An American Werewolf in Paris (1997)
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- R
- 1h 38min
- Comedy, Fantasy
- 25 Dec 1997 (USA)
- Movie
- 3 wins & 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
Tom Everett Scott | ... |
Andy McDermott
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Julie Delpy | ... |
Serafine Pigot
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Vince Vieluf | ... |
Brad
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Phil Buckman | ... |
Chris
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Julie Bowen | ... |
Amy Finch
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Pierre Cosso | ... |
Claude
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Thierry Lhermitte | ... |
Dr. Thierry Pigot
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Tom Novembre | ... |
Inspector LeDuc
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Maria Machado | ... |
Chief Bonnet
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Ben Salem Bouabdallah | ... |
Detective Ben Bou
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Serge Basso | ... |
Officer with Flashlight
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Charles Maquignon | ... |
Bouncer
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Jochen Schneider | ... |
Lycanthrope
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Alan McKenna | ... |
Lycanthrope
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Hervé Sogne | ... |
Lycanthrope
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Edgar Kohn | ... |
Lycanthrope
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Jean-Claude Deret | ... |
Professor Martin
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Isabelle Constantini | ... |
Serafine's Mom (Alex Price-Pigot)
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David F. Friedman | ... |
Nightclub Visitor
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Christian Magnani | ... |
Bruno
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Chris Bearne | ... |
Surgeon
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Pierre Bodry | ... |
Waiter on Train
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Pieter Riemens | ... |
Waiter in Restaurant
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Emile Cappachione | ... |
Bodybuilder
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Serge Hugel | ... |
French Car Driver
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John Waller | ... |
British Car Driver
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Nicholas Waller | ... |
Taxi Driver
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Anthony Waller | ... |
Metro Driver
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Rest of cast listed alphabetically: | |||
Csilla Szabò |
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Alain Christie | ... |
Inspector LeDuc (uncredited) (voice)
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Directed by
Anthony Waller |
Written by
John Landis | ... | (characters in An American Werewolf in London) |
Tim Burns | ... | (written by) & |
Tom Stern | ... | (written by) and |
Anthony Waller | ... | (written by) |
Produced by
Klaus Bauschulte | ... | associate producer: Berlin |
Bob Bellion | ... | co-producer |
Alexander Buchman | ... | co-producer |
Richard Claus | ... | producer |
Jimmy de Brabant | ... | associate producer: Luxembourg |
Patricia McMahon | ... | line producer |
Jacques-Eric Strauss | ... | co-associate producer: Paris |
Anthony Waller | ... | executive producer |
Music by
Wilbert Hirsch |
Cinematography by
Egon Werdin | ... | director of photography |
Editing by
Peter R. Adam |
Editorial Department
Martina Pille | ... | Visual Effect Liaisonist / first assistant editor |
Amy Tompkins | ... | editor: E film |
Alex Zaphiris | ... | colorist: E film |
Casting By
Gail Levin |
Production Design by
Matthias Kammermeier |
Art Direction by
Hucky Hornberger |
Set Decoration by
Andrea Schlimper |
Costume Design by
Maria Schicker |
Makeup Department
Julia Díaz | ... | additional makeup artist |
Screaming Mad George | ... | special makeup effects artist |
Marliess Hupperts | ... | additional makeup artist |
Marie-Claire Junker | ... | makeup artist |
Victor Leitenbauer | ... | makeup artist |
Katja Reinert-Alexis | ... | hair stylist (as Katja Reinert) / makeup artist (as Katja Reinert) |
Production Management
Klaus Bauschulte | ... | post-production supervisor |
Patrick Gordon | ... | production manager: Paris |
