Adam Gilmore | .... | second assistant camera | |
| Andy Harris | .... | first assistant camera | |
| William H. Hobson | .... | company grip (as William Hobson) | |
| Jeremy Knaster | .... | best boy electric | |
| Mitchell Andrew Lillian | .... | key grip (as Mitch Lillian) | |
| William Moore | .... | rigging gaffer | |
| Bill O'Leary | .... | chief lighting technician | |
| Timothy O'Toole | .... | video playback operator | |
| Joseph Slagerman | .... | company grip | |
| Michael Tackett | .... | still photographer | |
| Niel Williams | .... | company grip (as Neil Williams) | |
Département Casting | |||
| Jane Brody | .... | location casting | |
| Kathleen Chopin | .... | casting assistant | |
| Sandra Dawes | .... | extras casting (as Sandra D. Dawes) | |
| Christine Sheaks | .... | casting associate | |
Département Costume et garde-Robe | |||
| Virginia Burton | .... | costumer | |
| Sister A. Daniels | .... | costume supervisor (as Sister Daniels) | |
Dpartement Editorial | |||
| Tricia Cooke | .... | associate editor | |
| Nick Dibeneditto | .... | negative cutter | |
| David Diliberto | .... | first assistant editor (as Big Dave Diliberto) | |
| Daniel J. Geiger | .... | location assistant editor (as Daniel Geiger) | |
| Alma Kuttruff | .... | apprentice editor | |
Département Musique | |||
| Carter Burwell | .... | conductor | |
| Carter Burwell | .... | orchestrator | |
| Emile Charlap | .... | music contractor | |
| Edmund Choi | .... | assistant to composer | |
| Michael Farrow | .... | score mixer | |
| Todd Kasow | .... | music editor (as Todd Kassow) | |
| Paul Peabody | .... | musician: violin | |
| Shari Schwartz | .... | associate music editor | |
| John Moses | .... | musician: clarinet (uncredited) | |
Département Transport | |||
| Dave Amberik | .... | driver | |
| Michael Arnold | .... | picture car coordinator | |
| Keith Carlson | .... | driver | |
| Dave Drentlaw | .... | driver (as David Drentlaw) | |
| Wade P. Ehlen | .... | driver | |
| David F. Evans | .... | driver | |
| Scott Michael Johnson | .... | driver (as Scott Johnson) | |
| Michael Kennedy | .... | transportation coordinator (as Michael J. Kennedy) | |
| Frank Ketchum | .... | transportation captain | |
| Eugene Kirsch | .... | driver (as Gene Kisch) | |
| Peter L. Mullin | .... | picture car assistant | |
| Ivy Poulliot | .... | driver | |
| John Rehborg | .... | driver | |
| Marti Smith | .... | driver (as Marty E. Smith) | |
| Tommy Ray Smith | .... | driver | |
Divers | |||
| John Albrecht | .... | payroll accountant | |
| Randall Balsmeyer | .... | title designer | |
| Clement Baque | .... | caterer | |
| Cheryl Broussard | .... | assistant production coordinator (as Cheryl M. Broussard) | |
| Mark Demarais | .... | set production assistant | |
| Daniel J. Dustin | .... | set medic (as Dan Dustin) | |
| Joe Everett | .... | unit publicist | |
| Mimi Everett | .... | title designer | |
| Jane Frazer | .... | head of production: Working Title | |
| Kurt W. Gensmer | .... | set medic | |
| Karen Ruth Getchell | .... | production coordinator | |
| Robert Graf | .... | location manager (as Robert J. Graf) | |
| Senor Greazer | .... | meat dinner MC | |
| Dave Halls | .... | set production assistant | |
| Elizabeth Himelstein | .... | dialect coach | |
| Carlos José Ibarra | .... | mechanic (as Jose Ibarra) | |
| Dana Kelley | .... | assistant accountant | |
| Donald J. Koshiol | .... | location assistant | |
| T. Kukovinski | .... | script supervisor | |
| Michelle Suzanne LeDoux | .... | craft service | |
| Rachel Lynn | .... | assistant location manager (as Rachel L.T. Kapel) | |
| Angela Morrison | .... | head of business affairs: Working Title | |
| William Preston Robertson | .... | meat dinner MC (as Bill Robertson) | |
| Albert G. Ruben | .... | insurance | |
| Dan Runyon | .... | craft service | |
| Bill Schwab | .... | location projectionist | |
| Mindy Sheldon | .... | production accountant | |
| Jessica Shepherd | .... | set production assistant | |
| Bix Skahill | .... | office production assistant (as Don 'Bix' Skahill) | |
| Stuart Skrien | .... | location assistant | |
| Jose Solorzano | .... | caterer | |
| Eric Vignando | .... | caterer | |
| Charlie Vogel | .... | post-production accountant (as Charles Vogel) | |
| Jeffrey Abramson | .... | pre-production intern (uncredited) | |
| Christopher P. Jacobs | .... | location projectionist: Grand Forks (uncredited) | |
| Kelly Nathe | .... | photo double: Jean Lundegaard (uncredited) | |
| William Preston Robertson | .... | field interviewer/archivist for Minnesota accents (uncredited) | |
Merci | |||
| Mark Cady | .... | special thanks | |
| David Daugherty | .... | special thanks | |
| Deana Elwell | .... | special thanks | |
| Rick Finkelstein | .... | special thanks | |
| Peter D. Graves | .... | special thanks (as Peter Graves) | |
| Julie Hartley | .... | special thanks | |
| James Hautman | .... | special thanks | |
| Robert Hautman | .... | special thanks | |
| Michael Kuhn | .... | special thanks | |
| Aline Perry | .... | special thanks | |
| Malcolm Ritchie | .... | special thanks | |
| Russell Schwartz | .... | special thanks | |
| Stewart Till | .... | special thanks | |
| Mark Wolfe | .... | special thanks | |
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| A History of Violence | Bad Boys II | Pulp Fiction | Kiss Kiss Bang Bang | Before the Devil Knows You're Dead |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| Films du Top 250 IMDb | IMDb Crime section | IMDb USA section |
| Add this title to MyMovies |
Nobody seems to know that Fargo is first and foremost a beautiful and very simple love story about two ordinary rural small town American people and secondly a superbly acted crime murder mayhem movie, probably the best that has ever been filmed. Every character is genuine, believable, and Home, not Hollywood, spun. The suspense rolls in and out like a San Francisco fog. The side shows that are built in are amazing (sheriff's conversation at a bar with old acquaintance - stamp conversations - breakfast makings). The whole film is an American Shakesphere. I actually know frequent moviegoers who have not seen Fargo (and Sling Blade and Shine). I feel a special sorrow for them. Back to Fargo, every time I watch it I don't want it to ever end. I even sometimes find myself wishfully thinking I could move up there, it's a Lake Wobegone, and then the movie would never end. Fargo is as close to capturing and portraying real life as a director and bunch of actors can get. I wish IMDb had a just one time eleven so I could crown it emperor above all.