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Jim Thomas (story) &
John Thomas (story) ...
(suite)
30 juin 1999 (USA) suite
Action | Western | Comedie | Science-Fiction suite
It's a whole new west. July '99. suite
The two best hired guns in the West must save President Grant from the clutches of a 19th century inventor-villain. full summary | add synopsis
10 wins & 11 nominations suite
Just don't take it seriously plus de (610 total)
| Will Smith | ... | Capt. James West | |
| Kevin Kline | ... | U.S. Marshal Artemus Gordon | |
| Kenneth Branagh | ... | Dr. Arliss Loveless | |
| Salma Hayek | ... | Rita Escobar | |
| M. Emmet Walsh | ... | Coleman | |
| Ted Levine | ... | General 'Bloodbath' McGrath | |
| Frederique Van Der Wal | ... | Amazonia (as Frederique van der Wal) | |
| Musetta Vander | ... | Munitia | |
| Sofia Eng | ... | Miss Lippenrieder | |
| Ling Bai | ... | Miss East | |
| Garcelle Beauvais | ... | Belle | |
| Mike H. McGaughy | ... | Big Reb (as Mike McGaughy) | |
| Jerry Wills | ... | Other Reb | |
| Rodney A. Grant | ... | Hudson | |
| Buck Taylor | ... | Cross-Eyed Reb | |
| E.J. Callahan | ... | Mr. Pinkerton | |
| Debra Christofferson | ... | Dora Look-Alike | |
| James Lashly | ... | Reb #1 | |
| Dean Rader-Duval | ... | Reb #2 | |
| Christian Aubert | ... | French Dignitary | |
| Orestes Matacena | ... | Spanish Dignitary | |
| Ian Abercrombie | ... | British Dignitary | |
| Ismael 'East' Carlo | ... | Mexican Dignitary | |
| Bob Rumnock | ... | White House Aide | |
| Gary Cervantes | ... | Dr. Guillermo Escobar (as Carlos 'Gary' Cervantes) | |
| Jerry Potter | ... | George Washington | |
| Jerry Potter | ... | George Washington | |
| Mik Scriba | ... | Guard | |
| Michael Sims | ... | Prof. Thaddeus Morton | |
| reste de la distribution par ordre alphabétique: | |||
| Kris Andersson | ... | Dancer (uncredited) | |
| Joseph J. Dawson | ... | Saloon Roughneck (uncredited) | |
| Angelito Felix | ... | Billy (uncredited) | |
| Phil Hawn | ... | Formal Guest at Masquerade Ball (uncredited) | |
| Scott Hislop | ... | Guest at at Masquerade Ball (uncredited) | |
| Erik Hyler | ... | Dancer (uncredited) | |
| David Lea | ... | Thug with Knife (uncredited) | |
| Benee Leavy | ... | String quartet opening shot of the New Orleans Bowl scene (uncredited) | |
| Tiger Mendez | ... | Mexican Military Attache (uncredited) | |
| Ty O'Neal | ... | Living Portrait (uncredited) | |
| Scott Sandler | ... | Young Joe Finnegan (uncredited) | |
| Brett Schweinfurth | ... | Confederate Soldier (uncredited) | |
| Tom Seiler | ... | Southern Colonel (uncredited) | |
| J. Nathan Simmons | ... | Railroad Worker (uncredited) | |
| Tracy Weisert | ... | Brothel Girl (uncredited) | |
Réalisé par | |||
| Barry Sonnenfeld | |||
Scénaristes(WGA) | ||
| Jim Thomas | (story) & | |
| John Thomas | (story) | |
| S.S. Wilson | (screenplay) & | |
| Brent Maddock | (screenplay) and | |
| Jeffrey Price | (screenplay) & | |
| Peter S. Seaman | (screenplay) | |
Musique originale | |||
| Elmer Bernstein | |||
Image | |||
| Michael Ballhaus | |||
Montage | |||
| Jim Miller | |||
Distribution des rôles | |||
| Ronna Kress | |||
| David Rubin | |||
Création des décors | |||
| Bo Welch | |||
Direction artistique | |||
| Tom Duffield | |||
Décorateur de plateau | |||
| Cheryl Carasik | |||
Création des costumes | |||
| Deborah Lynn Scott | |||
Maquillage | |||
| Lance Anderson | .... | special makeup: Kevin Kline | |
| Richard Arguijo | .... | mold maker | |
| Pierce Austin | .... | hair stylist: Mr. Smith | |
| Teresa M. Austin | .... | key makeup artist | |
| Nancy Baca | .... | special makeup effects artist | |
| Ken Diaz | .... | makeup artist | |
| Katie Douthit | .... | daily makeup artist | |
| Art Harding | .... | makeup artist | |
| Will Huff | .... | special makeup effects artist | |
| Whitney James | .... | makeup department head | |
| Matthew Kasten | .... | hair stylist | |
| Toby Lamm | .... | beards and mustaches | |
| Lucia Mace | .... | key hair stylist | |
| Clayton Martinez | .... | special makeup effects artist | |
| Sylvia Nava | .... | hair department supervisor: Rick Baker/Cinovation | |
| Christy Ann Newquist | .... | makeup artist | |
| Jolynn Nieto | .... | assistant makeup artist | |
| Yoichi Art Sakamoto | .... | special makeup effects artist | |
| Martin Samuel | .... | chief hair stylist | |
| Bill Sturgeon | .... | special effects makeup foreman | |
| Alicia M. Tripi | .... | hair stylist | |
| Alicia M. Tripi | .... | hair supervisor: second unit | |
| Kazuhiro Tsuji | .... | makeup designer | |
| Phyllis Williams | .... | additional makeup artist | |
| Art Anthony | .... | period beard crew (uncredited) | |
| Rick Bongiovanni | .... | makeup artist: living picture sequence (uncredited) | |
| Donna Cicatelli-Lewis | .... | makeup artist (uncredited) | |
| Richard Davison | .... | makeup effects technician (uncredited) | |
| Tony Gardner | .... | special makeup effects artist (uncredited) | |
