| Photos (Voir toutes les 73 | Diaporama) | Videos (see all 2 NOUVEAU) |
Réalisé par | |||
| Jonathan Frakes | |||
Scénaristes(WGA) | ||
| Gene Roddenberry | (television series Star Trek) | |
| Rick Berman | (story) & | |
| Brannon Braga | (story) & | |
| Ronald D. Moore | (story) | |
| Brannon Braga | (screenplay) & | |
| Ronald D. Moore | (screenplay) | |
Produit par | |||
| Rick Berman | .... | producer | |
| Marty Hornstein | .... | executive producer (as Martin Hornstein) | |
| Peter Lauritson | .... | co-producer | |
Musique originale | |||
| Jerry Goldsmith | |||
Image | |||
| Matthew F. Leonetti | (director of photography) | ||
Montage | |||
| Anastasia Emmons | |||
| John W. Wheeler | |||
Distribution des rôles | |||
| Junie Lowry-Johnson | |||
| Ron Surma | |||
Création des décors | |||
| Herman F. Zimmerman | (as Herman Zimmerman) | ||
Direction artistique | |||
| Ron Wilkinson | |||
Décorateur de plateau | |||
| John M. Dwyer | |||
Création des costumes | |||
| Deborah Everton | |||
Directeur de production | |||
| Marty Hornstein | .... | unit production manager (as Martin Hornstein) | |
| Ira S. Rosenstein | .... | production supervisor | |
Assistant réalisateur | |||
| Robin Bronner | .... | dga trainee | |
| Rosemary C. Cremona | .... | second assistant director (as Rosemary Cremona) | |
| Jerry Fleck | .... | first assistant director | |
| David Goldfarb | .... | additional second assistant director | |
| Peter Lauritson | .... | second unit director | |
| David Ticotin | .... | second second assistant director (as David A. Ticotin) | |
Département Art | |||
| Thomas J. Arp | .... | construction coordinator | |
| Shawn Baden | .... | scenic arts/illustrator | |
| Brent W. Bell | .... | lead man | |
| Elijah Bryant | .... | set dresser | |
| Philip Calhoun | .... | set dresser | |
| John M. Carroll | .... | propmaker foreperson | |
| Clete Cetrone | .... | construction foreman | |
| Gary Clark | .... | paint foreperson (as Gary A. Clark) | |
| Joe Colwell | .... | painter | |
| Ricardo F. Delgado | .... | illustrator (as Ricardo Delgado) | |
| Doug Drexler | .... | designer | |
| Doug Drexler | .... | scenic artist | |
| Dragon Dronet | .... | props, weapons | |
| John Eaves | .... | illustrator | |
| Greg Feldman | .... | assistant props | |
| David Galvan | .... | head paint foreman | |
| David Galvan | .... | production painter | |
| Bill George | .... | art consultant | |
| Les Gobruegge | .... | set designer (as Les D. Gobruegge) | |
| William Hawkins | .... | set designer (as William P. Hawkins) | |
| Jeffery J. Jenkins | .... | paint foreman | |
| Martha Johnston | .... | set designer (as Martha E. Johnston) | |
| Curt Jones | .... | construction foreman | |
| John B. Josselyn | .... | scenic arts/illustrator | |
| Linda A. King | .... | set designer | |
| Roger L. King | .... | property maker | |
| Frank Leasure | .... | construction foreperson (as Frank 'Ferb' Leasure) | |
| John Mann | .... | storyboard artist | |
| Sam Mendoza | .... | propmaker foreperson (as Sammy Mendoza) | |
| Nancy Mickelberry | .... | set designer | |
| Steve Morey | .... | propmaker foreperson | |
| Joseph Musso | .... | illustrator | |
| Michael Okuda | .... | scenic art supervisor | |
| Aaron Rockler | .... | labor foreperson | |
| Penny Smartt-Juday | .... | art department coordinator (as Penny Juday) | |
| Tom Talley | .... | location foreman | |
| Barry Tugendhaft | .... | greensperson | |
| James Van Over | .... | scenic artist (as James E. Van Over) | |
| Jerry Wax | .... | set dresser | |
| Dean Wilson | .... | property master | |
| Don E. Gaffney | .... | prop construction (uncredited) | |
Effets spéciaux | |||
