Dark City (1998)

Note des utilisateurs:

7.8/10   

Réalisateur:

Alex Proyas

Writers (WGA):

Alex Proyas (story)
Alex Proyas (screenplay) ...

Release Date:

27 février 1998 (USA)

Genre:

Crime | Mystery | Sci-Fi | Thriller

Accroche:

They built the city to see what makes us tick. Last night one of us went off.

Plot:

A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.

Plot Keywords:

Memory | Murder | Soul | Hotel | Night

Awards:

6 wins & 7 nominations

Avis des utilisateurs:

I think Alex Proyas had a stroke of genius in the making of this movie. One of the most original dark sci-fi movies I've seen in a long time.

Ensemble

Rufus Sewell	...	John Murdoch
William Hurt	...	Inspector Frank Bumstead
Kiefer Sutherland	...	Dr. Daniel P. Schreber
Jennifer Connelly	...	Emma Murdoch / Anna
Richard O'Brien	...	Mr. Hand
Ian Richardson	...	Mr. Book
Bruce Spence	...	Mr. Wall
Colin Friels	...	Det. Eddie Walenski
John Bluthal	...	Karl Harris
Mitchell Butel	...	Officer Husselbeck
Melissa George	...	May
Frank Gallacher	...	Chief Insp. Stromboli
Ritchie Singer	...	Hotel Manager / Vendor
Justin Monjo	...	Taxi Driver
Nicholas Bell	...	Mr. Rain

Autre(s) titre(s):

Dark Empire (USA) (working title)
Dark World (USA) (working title)
Dark City (Belgium: French title) (France) [fr]
Cité obscure (Canada: French title) [fr]

MPAA:

Rated R for violent images and some sexuality.

Durée:

100 min | 111 min (director's cut)

Pays:

Australia | USA

Langue:

Anglais

Couleur:

Couleur

Aspect Ratio:

2.35 : 1

Son:

Dolby Digital | SDDS | DTS

Classification:

Iceland:16 | Canada:13+ (Quebec) | Canada:14A (Alberta/British Columbia) | Canada:18 (Nova Scotia) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Spain:18 | South Korea:15 (original rating) | South Korea:18 (DVD rating) | USA:Not Rated (director's cut) | Argentina:16 | Australia:M | Brazil:14 | Chile:18 | Finland:K-16 | France:-12 | Germany:16 | Hong Kong:IIB | Netherlands:16 | New Zealand:M | Norway:15 | Portugal:M/12 | Singapore:NC-16 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R (certificate #34966)

Emplacements De Pelliculage:

Fox Studios, Moore Park, Sydney, New South Wales, Australia

Company:

Mystery Clock Cinema

Anecdotes:

The name of Kiefer Sutherland's character, Daniel Schreber, is the same as that of a man who wrote a book titled "Memoirs of My Nervous Illness" during the heights of a period in which he was institutionalized for schizophrenia. The book has become a standard reading for many psychiatrists and psychologists, and many of the theories of both Sigmund Freud and Carl Gustav Jung were based on it (Freud never actually met Schreber, though). "Dark City" borrows heavily from the concept of "fleetingly-improvised men" which are found within Schreber's "Memoirs".

Goofs:

Continuity: After John uses his 'tune' to force the Automat slot open to get his wallet, the broken spring and lever for the food slot fall in. When it cuts to a close-up of his hand taking the wallet, the broken spring is gone.

Guillemet:

[first lines]
Dr. Schreber: [voiceover] First there was darkness, then came the strangers.

Movie Connections:

References Repo Man (1984)

Soundtrack:

Sway

I think Alex Proyas had a stroke of genius in the making of this movie. One of the most original dark sci-fi movies I've seen in a long time.

John Murdoch (Rufus Sewell) wakes up in an eerie hotel, naked and in the bathtub, with no memories and blood on his forehead. (I couldn't imagine a more strange and frightening experience.) The ring of the hotel phone breaks the silence-- a strange man on the other end tells him he must leave because there are people looking for him. Many events such as this one unfold in Dark City, where "man has no past... and humanity has no future".

Dark City has been passed over by so many critics it's depressing. I think that it should at least have been up for "original screenplay" or SOMETHING at the Oscars to reward Alex Proyas for his fantastic vision. I fail to see why so many people label this movie "noir" like it's BAD or something. Being dark and twisted is not a crime, and despite some other people's comments, this movie is NOT just for the trenchcoat-wearing masses (or if it is, maybe the rest of you can learn something from Goths). If you like sci-fi, dark plots and having reality be so well distorted that you don't realize it IS, so you will love Dark City. (People who have seen the Matrix BEFORE this movie MUST see it, it is very similar in these three respects).

I gave it a 9 out of 10 ONLY because I thought the ending fight scene was a bit weak. Great for a fight scene, but because the rest of the movie focuses on John Murdoch's quest to discover his past and the eerie, ominous happenings in the city, the climax seemed hastily thrown together, as if the crew all of a sudden remembered they had a deadline to meet and could no longer continue the plot in the previous fashion.

The visuals in this movie were absolutely stunning. The effects were NOT used to substitute for the plot, like other movies such as Starship Troopers, Lost in Space and Alien: Resurrection. They were used only as needed and were breathtaking. The editing is NOT as choppy as is rumored, it only lends to the power of the movie. There are some heart-stopping images in Dark City. Watch for the Strangers' clock, views of the city and John's memories.

Proyas takes ideas and ambience from many other movies but integrates them all neatly into Dark City. Gotham City is clearly seen as is Metropolis and other influences such as Ed Hopper's "Nighthawks" dominate in the diner scenes. The forty-ish era (yet strangely futuristic) city is known to be populated, and yet it is ominously empty (hence one of Hopper's main themes, isolation in large cities). (It's especially quiet at midnight, hehehehe... ;D ) This 40's era ambience together with the sci-fi fantasy undercurrent makes for a very interesting feeling while watching.

I'm happy that Kiefer Sutherland, Richard O'Brien (of Rocky Horror fame) and William Hurt agreed to do this movie, it gave Dark City just that much more validation in the USA (I wish things weren't like this, but they are). Kiefer Sutherland is absolutely wonderful and convincing as the doctor/scientist Dr.Schreber, and Rufus Sewell is a properly confused yet determined John Murdoch. Many critics say that William Hurt's character, the detective, and Jennifer Connelly's Emma Murdoch could have used a little more development, but I think part of the point of Dark City was that you don't really know who people are (not to mention yourself). Richard O'Brien and his character's whole race creep me out every time I see the movie, but he's especially frightening and a strange character. I had to resist the urge to talk like a Stranger after seeing the movie a few times.

Trevor Jones, one of my favorite movie composers, did the score for Dark City, and I must say it's very apropo. The deep, bass vocals and frantic themes are some of my favorite aspects, but "Memories of Shell Beach" is a haunting, beautiful song as well. Some of my other favorite scores by him are the Dark Crystal and Last of the Mohicans.

Altogether, I think Alex Proyas had a stroke of genius in the making of this movie. One of the most original dark sci-fi movies I've seen in a long time. It deserves its place with the Matrix, 12 Monkeys and others, pioneers in a field so changed (usually for the worse) since Star Wars and since earlier sci-fi classics. I hope these won't be the last of a (dare I say it?) dying race of movies that have true creativity and originality.