The Truman Show (1998)

Note Générale:

8,0/10   

Réalisateur:

Peter Weir

Scénariste (WGA):

Andrew Niccol (written by)

Date de sortie:

5 juin 1998 (USA)

Genre:

Drame | Science-Fiction

Accroche:

All the world's a stage...

Intrigue:

An insurance salesman/adjuster discovers his entire life is actually a TV show.

Plot Keywords:

Island | Hidden Camera | Infiltration | Revolving Door | Escape

Récompenses:

Nominated for 3 Oscars. Another 29 wins & 34 nominations

Avis des utilisateurs:

An unassuming film that is thought provoking on so many levels, well acted and thoroughly enjoyable however you come to it

Ensemble

Jim Carrey	...	Truman Burbank
Laura Linney	...	Meryl Burbank / Hannah Gill
Noah Emmerich	...	Marlon
Natascha McElhone	...	Lauren / Sylvia
Holland Taylor	...	Truman's Mother
Brian Delate	...	Truman's Father
Blair Slater	...	Young Truman
Peter Krause	...	Lawrence
Heidi Schanz	...	Vivien
Ron Taylor	...	Ron
Don Taylor	...	Don
Ted Raymond	...	Spencer
Judy Clayton	...	Travel Agent
Fritz Dominique	...	Truman's Neighbor
Angel Schmiedt	...	Truman's Neighbor

MPAA:

Rated PG for thematic elements and mild language.

Durée:

103 min

Pays:

USA

Langue:

Anglais

Couleur:

Couleur

Rapport de forme:

1,37 : 1

Son:

DTS | Dolby Digital

Classification:

Brazil:Livre (DVD rating) | Philippines:PG-13 | South Korea:12 | USA:PG (certificate #34959) | Argentina:13 | Australia:PG | Belgium:KT | Brazil:12 | Chile:TE | Denmark:11 | Finland:K-12/9 | France:U | Germany:12 (bw) | Hong Kong:I | Iceland:L | Ireland:PG | Mexico:A | Netherlands:12 | Peru:PT | Portugal:M/12 | Singapore:PG | Spain:T | Sweden:11 | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:PG

Lieux de tournage:

Florida, USA

Société:

Paramount Pictures

Anecdotes:

The film is shot with an aspect ratio of 1.85:1. This is close to the 1.78:1 ratio of HDTV, but way below normal 2.25:1 for standard modern movies. So the aspect ratio is more cinematic than HDTV, but only just. This makes the movie look more like TV than film.

Goofs:

Erreurs dans la géographie: The 'set' is supposed to be right behind the Hollywood sign/hills, but in the satellite view, the set is in the southeast LA region, 20 miles from the Hollywood sign.

Guillemet:

[first lines]
Christof: We've become bored with watching actors give us phony emotions. We are tired of pyrotechnics and special effects. While the world he inhabits is, in some respects, counterfeit, there's nothing fake about Truman himself. No scripts, no cue cards. It isn't always Shakespeare, but it's genuine. It's a life.

Connexions:

Référencé sur "Jeopardy!: 2005 Ultimate Tournament of Champions Round 1, Game 37 (#21.149)" (2005)

Bande son:

Piano Sonata No. 11 in A Major (K. 331) (300): Third Movement: 'Alla Turca'

An unassuming film that is thought provoking on so many levels, well acted and thoroughly enjoyable however you come to it

Truman Burbank is an ordinary guy in an ordinary little seaside town of Seahaven Island where nothing really happens. Everything is clean, everything is perfect, he knows people but never really connects to anyone. The one woman he ever really loved is not his wife and has long since left for the other side of the world where he longs to visit but feels he can never go. Paralysed by his fear of water since seeing his father die on a boating accident, Truman still feels he is missing something. A strange light falling from the sky, a man who reminds him of his dead father, a strange radio broadcast and the feeling that the world really stops when he shuts his eyes all combine to make him feel something is wrong – but what is it that he seeks but feels he cannot find?

When I first saw this film it was with my girlfriend (who would then become my wife, then ex-wife!) and I remember how she and our friends felt a little bit cheated by the film that they had expected to be yet another wacky Jim Carrey comedy. In fairness to her and the others, it was easy to do this at the time – who would have thought that Jim Carrey would be able to act – certainly not the marketing department that sold this film on the basis of it being a hilarious film as opposed to the thoughtful and rewarding film it turned out to be. The plot can be viewed on so many levels that it is honestly easier to leave it to each viewer to take what they will from it. On the most obvious level it satirises the media, the emotional façade of television and (the increasingly relevant) look at reality shows. To others it will say as much about God, the empty drone of life and the things that we all desire. Of course to others it will just be a comedy with general comments to make – and there is nothing wrong with that whatsoever; in fact the multi-level approach works to make it appeal to many audiences.

Starting as a comedy, I am always taken by how well the film moves to become more and more interesting but yet never loses sight of those audience members who have come for the basic story. Hence it delivers an enjoyable and engaging central narrative that, plainly put, makes for a comic and involving yarn – we grow to care for Truman and this makes the ending an emotional and satisfying one even if some viewers will bemoan the fact that (to them) it appears 'open ended'. That it is also a very thought-provoking affair is only a bonus, with the satire working on many levels. Of course by seeming to tackle so many subjects and issues in such a short running time, the film never really gets its teeth deep into any one of them but this is not a major problem because it leaves us to do that in our heads after the film finishes.

The cast is roundly superb even if the majority of them are in minor roles. Of course it is easy now to look back at Carrey and accept that he can act straight but at the time it seemed so unlikely and few felt it was a good casting choice. Of course, seeing the end result it is clear that he can and he delivers such a great performance that he really makes the film work.

He is comic but yet serious, sympathetic but not worthy of pity – it is a great delivery and one that basically meant that I now look at his Ace Ventura stuff as the 'other' category and see his acting as his real work (6 years ago that was vice versa). Carrey carries the film, being on screen for almost the entire film but he has good support from Linney, Emmerich, Krause and others who play it well despite being stuck in the necessary stiff and unreal roles. The controller etc roles are all well played and feature a collection of well known faces including a great support role from Harris through to roles for Giamatti, Shearer, Baker Hall and a few others. It may be Carrey's show but the support certainly helps.

Overall this is a great film that can be appreciated as much for what it is on the surface (a great little comic story) as it can for the issues that it hints at all the time. There was a time when some viewers may have looked to a Carrey film to be a load of mugging an crude, basic laughs but this was the film that saw that change. Thought provoking, funny, entertaining, short, enjoyable and well acted throughout – well worth seeing and well worth coming back to several times.