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Vue d'ensemble
Note Générale:
Réalisateur:
Scénaristes (WGA):
Mark Andrus (story)
Mark Andrus (screenplay) ...
suite
Date de sortie:
25 décembre 1997 (USA) suite
Accroche:
Brace yourself for Melvin. suite
Intrigue:
A single mother/waitress, a misanthropic author, and a gay artist form an unlikely friendship full summary | add synopsis
Récompenses:
Won 2 Oscars. Another 23 wins & 25 nominations suite
Avis des utilisateurs:
How to create something out of nothing? Ask Mark Andrus and Jim L. Brooks plus de (401 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| Jack Nicholson | ... | Melvin Udall | |
| Helen Hunt | ... | Carol Connelly | |
| Greg Kinnear | ... | Simon Bishop | |
| Cuba Gooding Jr. | ... | Frank Sachs | |
| Skeet Ulrich | ... | Vincent Lopiano | |
| Shirley Knight | ... | Beverly Connelly | |
| Yeardley Smith | ... | Jackie Simpson | |
| Lupe Ontiveros | ... | Nora Manning | |
| Jill the Dog | ... | Verdell (as Jill) | |
| Timer the Dog | ... | Supporting Dog (as Timer) | |
| Billy the Dog | ... | Supporting Dog (as Billy) | |
| Bibi Osterwald | ... | Neighbor Woman | |
| Ross Bleckner | ... | Carl | |
| Bernadette Balagtas | ... | Caterer | |
| Jaffe Cohen | ... | Partygoer |
Détails supplémentaires
Autre(s) titre(s):
Old Friends (USA) (working title)
suite
MPAA:
Rated PG-13 on appeal for strong language, thematic elements, nudity and a beating.
Parents Guide:
Durée:
139 min
Pays:
Langue:
Couleur:
Couleur (Technicolor)
Rapport de forme:
1,85 : 1 suite
Son:
SDDS | DTS | Dolby Digital
Classification:
Philippines:PG-13 | Argentina:13 | Australia:M | Austria:6 | Belgium:KT | Brazil:Livre | Canada:G (Quebec) | Canada:PG | Chile:TE | Finland:K-12 | France:U | Germany:6 (bw) | Hong Kong:IIA | Iceland:L | Italy:T | Mexico:B | Netherlands:12 | Norway:11 | Portugal:M/12 | Singapore:PG | South Korea:15 | Spain:T | Sweden:11 | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:15 | USA:PG-13 (certificate #35079) (re-rating on appeal) | USA:R (original rating)
Lieux de tournage:
1 Windsor Place, Prospect Park, Brooklyn, New York City, New York, USA suite
Société:
Curiosités
Anecdotes:
The couple Melvin insults at the restaurant in the beginning of the movie are played by Peter Jacobson and Lisa Edelstein, who would go on to star together in the TV show "House M.D." (2004). suite
Goofs:
Audio/Video non synchronisé: When Carol tells Melvin that he can bring the dog into the restaurant, her mouth isn't moving. suite
Guillemet:
Simon Bishop: If you stare at someone long enough, you discover their humanity. suite
Connexions De Film:
Référencé sur La donna lupo (1999) suite
Bande son:
CLIMB ON (A BACK THAT'S STRONG) suite
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Liens liés
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Really, how to make something original, fresh and odd out of absolutely nothing except a few characters? Using characters, only characters and nothing except characters. That's the simple formula Brooks uses in all of his work, but, for me, he has never created so much charm, warmth and sensibility as he did in `As good as it gets'.
Characters write the screenplay in this movie, and everything that happens - happens because of what they are. They are nothing special they are ordinary people we meet in the street every day and that have the same problems a lot of other people have. This movie presents the example of how much you can pull out of that. And if that is written as well as it is in this case, not even a happy ending can bother you. Because, in real life, shown here, what is the end?
Everything is good and warm in this movie, everything is fresh and vivacious, understandable and well performed. Jack Nicholson brings one of the best performances of his career, that terrific Helen Hunt finally got a chance to show how skilfully an actor can connect naturalism with the laws of the camera performance, and Greg Kinnear shows the most convincing emotions coming from a gay character I've ever seen.
The relationships between the characters are created in the way that you can't predict anything that's going to happen, eventhough you know in advance what could come out of their mouth and what kind of attitude they'll have in a certain situation.
You can simply feel the progressive collaboration that occurred between Brooks and the actors and the mutual understanding they developed, and it's not often that you see that kind of artistic superstructure shining on the screen so much as it does here.
I find `As good as it gets' complexed, vital, intelligent, emotionally deep and studied, fresh, original, amusing, cheerful, funny, and one of the best films of 1997.