Wag the Dog (1997)

Note des utilisateurs:

7.0/10   

Réalisateur:

Barry Levinson

Writers (WGA):

Larry Beinhart (book)
Hilary Henkin (screenplay) ...

Release Date:

9 janvier 1998 (USA)

Genre:

Comedie | Drame

Accroche:

A Hollywood producer. A Washington spin-doctor. When they get together, they can make you believe anything.

Plot:

Before elections, a spin-doctor and a Hollywood producer join efforts to "fabricate" a war in order to cover-up a presidential sex scandal.

Plot Keywords:

Hollywood | Scandal | Cover Up | Albania | Death

Awards:

Nominated for 2 Oscars. Another 2 wins & 12 nominations

Avis des utilisateurs:

Short & sharp satire on media manipulation

US TV Schedule:

Thur. July 9

8:00 AM

FX

Ensemble

Dustin Hoffman	...	Stanley Motss
Robert De Niro	...	Conrad Brean
Anne Heche	...	Winifred Ames
Denis Leary	...	Fad King
Willie Nelson	...	Johnny Dean
Andrea Martin	...	Liz Butsky
Kirsten Dunst	...	Tracy Lime
William H. Macy	...	CIA Agent Charles Young
John Michael Higgins	...	John Levy
Suzie Plakson	...	Grace
Woody Harrelson	...	Sergeant William Schumann
Michael Belson	...	President
Suzanne Cryer	...	Amy Cain
Jason Cottle	...	A.D.
David Koechner	...	Director

Autre(s) titre(s):

Bite the Bullet (USA) (working title)
Des hommes d'influence (Canada: French title) (France) [fr]

MPAA:

Rated R for language.

Durée:

97 min

Pays:

USA

Langue:

Anglais

Couleur:

Couleur (Technicolor)

Aspect Ratio:

1.85 : 1

Son:

DTS | Dolby Digital | SDDS

Classification:

Canada:14 (Nova Scotia) | Canada:14A (Alberta) | Canada:G (Quebec) | Canada:PA (Manitoba) | Canada:PG (British Columbia/Ontario) | Denmark:11 | Iceland:L | Singapore:NC-16 | South Korea:15 | New Zealand:M | Argentina:13 | Belgium:KT | Chile:14 | Finland:S | France:U | Germany:12 (bw) | Mexico:B | Netherlands:12 | Norway:7 | Portugal:M/12 | Spain:T | Sweden:7 | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:15 | USA:R | Australia:M | Brazil:18

Emplacements De Pelliculage:

Bakersfield, California, USA

Company:

Baltimore Pictures

Anecdotes:

The talk show phone number, [phone], is common to many films and television shows because this is the only number that has been reserved by the phone company as an allowable "fake" 800 number for media usage.

Goofs:

Miscellaneous: At the end of the film, when the Secret Service escorts Stanley to his car, one of the men repeatedly tries to open the car door, but it has been accidentally locked.

Guillemet:

Winifred Ames: So when we touch down tomorrow, Big Bird is going to meet Schumann at the airport, huh?
Stanley Motss: Big mistake, big mistake. You gotta bring them in by stages. Big mistake to reveal Schumann before the election.
Winifred Ames: How so?
Stanley Motss: Sweetheart, Schumann is the shark. Okay? Schumann is Jaws, you know? You have to tease them. You gotta tease them. You don't put Jaws in the first real of the movie. It's the contract, sweetheart. The contract of the election, whether they know it or not, is "Vote for me Tuesday, Wednesday I'll produce Schumann." See, that's what they're paying their seven bucks for.

Movie Connections:

Referenced in Opération lune (2002) (TV)

Soundtrack:

I LIKE THE NIGHTLIFE

Short & sharp satire on media manipulation

During the campaign to re-elect the president of America, an underage sex scandal between a girl scout and the president in the oval office. To divert attention spin doctor Conrad Brean is called in to manage the fall out and hold it off for the 11 days till the election. Conrad employs Hollywood producer Stanley Motss to produce a war in Albania to divert the media away from the real story.

This was made before Clinton was accused of misconduct with Monica Lewinsky and the subsequent re-start of military action in Iraq. This seemed to give it a much greater feel of realism and much more credibility. However even before this happened it was still a very sharp and very good satire on political spin, but also managing to have a dig at Hollywood movie types. The story is told in a very stage-play fashion and is dialogue driven with very funny moments throughout. It's not as terrifying as a real look at media manipulation could be because it chooses to be a comedy instead but it still makes plenty of valid points.

The two leads are excellent at the head of an all-star cast. De Niro manages to be a professor-style character while at the same time having an easily accessible sense of menace just beneath the surface. Hoffman is good sending up Hollywood producers well and drawing parallels between the creation of a film and the creation of political news stories. The cast also has a series of cameos and extended cameos who add both humour and quality to the film - Willie Nelson, Denis Leary, James Belsuhi, William H Macy etc.

Recently in the UK we've had huge problems with spin doctors running the Labour Government - to the extent that 11th September was described as "good" by one as it gave them the chance to bury several bad news stories that they had stored up. And more recently with various Governments' waging a media war to win support their stance regarding military action. This film doesn't make hugely serious points but it does make you think about how the media is used to shape public perception and make us think what those in charge want us to think.

Overall a very funny, very clever satire that has a great cast, the only criticism being that it stretches it's point a little too far with the "old shoe" section.