Corinne Le Hong | ... | production secretary |
Claude Ludovicy | ... | unit manager |
Jean-Claude Schlim | ... | unit production manager |
Renzo Soriano | ... | production manager: E film |
Els Tau | ... | production manager: Amsterdam |
Mariette van Sisseren | ... | assistant production manager: Amsterdam |
Rutger Weber | ... | executive in charge of production: Stonewood |
Second Unit Director or Assistant Director
Laurent Dumas | ... | second assistant director |
Iseult Frere | ... | assistant director |
Eric Paulin | ... | second assistant director: Paris |
Veronique Souques | ... | assistant director |
Stuart St Paul | ... | second unit director |
Marc van der Bijl | ... | first assistant director |
Oscar van Raaij | ... | third assistant director: Amsterdam |
Art Department
Robert de Bruijn | ... | art director: Amsterdam |
Elsje de Bruin | ... | props: Amsterdam (as Elsje de Bruijn) |
Manuel Demoulling | ... | property master |
Mark Gaskemper | ... | stand-by carpenter: Amsterdam (as Marc Gastkemper) |
Gus Gouldsbrough | ... | set builder (as Gus Gouldsborough) |
Robert Hickson | ... | storyboard artist |
Jill Robertson Kibbey | ... | construction buyer (as Jill Robertson) |
Jorrit Kortenhorst | ... | construction crew: Amsterdam |
Peter Lloyd | ... | design: werewolf design / storyboard artist |
Erik Loze | ... | set dresser: Amsterdam |
Roland Mylanus | ... | technical drawings: Amsterdam |
Phillip Norwood | ... | storyboard artist |
Edouard Pallardy | ... | head painter / painter |
Matthieu Ploum | ... | construction crew: Amsterdam (as Mathieu Ploum) |
Mario Richter | ... | construction crew: Amsterdam |
Tiffany Rodenfels | ... | art department |
David Russell | ... | storyboard artist |
Alfred Schaaf | ... | production designer: Amsterdam |
Robert Schaetz | ... | scenic artist: wolfcam effects |
Kees Starink | ... | construction crew: Amsterdam |
Otfried Suppin | ... | prop master assistant |
Thijs van Ballegoye de Jongh | ... | construction crew: Amsterdam |
Bolek van Blokland | ... | additional set dresser: Amsterdam (as Bolek) |
Rein van der Heide | ... | construction crew: Amsterdam (as Rein van der Heijden) |
Rick van der Heul | ... | construction crew: Amsterdam |
Ed van der Hoeven | ... | construction crew: Amsterdam |
Rob van der Ven | ... | construction crew: Amsterdam |
Henk van Schuppen | ... | construction crew: Amsterdam |
Marleen van Wijgerden | ... | construction crew: Amsterdam (as Marleen van Weigerden) |
Pascal Voetelink | ... | construction crew: Amsterdam |
Nicholas Waller | ... | storyboard artist |
Randolph Wildt | ... | stand-by carpenter: Amsterdam |
Bruno Zenatello | ... | metal construction |
Sound Department
Hubert Bartholomae | ... | re-recording mixer / sound designer |
Bernd Burkhardt | ... | adr recordist |
Pit Kuhlmann | ... | foley artist / sound effects editor |
Frederic Legier | ... | adr recordist |
Andreas Musolff | ... | sound editor |
Jörn Poetzl | ... | foley artist |
Frank Reinke | ... | sound recording engineer |
Derek Sample | ... | adr recordist |
Jan Wouter Stam | ... | production sound |
Roberto van Eijden | ... | production sound |
Seppe van Groeningen | ... | boom operator |
Special Effects by
Jan Bernotat | ... | animatronic engineer |
Michael Geissler | ... | animatronic engineer |
Clive R. Kay | ... | special effects contact lenses |
Franziska Loeding | ... | special effects |
Harald Rüdiger | ... | special effects supervisor (as Harald Ruediger) |
Daniel v. Volckamer | ... | animatronic engineer |
Waggi von Seidlein | ... | animatronic engineer |
Harry Wiessenhaan | ... | rain effects (as Harrie Wiessenhaan) |
Visual Effects by
Dawn Bowery | ... | digital compositor |
Mark Buschbacher | ... | film scanning recording: POP film |
Michelle Butler | ... | production coordinator: SBS |
John Carey | ... | compositing supervisor |
Wade Childress | ... | visual effects cameraman |
Jeffrey Cilley | ... | recording technician |
Thomas Clary | ... | production manager: POP film |
Michael Cooper | ... | executive in charge of production: EFILM |
Mitch Enzmann | ... | motion control operator |
Scott Gordon | ... | computer graphics supervisor |
John Grower | ... | visual effects supervisor |
Eric Guaglione | ... | animation director: pre-production: SBS |
Diane Holland | ... | visual effects producer |
Clark James | ... | creature animator: Santa Barbara Studios (as Jim L. Clark) |
Arthur Jeppe | ... | digital artist: Santa Barbara Studios |
Bruce Jones | ... | visual effects executive producer |
