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Vue d'ensemble
Note Générale:
Réalisateur:
Scénariste:
Michael Haneke (writer)
Date de sortie:
11 mars 1998 (USA) suite
Accroche:
Ein Alptraum. suite
Intrigue:
Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement. full summary | add synopsis
Récompenses:
4 wins & 5 nominations suite
Avis des utilisateurs:
Two realities put into one plus de (245 total)
Ensemble
(Casting officiel complet) | Susanne Lothar | ... | Anna |
 | Ulrich Mühe | ... | Georg |
| Arno Frisch | ... | Paul |
| Frank Giering | ... | Peter |
| Stefan Clapczynski | ... | Schorschi |
| Doris Kunstmann | ... | Gerda |
| Christoph Bantzer | ... | Fred |
| Wolfgang Glück | ... | Robert |
| Susanne Meneghel | ... | Gerdas Schwester |
| Monika Zallinger | ... | Eva |
Détails supplémentaires
Parents Guide:
Durée:
108 min
Pays:
Couleur:
Rapport de forme:
1,85 : 1 suite
Son:
Classification:
Iceland:16 | Hungary:18 | Italy:T | Brazil:16 | Argentina:18 | Australia:R | Chile:18 | Finland:K-16 | France:-16 (with warning) | Germany:18 | Hong Kong:III | Japan:R-15 | Netherlands:16 | New Zealand:R18 | Norway:15 | Portugal:M/18 | Singapore:R(A) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:18 (canton of Geneva) | Switzerland:18 (canton of Vaud) | UK:18 | USA:Unrated | Singapore:PG (re-rating)
Lieux de tournage:
Société:
Curiosités
Anecdotes:
When the film was screened at Cannes in 1997 it shocked the audience badly enough that many viewers, including some film critics, walked out of the screening. suite
Goofs:
Equipe ou équipement visible: When Anna and Georg are driving in their car, a reflection of a microphone between the front seats can be seen on the window. suite
Guillemet:
[first lines]
[subtitled version]
Anna:
Björling... Suliotis?
Georg:
Almost. Björling is easy.
suite
Connexions De Film:
Références "Wetten, dass..?" (1981) suite
Bande son:
Cara Salva suite
foire aux questions
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| Funny Games U.S. | The Girl Next Door | Babel | The Last House on the Left | Caché |
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Liens liés
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Crime section | IMDb Autriche section | Add this title to MyMovies |
Mr Haneke seems to love observing family member characters dealing with extreme situations. On one hand we have a typical family which one could call civilized, and on the other hand two young violent sadists. The two worlds are opposed to each other, but then in reality they meet everyday in every part of the world. Their difference is the difference of classical music and black metal (both musical styles can be listened in this movie)...But yet, what is the difference of a normal humorous pretty bomber pilot with Paul and Fatty? They both guarantee a fatal sadistic without hope end. Maybe some people have these realities inside them too. Yet Mr Haneke did not present the beauty of violence as Hollywood movies would (mainstream or Tarantino), nor he directed an hymn to violence as it is clearly seen in "Clockwork orange". The "normal" watcher sympathizes the normal family. On the contrary in real life situation, maybe reading through a newspaper or watching TV, he would feel sympathy for them for 5 minutes. The power of "evil" is presented unquestionable. No hope can survive, even time rewinds and cannot beat the violent (re)actions of these young monsters. The personalities of Paul and Fatty are very interesting as in the end they express some questionable pseydophilosophies. What's their difference again with Nazis and current aggressive wars? Maybe this is a reference to Chaplin's "Monsieur Verdoux"... The movie can also be seen through the "shocking effect" theory. We question the strength of the family especially father’s protectiveness, but we miss the point that in reality people with normal lifes become easily victims, one can say they are conformists. The shock is less intense for a person who lives an abnormal life and is ready to protest against violence... The actors perform excellently. One must be ready for a "disturbing" movie no happy end, no cheap Hollywood violin music, no Deus ex machina, but as it was written above this is an every day incident...We cannot expect from people who are hypnotized all their lifes by "happy endings and superheroes" to credit this movie.