| Timothy Hutton | ... | Richard Loving | |
| Lela Rochon | ... | Mildred 'Bean' Jeter | |
| Ruby Dee | ... | Sophia | |
| Bill Nunn | ... | Leonard | |
| Corey Parker | ... | Bernie Cohen | |
| Isaiah Washington | ... | Blue | |
| Lawrence Dane | ... | Sheriff | |
| Charles W. Gray | ... | Papa Jeter (as Charles Gray) | |
| Jackie Richardson | ... | Mama Jeter | |
| Michael Clarke | ... | Gerald | |
| Karen Robinson | ... | Norma | |
| Stephen Walsh | ... | Father Loving | |
| Linda Goranson | ... | Mother Loving | |
| Ardon Bess | ... | Justice of the Peace | |
| Scott Spidell | ... | Harley | |
| Larry Reynolds | ... | Judge | |
| Richard Fitzpatrick | ... | Defense Attorney | |
| Sharon Lewis | ... | Leeanne | |
| Suzanne Coy | ... | Marcella | |
| Diana Belshaw | ... | Landlady (as Dianna Belshaw) | |
| Briar Boake | ... | Receptionist | |
| Carol Anderson | ... | Nurse | |
| Christopher Kalogerakos | ... | Sidney (2 years) |
Réalisé par | |||
| Richard Friedenberg | |||
Scénaristes(WGA) | ||
| Richard Friedenberg | (written by) | |
Musique originale | |||
| Branford Marsalis | |||
Image | |||
| Kenneth MacMillan | (director of photography) | ||
Montage | |||
| Wayne Wahrman | |||
Création des décors | |||
| Perri Gorrara | |||
Direction artistique | |||
| Roderick Mayne | |||
Décorateur de plateau | |||
| Megan Less | |||
Création des costumes | |||
| Csilla Márki | |||
Maquillage | |||
| Veronica Ciandre | .... | key hair stylist | |
| Kathleen Graham | .... | key makeup artist | |
Directeur de production | |||
| Carmen Arndt | .... | unit production manager | |
| Tim King | .... | post-production supervisor | |
Assistant réalisateur | |||
| Richard Black | .... | trainee assistant director | |
| Rick Kush | .... | second assistant director | |
| Stephen J. Morrison | .... | third assistant director | |
| Michael Zenon | .... | first assistant director | |
Département Art | |||
| Christine Hartmann | .... | on-set dresser | |
Technicien du son | |||
| Danielle Ghent | .... | adr supervisor | |
| Patrick Giraudi | .... | sound re-recording mixer | |
| Paul Longstaffe | .... | dialog & adr editor | |
| Derek Marcil | .... | adr mixer | |
| Urmas Rosin | .... | production sound mixer | |
| Jason Schmid | .... | sound re-recording mixer | |
| Steve Scoville | .... | dialogue editor | |
| Kelly Vandever | .... | assistant sound editor | |
| Marc Vanocur | .... | supervising sound editor | |
| Zenon Waschuk | .... | boom operator | |
Cascadeur | |||
| Lloyd Adams | .... | stunts | |
| Eric Bryson | .... | stunts | |
| Shane Cardwell | .... | stunt coordinator | |
| Susan Horton | .... | stunts | |
| Ron Van Hart | .... | stunts | |
Caméra et Département Electrique | |||
| Nick Bacon | .... | dolly grip (as Nicholas Bacon) | |
| Pierre Berube | .... | electrician | |
| Ian Bibby | .... | gaffer | |
| John Colavecchia | .... | second assistant camera | |
| Nicholas Fasullo | .... | grip | |
| Neil Fraser | .... | best boy grip | |
| Perry Hoffman | .... | camera operator | |
| J.W. Lee Ionson | .... | generator operator | |
| George Kerr | .... | electrician | |
| Bruce Macaulay | .... | still photographer | |
| James McRae | .... | grip | |
| Kevin Neshevich | .... | camera trainee | |
| Mark Silver | .... | key grip | |
| Harold D. Stroud | .... | best boy electric | |
| Matt Tundo | .... | camera operator: "b" camera | |
| Noel Verhoog | .... | first assistant camera | |
Département Casting | |||
| Ross Clydesdale | .... | casting: Toronto | |
| Beth Klein | .... | casting | |
| Eleanor Lavender | .... | extras casting | |
| Todd M. Thaler | .... | casting (as Todd Thaler) | |
Département Costume et garde-Robe | |||
| Koreann Ciandre | .... | wardrobe assistant | |
| Petra Kraujansky | .... | assistant costume designer | |
Dpartement Editorial | |||
| David Bailey | .... | post-production coordinator | |
| Karen Dimmig | .... | assistant editor | |
| Liora Grimm | .... | post-production assistant | |
| Cynthia Nicolella | .... | post-production coordinator | |
Département Musique | |||
| David Bondelevitch | .... | music editor | |
| Spencer Proffer | .... | supervising music producer | |
Divers | |||
| Don Bachmann | .... | assistant production coordinator | |
| Maggie Craig | .... | script supervisor | |
| Charles W. Gray | .... | dialect director | |
| Rob Makinnon | .... | production assistant | |
| Robin McConnell | .... | production assistant | |
| Laurie Peterson | .... | production coordinator | |
| Patrick Whitley | .... | production executive | |
| Eardley Wilmot | .... | location manager | |
| Steve A. Kennedy | .... | assistant: Mr. Paulson (uncredited) | |
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| Malcolm X | A House Divided | Giant | Ghosts of Mississippi | One Potato, Two Potato |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | IMDb Drame section |
| IMDb USA section | Add this title to MyMovies |
A restrained, intelligent and powerful movie, set in the 1950s-60s southern states of the USA, telling the true story about the Lovings, an interracial married couple who challenged Virginia's anti-miscegenation law (The Racial Integrity Act of 1924) and saw it overturned.
The film is engaging not only because of its important subject matter but because the subject matter is dealt with so well; with a superb script that opens up facets of the couples experiences with great subtlety and understanding; outstanding performances all round that deliver rich character portrayals; and brilliant production work that creates a tremendous feel for the time and place. That there were more movies of this quality around! And of course the great poignancy of this movie is that it is based on true events, and so stands as a wonderful testimony to true love.
An important, powerful and superb film.