Michael Kaelin | ... | technical assistant: SBS |
Stéphane Keller | ... | visual effects |
Greg Kimble | ... | digital optical supervisor: POP film |
Scott Liedtka | ... | technical director |
Kenneth Littleton | ... | digital effects supervisor: POP Film |
Oliver Woody Lloyd | ... | roto and paint artist |
Peter Lloyd | ... | visual effects art director |
Jason MacLeod | ... | system engineer |
Brandon McNaughton | ... | digital effects compositor: POP Film |
Andrew Mumford | ... | digital artist: wolfcam effects |
Micheal Thomas Parks | ... | animator: computer graphics werewolf (as Micheal Parks) |
Matt Rhodes | ... | custom software |
Kathi Samec | ... | systems manager: SBS |
Robert Scopinich | ... | digital compositor |
James Straus | ... | animation director (as James Satoru Straus) |
Jon Tanimoto | ... | digital compositor |
Lucy Taylor | ... | digital compositor |
Peter G. Travers | ... | lead technical director |
Yon Van Kline | ... | visual effects editor: Santa Barbara Studios |
Bobby Vignato | ... | digital artist: wolfcam effects |
Nicholas Waller | ... | visual effects script supervisor |
Bruce Walters | ... | visual effects supervisor |
Kelly Wilcox | ... | animator: computer graphics werewolf |
Lance Wilhoite | ... | roto and paint artist / visual effects compositor |
Adam Howard | ... | visual effects animator (uncredited) |
Stephen Sobisky | ... | project manager: Viewpoint Datalabs (uncredited) |
Stunts
Joel Bissen | ... | stunts |
Richard Bradshaw | ... | stunts (as Richard Bradshow) |
Jörgtom Buttelmann | ... | stunts |
Willem de Beukelaer | ... | stunts (as Willem De Beukelaar) |
Gil Demurger | ... | stunt coordinator |
Roland Goddijn | ... | stunt performer |
Dave Holland | ... | stunt coordinator (as David Holland) |
Mireille Huisman | ... | stunt double |
Martin Lader | ... | stunts |
Philippe Lebreton | ... | stunts |
Tony Lucken | ... | stunts (as Anthony Lucken) |
Marco Maas | ... | stunts |
Karin Marié | ... | stunts |
Stuart St Paul | ... | supervising stunt coordinator |
Michiel Versprille | ... | stunt double |
Malcolm Weaver | ... | assistant stunt coordinator |
Diana Wiersma | ... | stunts |
Harry Wiessenhaan | ... | stunt coordinator (as Harrie Wiessenhaan) |
Rick Wiessenhaan | ... | stunt coordinator |
Karin Marié | ... | stunt double: Julie Delpy (uncredited) |
Camera and Electrical Department
Benny Ashoff | ... | assistant camera |
Ruzbeh Babol | ... | clapper loader: Amsterdam |
Edwin Bakker | ... | electrician: Amsterdam |
Valerie Blom | ... | best girl |
Daniel Bussmann | ... | focus puller: Amsterdam |
Nina Bussmann | ... | clapper loader: Amsterdam |
Guillaume De Esteban | ... | assistant electrician |
Patrick de Ranter | ... | steadicam operator |
Gilbert Degrand | ... | electrician |
Pierre Dermience | ... | electrician |
Chris Foxwell | ... | assistant electrician: Amsterdam |
Steve Galle | ... | 2-D camera match mover |
Laurens Hessels | ... | electrician: Amsterdam |
Daniel Koppelkamm | ... | steadicam operator |
David Norris | ... | camera operator: Wescam camera, New York |
Michel Revest | ... | underwater assistant camera |
Erwin Roodhart | ... | camera operator: second unit / gaffer |
Roland Savoye | ... | underwater camera operator |
Mark Sayer | ... | assistant electrician: Amsterdam (as Mark Sajer) |
Roger Simonsz | ... | additional camera operator / camera operator: Amsterdam / director of photography: second unit |
Ido Stuit | ... | assistant electrician: Amsterdam (as Ido Stult) |
Carlo Thiel | ... | focus puller |
Hugo Van Baren | ... | grip: Amsterdam (as Hugo van Baron) |
Johan van Steen | ... | gaffer: Amsterdam |
Anthony Waller | ... | camera operator |
Egon Werdin | ... | camera operator |
Jörg Widmer | ... | camera operator: "b" camera / director of photography: Amsterdam (as Joerg Widmer) / director of photography: second unit / steadicam operator |
Dennis Wielaert | ... | assistant grip: Amsterdam |
Animation Department
Darren Lurie | ... | animator |
Micheal Thomas Parks | ... | animator (as Micheal Parks) |
James Straus | ... | animation director (as James Satoru Straus) |
Mark Wendell | ... | computer animation: Eiffel Tower animation |
Casting Department
Isabelle Constantini | ... | casting: Luxemburg |
Patrick Maurin | ... | casting: Paris |
Costume and Wardrobe Department
Marga Bakker | ... | wardrobe: Amsterdam |
Diana Dean | ... | additional wardrobe (as Diana Reimann) |
Cynthia Dumont | ... | associate costume design |
Françoise Meyer | ... | wardrobe |