| Anna Albrecht | .... | special effects crew | |
| Thomas D. Bacho Jr. | .... | special effects technician | |
| Donald T. Black | .... | special effects assistant | |
| Patrick Chitty | .... | special effects | |
| Eugene Crum | .... | special effects foreperson | |
| Greg Curtis | .... | special effects foreperson | |
| Andy Evans | .... | special effects assistant | |
| Edward J. Franklin | .... | special effects crew | |
| Donald Frazee | .... | special effects foreperson | |
| Logan Frazee | .... | special effects assistant (as Logan Z. Frazee) | |
| Terry D. Frazee | .... | special effects coordinator | |
| Patrick M. Gerrety | .... | alien creature effects | |
| Russ Herpich | .... | special effects mechanic | |
| Scott Lingard | .... | special effects assistant | |
| Scott Lingard | .... | special effects technician | |
| Heather McCurdy | .... | special effects production assistant | |
| Alan McFarland | .... | Borg suit & space suit electronics design | |
| Robert Miller | .... | helmet & chest designer: Todd Masters Effects | |
| Donald Myers | .... | special effects foreperson (as Donald E. Myers Jr.) | |
| Samuel E. Price | .... | special effects assistant (as Samuel Price) | |
| John Shea | .... | robot suit fabricator | |
| Michael Shelton | .... | creature effects crew | |
| Bryan Smith | .... | sculptor and painter: Todd Masters Effects | |
| Alan Tuskes | .... | special makeup effects crew | |
| Brian Van Dorn | .... | mold technician | |
| Harold Weed | .... | model maker | |
| Ralph Winiger | .... | special effects assistant (as Ralph Allen Winiger) | |
| David W. Mosher | .... | mold technician: Todd Masters Company [us] (uncredited) | |
| Michael Walters | .... | special costumes (uncredited) | |
Visual Effects | |||
| Barbara Affonso | .... | chief model maker | |
| Tim Alexander | .... | digital compositor | |
| Rick Anderson | .... | model maker: ILM | |
| Joakim Arnesson | .... | digital effects artist | |
| Caleb Aschkynazo | .... | digital editorial coordinator: p.o.p. digital film group | |
| Bill Barr | .... | key grip: ILM | |
| Craig Barron | .... | visual effects supervisor: Matte World | |
| Michael Bauer | .... | digital effects artist: ILM | |
| Dugan Beach | .... | CG technical assistant | |
| Kathleen Beeler | .... | digital compositor | |
| Adam Bennes | .... | effects technician: ILM | |
| Bethany Berndt-Shackelford | .... | digital compositor | |
| Earl Beyer | .... | scanning operator | |
| Andrea Biklian | .... | negative line-up | |
| Jodi Birdsong | .... | optical scanning department assistant | |
| Patricia Blau | .... | senior staff: ILM (as Patricia Blau Price) | |
| Rod G. Bogart | .... | software development | |
| Todd Boyce | .... | CG animator: VisionArt | |
| Steve Braggs | .... | digital effects artist: ILM | |
| Noel Brevick | .... | digital mattes | |
| Jeff Brewer | .... | model maker: ILM | |
| Dale K. Brodt | .... | digital production manager: POP (as Dale Brodt) | |
| Carol Brzezinski | .... | digital post supervisor: POP | |
| Cathy Burrows | .... | digital rotoscope artist: ILM (as Cathy Burrow) | |
| Donald S. Butler | .... | digital compositor (as Don Butler) | |
| Kirk Cadrette | .... | computer animator: POP | |
| Kyeng-Im Chung | .... | digital effects artist | |
| Richard J. Cook | .... | digital effects coordinator: VisonArt | |
| Marc Cooper | .... | visual effects artist: ILM | |
| Stéphane Couture | .... | computer animator (as Stephane Couture) | |
| Betsy Cox | .... | digital compositor | |
| David Crawford | .... | Inferno compositor | |
| Gail Currey | .... | senior staff: ILM | |
| Andrea D'Amico | .... | digital visual effects producer: POP film | |
