Amazon.com video review:
Todd McFarlane's Spawn
Adult, stylish, and more than a
little
mean, this full-length animated tale has one very strong thing going for
it--it knows how to milk "cool." The animation is superior to anything
recently devoted to a superhero...or super-antihero, in this case. Al
Simmons was a government assassin before he was burned to death and sent to
hell (plot summary's starting out nicely, isn't it?). After making a
particularly bad deal with the devil--to lead Satan's dark armies in
exchange for seeing his wife again--Spawn is let loose upon the world. He
immediately whacks three mob hit men, making his presence known and getting
himself into all sorts of trouble. Spawn is also visited by the Clown, an
obese, disgusting Beatrice, guiding our third-degree-burned Dante through
this hellish, topside world. There are other nasty characters, but in this
first segment a very gratuitous inclusion of a child murderer goes too far
for even this mature fare. Spawn isn't fun; there's very little joy in any
of this. But the point isn't fun--it's brutal, adult-comic style. And
there's plenty of it. --Keith Simanton
Todd McFarlane's Spawn 2
From the mind of comic-book maestro
Todd McFarlane comes the second season of episodes of the animated
Spawn. Highly stylized animation and provocative story lines make
Spawn a sophisticated cartoon sometimes more appropriate for older
audiences. Murder victim Al Simmons has returned from hell to earth as a
"hellspawn," a soldier for the army of darkness sent to collect more souls
for hell. In these episodes, Spawn meets the man who assassinated him and
becomes suspicious of the organization that ordered him killed. Jason Wynn,
the leader of the group, plans to sell weapons of mass destruction
stolen from the military. Spawn's former wife, Wanda, has since remarried
Terry Fitzgerald, with whom Spawn must reconcile. Terry is hot on the trail
of the missing arms, and Wynn and his assassins, including the highly
trained Merrick, set out to kill Terry, Wanda, and their daughter, Cyan.
Spawn foils the plot while realizing the hard truth that Wanda has a new
life. --Shannon Gee
Spawn 3: The Ultimate Battle
The third chapter of this
compelling HBO miniseries answers a number of questions--namely, who is the
omnipotent old man who hides in the shadows and why is the mysterious Asian
reporter (Jade) investigating the alley murders? Spawn has reached a
crossroads, and he must choose between the forces of darkness and light.
But it's not clear-cut: Al (Spawn) must deliberate over the seemingly minor
differences that separate heaven and hell in his world. As a former
assassin for the NSA, he "opened the eyes of hell" with his iniquitous
deeds of depravity; therefore, his journey to hell was preordained. But this
particular section of the series intriguingly asks, What if you had no
choice, and killing was not just the only way out of a squeeze but was also
your fate? Intellectual stuff, indeed. But as with the rest of the series, a
profound metaphysical puzzle is brought to the fore without justifying it
with an answer. It's frustrating, but also keeps you firmly planted in your
chair, pondering conundrum after conundrum. --Jeremy Storey
Amazon.com video review: After being murdered for quitting his role as a ruthless yet moral government assassin, Al Simmons (Michael Jai White) is sent to Hell, where he makes a pact with the demon Malebolgia--if Simmons is allowed see his lover, Wanda, again, he will agree to lead the demon's armies to storm the gates of Heaven. Transformed into a superhuman entity with shape-shifting powers and quick regeneration capabilities, Simmons (soon to be dubbed "Spawn" by Malebolgia's crony, The Violator) returns to Earth and attempts to reunite with Wanda, not knowing that five years have passed. He also seeks revenge on his former boss and killer, Jason Wynn (Martin Sheen), who has made a deal with The Violator to develop a lethal virus to take over the world, where Wynn is promised to be king.
Spawn wages an inner battle between good and evil as he tries to come to terms with selling his soul and what it could mean for humankind. Despite excellent effects and great potential, Spawn seems to come up short. While White certainly displays verve in his characterization of the twisted hero, he cannot overcome some forced dialogue. On the flip side, the usually engaging John Leguizamo portrays the sinister Violator--an evil monster masquerading as a rotund, weird-looking clown--as an irritating lackey who spews overbearing sarcasm and incessantly banal one-liners. Admitted, many of Spawn's action sequences are fun, and the transitions effectively brisk, but more could have been done to explore how Simmons grapples with his humanity in these daunting circumstances. But if you want sizzling action sequences and digital effects, this film should keep you happy. --Bryan Reesman