Uli Simon | ... | wardrobe |
Jantien Wijker | ... | costume consultant: Amsterdam |
Location Management
Marie Barré | ... | assistant location manager: Paris (as Marie Barre) |
Michel Bazinet | ... | assistant location manager: Paris |
Pascal Charlier | ... | location manager |
Pierre Gralhon | ... | location manager: Paris (as Pierre Grahlon) |
Ernie Karpeles | ... | assistant locations coordinator |
Philip James Morgan | ... | assistant location manager |
Frederic Roeser | ... | location assistant |
Thomas Collignon | ... | location assistant (uncredited) |
Music Department
Paul Andrews | ... | composer: song "Downtime" |
Petr Belohlavek | ... | orchestra coordinator |
Mark Haugh | ... | musician |
Wilbert Hirsch | ... | music producer |
Boris Jojic | ... | orchestrator |
Mario Klemens | ... | conductor |
George Kochbeck | ... | additional music arranger / music producer |
Pavel Kuehn | ... | conductor: choir |
Mitchell Leib | ... | executive in charge of soundtracks |
David Was | ... | music supervisor |
Angie Rubin | ... | music editor (uncredited) |
Script and Continuity Department
Lieve Hellinckx | ... | additional script supervisor |
Sheila McNaught | ... | additional continuity |
Els Rastelli | ... | script supervisor |
Larry Brothers | ... | script revisions (uncredited) |
Neal Purvis | ... | script revisions (uncredited) |
Robert Wade | ... | script revisions (uncredited) |
Transportation Department
Dunja den Drijver | ... | production driver: Amsterdam |
Alain Domínguez | ... | transportation captain: Paris (as Alain Dominguez) |
Graham Johnston | ... | driver |
Sanne Risch | ... | production driver: Amsterdam |
Bart Timmer | ... | production driver: Amsterdam |
Sander van Meurs | ... | production driver: Amsterdam |
Martijn Wuite | ... | production driver: Amsterdam |
Additional Crew
Bob Bellion | ... | financial controller |
Philip J. Brock | ... | effects research & development director |
Toni Pace Carstensen | ... | producer: wolfcam effects |
Al Cerullo | ... | helicopter pilot: New York |
Olivier de Laveleye | ... | rain effects |
Wayne Docksey | ... | animal master |
Laetitia Dom | ... | secretary: Paris |
Tony Dunsterville | ... | key animatronic engineer |
Cathy Dutheil | ... | production coordinator |
Bob Engelsiepen | ... | creative director: wolfcam effects |
Romain Geib | ... | making video director |
Lydia Gonzalez | ... | assistant to producer |
Joachim Grüninger | ... | animatronics prosthetics effects supervisor |
Tania C. Hammond-Adler | ... | production coordinator |
Jez Harris | ... | animatronics prosthetics effects supervisor |
Tripp Hudson | ... | producer: E film |
Karin Jensen | ... | production coordinator: Berlin |
Graham Johnston | ... | production assistant |
Crazy Karim II | ... | foam technician |
Reza Karim | ... | creature sculpturer |
Thomas Kuhnen | ... | werewolf performer |
Rozenn Le Pape | ... | production coordinator |
David Leclery | ... | production assistant: Paris |
Tom Leonard | ... | producer: wolfcam effects |
Tim Leydecker | ... | assistant mould maker |
Dany Leyder | ... | production coordinator |
Peter Lloyd | ... | werewolf designer |
Franziska Loeding | ... | key suit fabricator |
Sheila McNaught | ... | additional script |
Cécilia Mignon | ... | production accountant: Paris (as Cecilia Mignon) |
Ron Moreland | ... | lead technical director |
Fiona Nottingham | ... | production coordinator |
Connie Oettl | ... | foam technician (as Cornelia H. Oettl) |
Sophie Ouds | ... | assistant caterer: Amsterdam |
Caroline Post | ... | caterer: Amsterdam |
Anne Römer | ... | production secretary: Amsterdam (as Anne Roemer) |
Henrik Scheib | ... | workshop coordinator |
Colin Shulver | ... | conceptual illustration prosthetics / key creature sculpturer |
Jean-Luc Simon | ... | production assistant |
Pieter Jan van der Berg | ... | blue screen provider: Screen Service, Amsterdam |
Jor Van Kline | ... | effects editorial |
Paul van Leeuwen | ... | production accountant: Amsterdam |
Jeni Walker | ... | key artwork/hair |
Nicholas Waller | ... | 3-D match move geometry |
Mortimer Warlimont | ... | prosthetic mould maker |
Matthew P. Welker | ... | technical director |
Production Companies
- Hollywood Pictures (presents)
- J&M Entertainment (in association with)
- Cometstone Pictures (in association with)
- Stonewood Communications
- Avrora Media (in co-operation with)
- Delux Productions (in co-operation with)
- Président Films (in co-operation with)
- Propaganda Films (in association with)