| Youssef Delara | .... | visual effects assistant (as A.Y. Dexter Delara) | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| Mitch Deoudes | .... | digital effects artist | |
| Bryan Dewe | .... | chief model maker | |
| Giovanni Donovan | .... | model maker: ILM | |
| Jeff Doran | .... | digital compositor | |
| David S. Dranitzke | .... | plate coordinator: ILM (as David Dranitzke) | |
| John Duncan | .... | model maker: ILM | |
| Syd Dutton | .... | matte painter: Illusion Art | |
| Selwyn Eddy | .... | digital match mover (as Selwyn Eddy III) | |
| Kate Elsen | .... | digital rotoscope artist: ILM | |
| Anastasia Emmons | .... | visual effects assistant | |
| Christopher Evans | .... | chief digital matte artist: Matte World Digital (as Chris Evans) | |
| Ted Fay | .... | director of technology: VisionArt | |
| Jon Foreman | .... | chief model maker | |
| Debbie Fought | .... | digital rotoscope artist: ILM (as Deb Fought) | |
| Scott Frankel | .... | digital compositor | |
| George Gambetta | .... | senior scanning operator | |
| John Gazdik | .... | assistant motion control unit (as John Gazdick) | |
| Tim Geideman | .... | negative line-up (as Timothy Geideman) | |
| Jennifer German | .... | digital compositor: POP | |
| Michael Gleason | .... | visual effects editor (as Mike Gleason) | |
| Jeremy Goldman | .... | digital effects artist | |
| John Goodson | .... | model project supervisor: ILM | |
| Caroleen Green | .... | digital matte artist: Matte World | |
| John Haggar | .... | visual effects | |
| David Hanks | .... | digital match mover (as Dave Hanks) | |
| Dorene Haver | .... | digital compositor: VisionArt | |
| Aaron Haye | .... | modelmaker: ILM | |
| Matthew Hendershot | .... | digital effects artist | |
| Robert Hill | .... | visual effects camera assistant | |
| Carl Hooper | .... | CG animator: VisionArt | |
| Adam Howard | .... | visual effects supervisor | |
| Celine Jackson | .... | digital I/O: VisonArt | |
| Alex Jaeger | .... | visual effects art director: concept design/animatics, ILM | |
| Nancy Jencks | .... | dirt removal | |
| Brad Jerrell | .... | light technician | |
| Ira Keeler | .... | model maker: ILM | |
| Susan Kelly-Andrews | .... | digital rotoscope artist: ILM | |
| Greg Kimble | .... | digital optical supervisor: POP | |
| John Knoll | .... | special visual effects | |
| John Knoll | .... | visual effects supervisor | |
| Daniel Kramer | .... | senior technical director: VisionArt | |
| Angela Leaper | .... | electronic editorial | |
| Tad Leckman | .... | rebel unit production manager: ILM | |
| Kenneth Littleton | .... | digital compositor: Pacific Ocean Post | |
| Lawrence Littleton | .... | digital compositor: Pacific Ocean Post | |
| Nancy Luckoff | .... | CG resource manager | |
| Jodie Maier | .... | digital match mover | |
| Greg Maloney | .... | digital compositor | |
| Jeff Mann | .... | senior staff: ILM | |
| Stuart T. Maschwitz | .... | digital artist | |
| Fumi Mashimo | .... | digital animator: Illusion Art (as Fumi Mashimo) | |
| John McCunn | .... | visual effects associate producer | |
| Mickey McGovern | .... | visual effects editor (as Mike McGovern) | |
| Brandon McNaughton | .... | digital effects compositor | |
| Ladd McPartland | .... | assistant visual effects editor | |
| Ed Miarecki | .... | model maker: ILM | |
| Richard Miller | .... | model maker | |
| Todd Mitchell | .... | scanning operator: ILM | |
| Steve Molin | .... | digital effects artist | |
| Amanda K. Montgomery | .... | computer graphics resource assistant: ILM | |
| George Murphy | .... | associate visual effects supervisor | |
