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Fargo (1996)
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Vue d'ensemble
Note Générale:
Scénaristes (WGA):
Date de sortie:
8 mars 1996 (USA)
suite
Accroche:
A homespun murder story. suite
Intrigue:
Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of pregnant Marge Gunderson. full summary | add synopsis
Récompenses:
Won 2 Oscars.
Another 52 wins
&
30 nominations
suite
Avis des utilisateurs:
A masterpiece of Shakesperean proportions
plus de (640 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| William H. Macy | ... | Jerome 'Jerry' Lundegaard | |
| Steve Buscemi | ... | Carl Showalter | |
| Peter Stormare | ... | Gaear Grimsrud | |
| Kristin Rudrüd | ... | Jean Lundegaard | |
| Harve Presnell | ... | Wade Gustafson | |
| Tony Denman | ... | Scotty Lundegaard | |
| Gary Houston | ... | Irate Customer | |
| Sally Wingert | ... | Irate Customer's Wife | |
| Kurt Schweickhardt | ... | Car Salesman | |
| Larissa Kokernot | ... | Hooker #1 | |
| Melissa Peterman | ... | Hooker #2 | |
| Steve Reevis | ... | Shep Proudfoot (as Steven Reevis) | |
| Warren Keith | ... | Reilly Diefenbach (voice) | |
| Steve Edelman | ... | Morning Show Host | |
| Sharon Anderson | ... | Morning Show Hostess |
Détails supplémentaires
MPAA:
Rated R for strong violence, language and sexuality.
Parents Guide:
Durée:
98 min
Pays:
Langue:
Couleur:
Rapport de forme:
1,85 : 1 suite
Son:
Classification:
Canada:18 (Nova Scotia) |
Canada:R (Manitoba/Ontario) |
New Zealand:R18 |
USA:R (certificate #34206) |
Denmark:15 |
Canada:16+ (Quebec) |
Philippines:R-18 |
Brazil:18 |
Argentina:16 |
Australia:MA |
Belgium:KT |
Chile:18 |
Finland:K-16 |
France:-12 |
Germany:16 (bw) |
Hong Kong:III |
Iceland:16 |
Ireland:18 |
Italy:VM14 |
Japan:R-15 |
Netherlands:16 |
Norway:15 |
Peru:18 |
Portugal:M/16 |
Singapore:M18 (re-rating) |
Singapore:R(A) (original rating) |
South Korea:18 |
Spain:18 |
Sweden:15 |
UK:18
Lieux de tournage:
Société:
Curiosités
Anecdotes:
During the scene where Steve Buscemi shoots Harve Presnell, Buscemi says the word "fuck" a total of 10 times.
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Goofs:
Continuité: During the interview, the pencil on the clipboard in the office is pointing down. When Jerry flees, it's pointing up.
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Guillemet:
[first lines]
Jerry Lundegaard: I'm, uh, Jerry Lundegaard.
Carl Showalter: You're Jerry Lundegaard?
Jerry Lundegaard: Ya. Shep Proudfoot said...
Carl Showalter: Shep said you'd be here at 7:30. What gives, man?
Jerry Lundegaard: Shep said 8:30.
Carl Showalter: We've been sitting here an hour. He's
[motioning to Gaer]
Carl Showalter: peed three times already.
Jerry Lundegaard: I'm sure sorry. Shep told me 8:30. It was a mix-up, I guess.
suite
Jerry Lundegaard: I'm, uh, Jerry Lundegaard.
Carl Showalter: You're Jerry Lundegaard?
Jerry Lundegaard: Ya. Shep Proudfoot said...
Carl Showalter: Shep said you'd be here at 7:30. What gives, man?
Jerry Lundegaard: Shep said 8:30.
Carl Showalter: We've been sitting here an hour. He's
[motioning to Gaer]
Carl Showalter: peed three times already.
Jerry Lundegaard: I'm sure sorry. Shep told me 8:30. It was a mix-up, I guess.
suite
Connexions De Film:
Parodié dans "The Simpsons: Treehouse of Horror XIX (#20.4)" (2008)
suite
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Liens liés
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| Films du Top 250 IMDb | IMDb Crime section | IMDb USA section |
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I've always thought Fargo would make a great Shakesperean play; you could alter the modern elements and still have created a buzz 400 years ago in suburban England. Indeed, the plot is similar to Hamlet's, in that they both have characters we root for who create zany plans than end up spinning wildly out of control into bloodshed. Many people seem to like Fargo for its humorous qualities, its characterization of the Minnesotan culture and Frances McDormand- not me. I love Fargo for its brilliant writing, its tragic musical score, its tragic plot, William H Macy, Harve Presnell and Steve Buscemi, its ignorance of political correctness (how many movies can you remember when the only two minority characters were both revealed to be creeps).I want to draw attention to an overlooked reason why the film works so well - how well the music suits the visuals in this movie. Each murder scene is scored superbly, and other audio clues really add to the effect (for instance, notice how when the police officer asks Carl Showalter "What's this?" in reference to the abductee, a disquieting guitar sound is immediately played that has an instantaneous psychological effect on how you interpret the scene). I have seen this film over, well, an embarrassing number of times and have committed its screenplay, from start to finish, by memory. Fargo is the ultimate Coen Brothers movie, a brilliant tragedy, and restores my faith in Roger Ebert as he places this movie in as his fourth favorite movie of the '90s.