- Cometstone Productions
Distributors
- Entertainment Film Distributors (1997) (United Kingdom) (theatrical)
- Buena Vista Pictures (1997) (United States) (theatrical)
- Shochiku-Fuji Company (1997) (Japan) (theatrical)
- Becker Entertainment (1998) (Australia) (theatrical)
- Columbia TriStar Film (1998) (Norway) (theatrical)
- Columbia TriStar Film (1998) (Sweden) (theatrical)
- Concorde Filmverleih (1998) (Germany) (theatrical)
- Metropolitan Filmexport (1998) (France) (theatrical)
- Modi Films International (1998) (India) (theatrical)
- Sony Pictures Releasing (1998) (Spain) (theatrical)
- Amuse Video (1998) (Japan) (video) (laserdisc)
- BMG Video (1998) (Germany) (VHS)
- Becker Home Video (Australia) (VHS)
- Egmont Entertainment (1998) (Finland) (tv)
- Hollywood Pictures Home Video (1998) (United States) (DVD)
- Hollywood Pictures Home Video (1998) (United States) (VHS)
- Hollywood Pictures Home Video (1998) (United States) (video) (laserdisc)
- LK-TEL (Argentina) (VHS)
- Panorama Distributions (1998) (Hong Kong) (video) (laserdisc)
- Pay Per View (1998) (United States) (tv)
- Columbia TriStar Home Video (1999) (Netherlands) (VHS)
- Universum Film (UFA) (2000) (Germany) (DVD)
- Fox Network (2001) (United States) (tv)
- Nelonen (2003) (Finland) (tv)
- Buena Vista Home Entertainment (2004) (Canada) (DVD)
- Celebrity Films (2007) (India) (tv)
- Umbrella Entertainment (2012) (Australia) (DVD)
- Umbrella Entertainment (2012) (Australia) (tv)
- Umbrella Entertainment (2012) (Australia) (video) (VOD)
- Turbine Medien (2017) (Germany) (Blu-ray) (DVD)
- Columbia Tri-Star Films (1997) (Belgium) (theatrical)
- Columbia TriStar Films (1997) (Netherlands) (theatrical)
- Palermo (1998) (Turkey) (VHS)
- Turbine Medien (2022) (Germany) (Ultra HD Blu-ray)
Special Effects
- Santa Barbara Studios (visual effects)
- Magicon (animatronic and prosthetic effects)
- Crawley Creatures and Associates (animatronic and prosthetic effects)
- X.O. Digital Arts (digital matte paintings)
- Viewpoint Datalabs International (models: werewolf and Statue of Liberty)
- ShadowCaster (textures: Statue of Liberty)
- Medialab (model: Eiffel Tower)
- View Studio (digital effects: "Wolfcam")
Other Companies
- Czech Philharmonic Orchestra (music performed by)
- The Prague Philharmonic Choir (music performed by)
- AVID Technology (hardware support)
- Computer Systems (hardware support)
- Digital Equipment Corporation (hardware support)
- Silicon Graphics (hardware support)
- Pacific Ocean Post (additional digital effects services)
- JAC Publicity (unit publicity)
- Screen Service (blue screen: Amsterdam)
- Amsterdam Studio's (studio: Amsterdam)
- The Light Company (lighting equipment: Amsterdam)
- Cineco (laboratory: Amsterdam)
- Studio Luxembourg (studio facilities)
- Solid Sound (sound post-production facilities)
- Kodak Vision (originated on)
- Tenenbaum, Emanuel & Fleer (legal services)
- Media Assurances (production insurance)
- International Film Guarantors (completion guarantee provided through)
- F.I.L.M.S. (production finance)
- Banque Internationale A Luxembourg S.A. (production finance)
- Sumitomo Bank (production finance)
- Rosenfeld, Meyer & Susman (production finance legal service)
- Production International (footage: opera)
- Mix Magic (adr recording: Los Angeles)
- Voice Control (adr recording: Munich)
- Studio Sonodi (adr recording: Paris)
- Travel Pro (travel)
- Woodhall Catering (catering)
- Ministère d'Etat Département de l'Audiovisuel, Luxembourg (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Ville de Luxembourg Administration Communale (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Mairie de Paris (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Citroën Deutschland (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Art Finance Consulting (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Société Nouvelle d'Exploitation de la Tour Eiffel (the producers would like to thank: lighting of the Eiffel Tower)