| Patrick T. Myers | .... | digital effects artist (as Pat Myers) | |
| Kenneth Nakada | .... | digital compositing: Illusion Arts | |
| Dan Nelson | .... | effects technician: ILM | |
| Cameron Noble | .... | motion control camera: Matte World Digital | |
| Luke O'Byrne | .... | visual effects production coordinator | |
| Michael Olague | .... | visual effects gaffer | |
| Jeff Olson | .... | visual effects producer | |
| David Owen | .... | still photographer | |
| Richard Patterson | .... | matte artist: Illusion Art | |
| Michael Peterson | .... | digital compositor: POP | |
| Jeff Pierce | .... | digital I/O: VisonArt | |
| Josh Pines | .... | film scanning supervisor (as Joshua Pines) | |
| Anthony Pitone | .... | digital technical assistant | |
| Scott Rader | .... | digital visual effects supervisor: POP | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Paul Rivera | .... | digital composite supervisor: Mate World Digital | |
| Joshua D. Rose | .... | digital producer: VisonArt | |
| Martin Rosenberg | .... | director of miniature photography | |
| Thomas Rosseter | .... | digital compositor (as Tom Rosseter) | |
| Jonathan Rothbart | .... | visual effects artist | |
| Patrice d.S. Saenz | .... | digital match mover (as Patrice Saenz) | |
| Heidi Schmidt | .... | digital technical assistant | |
| Dan Shumaker | .... | CG technical assistant | |
| Douglas James Smith | .... | digital effects artist | |
| Doug Smith | .... | assistant digital effects artist | |
| Kenneth Smith | .... | optical supervisor | |
| Kim Smith | .... | chief model maker | |
| Christa Starr | .... | visual effects | |
| Chris Stillman | .... | digital mattes | |
| Robert Stromberg | .... | matte artist: Illusion Art | |
| Pat Sweeney | .... | additional visual effects photography (as Patrick Sweeney) | |
| David Takemura | .... | visual effects supervisor | |
| Larry Tan | .... | digital modeler: ILM | |
| Chad Taylor | .... | Sabre artist: ILM | |
| Eric Texier | .... | digital effects artist | |
| Paul Theren | .... | digital modeler: ILM | |
| Robert Tom | .... | digital paint artist: VisionArt | |
| Suzie Vissitzky Tooley | .... | CG production manager | |
| Morgan Trotter | .... | digital compositor: Matte World Digital | |
| Dennis Turner | .... | CG sequence supervisor | |
| Trevor Tuttle | .... | model maker | |
| Lam Van To | .... | CG technical assistant | |
| Pam Vick | .... | digital rotoscope artist | |
| Mike Wassel | .... | matte artist: Illusion Arts | |
| Ken Wesley | .... | digital effects artist | |
| Jeffery Yost | .... | CG artist | |
| Heidi Zabit | .... | digital rotoscope artist: ILM | |
| Habib Zargarpour | .... | computer graphics supervisor: ILM | |
| Fon Davis | .... | model maker: ILM (uncredited) | |
| Christopher Horvath | .... | digital compositor: Matte World Digital (uncredited) | |
| Mark Moore | .... | concept designer: ILM (uncredited) | |
| Rick Rische | .... | matte artist: Matte World Digital (uncredited) | |
| Susumu Yukuhiro | .... | visual effects production assistant (uncredited) | |
Département Casting | |||
| Jennifer Bender | .... | extras casting | |
| Barbara Harris | .... | voice casting | |
Département Costume et garde-Robe | |||
| Robert Blackman | .... | costume designer: starfleet uniforms | |
| Leah Brown | .... | costumer (as Leah P. Brown) | |
| Joe Diaz | .... | costumer (as Joe Diaz Jr.) | |
| Christine Heinz | .... | key costumer | |
| Matthew A. Hoffman | .... | key costumer | |
| Sonny Merritt | .... | costumer | |
| Sarah Shawe | .... | costume supervisor (as Sarah Shaw) | |
| Heidi Odum Strasburg | .... | costumer (as Heidi Strasburg) | |
Dpartement Editorial | |||
| Tim Board | .... | additional editor | |
