- An aspiring actress disappointed by her treatment in the movie industry turns to phone sex to make a living.
- This Spike Lee film examines the life of an aspiring actress in New York who becomes upset by the treatment of women in the film industry during one of her screen tests with 'QT.' Out of work and desperate for money, she takes a job as a phone-sex operator. Her female boss is kind, caring, and sensitive--quite a difference from her previous potential employers. Later she gets too engrossed in her work and starts to lose touch with reality, represented by her friend and neighbor Jimmy.—Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
- In Manhattan, New York City, Judy, also known as Girl 6 (Theresa Randle), is at a very awkward audition with Quentin Tarantino. Judy seems to grin and bear it. Tarantino reveals that the film Judy is auditioning for is "the greatest romantic, African-American film ever made. Directed by me, of course." However, Judy grows suspicious of the audition, when "Q.T.", tells her that "Wesley, Denzel, and Fishburne" are signed up to play supporting roles. Judy seems to keep her cool until it is requested that she remove her blouse so "Q.T." and his assistant can see her breasts. She reluctantly complies, but not for long. She walks out on the audition.
Her agent (John Turturro) is furious. Having worked hard to get Judy her audition with such a prestigious director, he quickly and angrily drops her from his roster of clients. Her melodramatic acting coach (Susan Batson) is also extremely displeased. When Judy tells her why she did not go through with the audition, the acting coach still does not see any reason why Judy should have walked out. This, topped with the fact that Judy has not paid her rent in a very long while, forces her to drop Judy from her roster of clients as well.
Now unable to secure acting work, Judy must find a way to make ends meet. She tries a number of jobs: passing out fliers, waiting tables at a club, etc. At one point she agrees to be an extra on a movie set. However, it is cold and unpleasant, as is the director. Judy is sick with a cold, and still trying to secure work. While reading a newspaper, she sees an ad for a "friendly phone line", as well as one with the headline, "mo money, mo money, mo money". She circles them both.
This brings her to a meeting at a phone sex office. She meets the boss (Jenifer Lewis), who seems to be an assertive but friendly woman. The two click and the "audition" goes over just fine. The boss, now known as Lil, says that although she can't promise anything, she'll put in the good word for Judy. Judy also goes to another meeting, but the boss there wants her to do more visually related work, so she declines. Then, she attends another meeting, at a strip club/phone sex line with a relaxed boss (Madonna). She would take the job, but the content allowed for on-line discussion is a bit too heavy for her taste. She decides to stick to her original application with Lil.
We now look in on Judy's dissolved relationship with her kleptomaniac ex-husband (Isaiah Washington), as well as her relationship with her baseball-memorabilia obsessed best friend, Jimmy (Spike Lee). Jimmy is reliant on his collection for money, but until it accumulates enough age to be worth money, he gets his rent money from Judy.
Throughout the film, the phone sex line, having been secured at Lil's company, begins to take its mental toll on the newly christened Girl 6. She has to pretend to be white for all her clients unless they specifically request a black girl. She trusts her clients too much at times, and even agrees to meet one of her callers at Coney Island, but when he sees that she is not white he passes by her bench and ignores her when she calls out to him and pretends he isn't the man she was meeting. It is visible to everybody, especially Lil and Jimmy, that Judy is having a breakdown. The movie culminates in a dark sequence in which she enters a snuff fantasy with a caller (Michael Imperioli). It becomes serious when she discovers the caller knows where she lives. Running upstairs for shelter with Jimmy, she decides that it is time to leave the phone sex career behind and get her acting career in motion. Finally reconciling with her ex, she decides to move to Los Angeles.
Oddly enough once in California, Judy attends another audition in which she experiences the same problem as the one with "Q.T." She again walks out. However, it is clear that Girl 6 has reclaimed her dignity, and will find work sooner or later. On that hopeful note, the film comes to a close.
Contribute to this page
Suggest an edit or add missing content