- Service de la Circulation, Canalisation, Electricité & Eau, Luxembourg (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Police des Routes & Gendarmerie Grand-Ducale (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Ville d'Esch Alzette Administration Communale (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Ville de Metz (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Société Nationale des Chemins de Fer Luxembourgeois (CFL) (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Groupement des Amis du Rail (GAR) (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Syndicat d'Initiative et du Tourisme de la Ville de Luxembourg (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Chateau des Trois Glands (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Lycée Technique des Arts et Metiers (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Amis de la Forteresse de Luxembourg (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Fonds du Logement, Le (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Lycée Technique du Centre (LTC) (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Aciéries Réunies de Burbach-Eich-Dudelange (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Luxlait Association Agricole (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Bank of China, Luxembourg Branch (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Paul Wurth (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- InnSide Residence Hotel (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- CODECA (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Fondation J.-P. Pescatore (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Bridi's Journal (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Protection civile de Luxembourg (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Grohl (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Duscholux (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Hospilux (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Miemo (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Salewa (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- IKEA Deutschland (the producers would like to thank: for their help in the making of "An American Werewolf in Paris")
- Comet Film Produktion GmbH (additional production services)
- ARRI (cameras and lenses)
- ARRI (electrical equipment)
- Dolby Digital (in selected theatres)
- EFILM (recording)
- Hollywood Records (soundtrack)
- Howard Schwartz Recording (adr recording: New York)
- Motion Picture Association (MPA) (# 35147)
- Smécky Studios (music recorded at)
- The Audio Factory (music mixed at)
- The Audio Factory (music recorded at)
Storyline
Plot Summary |
The daughter of the werewolf from AWIL is alive and living in Paris where her mother (from the first film) and stepfather are trying to overcome her lycanthropic disease. A trio of American tourists on a thrill seeking trip around Europe manage to stop her from plunging to her death from the top of the Eiffel tower and are embroiled in a horrific but often hilarious plot involving a secret society of werewolves based in the city and a drug which allows werewolves to change at any time... This time there's no need for a full moon...
Written by Ben Jewitt |
Plot Keywords | |
Taglines | Things are about to get a little hairy. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Official Sites | |
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Box Office
Budget | $22,000,000 (estimated) |
Did You Know?
Trivia | Julie Delpy now admits that the only reason she made the film was to pay her rent. See more » |
Goofs | When Andy bungee jumps off the Eiffel Tower, he hits his head on the rebound. If he had rebounded back from where he was shown, it would have smashed his skull to pieces and killed him instantly. See more » |
Movie Connections | Featured in The Postman/Mr. Magoo/Jackie Brown/An American Werewolf in Paris/Afterglow/The Education of Little Tree (1997). See more » |
Soundtracks | Daphnis and Chloe See more » |
Quotes |
Andy McDermott:
So... hey you guy's are werewolves too, huh? Super glad to know you. Claude: Andy, I don't think you have accepted the gift that has been given to you, or much less appreciated it. We have a mission, Andy. To purify the world that why we pick our victim's from the scum of society. The governments of the world spend billions on medicine, welfare, charity to what effect? It only keeps alive, the weak, the stupid, the lazy, who breathe and multiply, weakening the human race. All my men I have chosen for their loyalty their dedication to the coming age. But you... you were not to have been. You're an accident, an anomaly. I do not wish to kill you. I pray you will join is in our rise to become the new mankind. Pure free of disease free from the trappings of technological advance, will you join us... Andy? Andy McDermott: I don't know. You know that's a big decision. I'm gonna need some time to think about that. Claude: Sure. See more » |