| Mike Milliken | .... | color timer | |
| Travis G. Rendich | .... | apprentice editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| David Rossi | .... | post-production coordinator | |
Département Musique | |||
| Jeff Atmajian | .... | orchestrator | |
| Mark Banning | .... | associate music executive producer | |
| Bob Bornstein | .... | music preparation | |
| Bruce Botnick | .... | music editor | |
| Bruce Botnick | .... | music mixer | |
| Alexander Courage | .... | composer: additional music (from "Star Trek") | |
| Alexander Courage | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Norman Dlugatch | .... | assistant music engineer | |
| Jerry Goldsmith | .... | conductor | |
| Jerry Goldsmith | .... | music producer | |
| Joel Goldsmith | .... | composer: additional music | |
| Dominic Gonzales | .... | assistant music engineer | |
| Kenneth Hall | .... | music editor (as Ken Hall) | |
| Cliff Kohlweck | .... | music editor | |
| Arthur Morton | .... | orchestrator | |
| Neil Norman | .... | executive music producer | |
| Lee Scott | .... | music editor | |
| Andrew Silver | .... | preview music editor | |
| Nick Vidar | .... | music programmer | |
| Paul Wertheimer | .... | assistant music engineer | |
Merci | |||
| Ira Steven Behr | .... | special thanks | |
| Dan Curry | .... | special thanks | |
| Merri D. Howard | .... | special thanks | |
| Wendy Neuss | .... | special thanks | |
| Jeri Taylor | .... | special thanks | |
| Bill Wistrom | .... | special thanks | |
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| Star Trek: Insurrection | Star Trek: The Wrath of Khan | Star Trek: Nemesis | Star Trek V: The Final Frontier | Star Trek III: The Search for Spock |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
This is one of the two best Star Trek movies ever made (the other being "Wrath of Khan"). Everything about this film is superb.... acting, set design, special effects, plot, and action. The story progresses at a breathtaking pace, and from the first 10 minutes when the Enterprise is locked in a life-and-death struggle with one of the best villains in all of sci-fi history (the Borg), to a perfect ending; there isn't a wasted or redundant moment. This is a film that both trekkers and non-trekkers can enjoy because the film explains enough about the back-story to get non-fans up to speed, and does it in a way that will keep the fans interest (check out the excellent opening sequence that introduces Picard's first encounter with the Borg and explains much of his implacable and obsessive attitude towards them throughout the film).
In addition to fine performances from the crew (highlighted as always by Patrick Stewart as Captain Picard), the supporting cast is more than equal to the task. Its too bad that the crew didn't bring Alfre Woodward back home with them........ she's one of the very few actors/actresses in Star Trek history who have been able to match Patrick Stewart's personality, acting skills, and histrionics. Also, I thought I detected a touch of romance between the two that could have been further developed at another time.
James Cromwell makes a perfect Zefrem Cochrane. It was a humorous touch to portray him as somewhat of an anti-hero, in contrast to the god-like reverence with which the characters in the film viewed him from a distance of 300 years.
The protagonists in the film, the Borg, have never looked more dangerous. I'm glad that this film returned them to their "roots", unlike their last few appearances in the television series in which they were becoming a little too domesticated.
This is a film to savor for any science fiction fan. 9.5/10.0 !