| Lori McCoy-Bell | .... | hair stylist (uncredited) | |
| Gabriella Pollino | .... | hair stylist (uncredited) | |
| Craig Reardon | .... | makeup artist (uncredited) | |
| Rick Stratton | .... | assistant makeup artist: Mc Grath (uncredited) | |
| Brian Wade | .... | makeup artist: living picture sequence (uncredited) | |
Directeur de production | |||
| Christopher DeFaria | .... | executive in charge of production | |
| Russ Kavanaugh | .... | post-production supervisor | |
| Gabriela Vázquez | .... | production manager (as Gabriela Vazquez) | |
Assistant réalisateur | |||
| Eric Brevig | .... | second unit director | |
| Katie Carroll | .... | second second assistant director | |
| Mark S. Constance | .... | second second assistant director: second unit | |
| David Hyman | .... | key second assistant director: second unit | |
| Terry Leonard | .... | second unit director | |
| Donald Murphy | .... | second assistant director: second unit | |
| Dodi Lee Rubenstein | .... | second second assistant director: second unit | |
| Chris Soldo | .... | first assistant director | |
| Eric Tignini | .... | second second assistant director | |
| David H. Venghaus Jr. | .... | second assistant director | |
Visual Effects | |||
| Jonathan Alvord | .... | Avid editor | |
| Bill Barr | .... | key grip: ILM (as William Barr) | |
| Jeffrey Benedict | .... | digital effects artist | |
| Scott Benza | .... | lead tarantula animator | |
| Steve Braggs | .... | computer graphics supervisor: ILM | |
| Eric Brevig | .... | visual effects supervisor | |
| Daniel Brimer | .... | visual effects coordinator: ILM | |
| Richard Brooks Burton | .... | camera technician: visual effects unit | |
| Kate Choi | .... | technical director | |
| Robbie Clot | .... | practical effects: ILM | |
| Grady Cofer | .... | sabre artist | |
| Brian Conlon | .... | digital artist: ILM | |
| Jay Cooper | .... | digital compositor | |
| Erin M. Cullen | .... | roto artist | |
| Matthew Davies | .... | CG technician | |
| Natasha Devaud | .... | digital artist | |
| David S. Dranitzke | .... | visual effects | |
| Edwin Dunkley | .... | editorial staff | |
| Vicki L. Engel | .... | visual effects associate producer | |
| Michael Fallavollita | .... | visual effects liaison | |
| Kelly Fischer | .... | digital paint and rotoscope artist: ILM | |
| Christian Foucher | .... | digital effects artist | |
| Debbie Fought | .... | digital artist: ILM (as Deborah Fought) | |
| David Fuhrer | .... | digital artist: ILM | |
| Shannon Blake Gans | .... | visual effects executive producer: Hunter/Gratzner Industries Inc. | |
| Tim Gibbons | .... | digital compositor | |
| Michael Gleason | .... | visual effects editor | |
| Matthew Gratzner | .... | prop designer and fabricator: Hunter/Gratzner Industries, Inc. | |
| Michael J. Halsted | .... | lead matchmove artist | |
| Craig Hammack | .... | lead research & development technical director | |
| Brian Hanable | .... | digital effects compositor | |
| John Helms | .... | sequence supervisor: ILM | |
| Wendy Hendrickson | .... | matchmove artist | |
| Geoff Heron | .... | practical effects supervisor: ILM | |
| Edward Hirsh | .... | visual effects co-supervisor | |
| Ivo Horvat | .... | matte painter: ILM | |
| Alex Jaeger | .... | visual effects art director: concept design/animatics, ILM | |
| Patrick Jarvis | .... | digital painter: ILM | |
| Jeanmarie King | .... | visual effects coordinator | |
| Karen Klein | .... | roto supervisor | |
| Heather Knight | .... | animator | |
| Vincent Lavares | .... | digital asset manager: Cinesite Hollywood | |
| Dan Levitan | .... | compositing supervisor | |
| Jacqueline M. Lopez | .... | visual effects producer | |
| Sean MacKenzie | .... | digital compositor | |
| Morris May | .... | digital compositor | |
| Dan McNamara | .... | editorial supervisor | |
| Ladd McPartland | .... | digital plate restoration: ILM | |
| Todd Mitchell | .... | film scanning operator: ILM | |
| Karen M. Murphy | .... | visual effects producer | |
| Julie Nelson | .... | animator | |
| Michael Olague | .... | visual effects gaffer | |
| Eric Pascarelli | .... | motion control camera operator | |
| Brian Pope | .... | digital artist | |
| Brian Ripley | .... | model maker: visual effects & props | |
| Jason Rosson | .... | digital effects artist: ILM | |
| Jeff Saltzman | .... | matchmove artist | |
| Candice Scott | .... | digital compositor: ILM | |
| Robert Sharman | .... | visual effects video assist operator | |
| Paul Sharpe | .... | digital artist | |
| M. Zachary Sherman | .... | digital artist | |
| Craig A. Simms | .... | digital compositor: ILM | |
| Tom St. Amand | .... | animator: ILM | |
| Christa Starr | .... | digital effects artist | |
| Marcus Stokes | .... | visual effects | |
| Katrina Stovold | .... | digital plate restoration: ILM | |
| Catherine Tate | .... | digital artist: ILM | |
| Chad Taylor | .... | Sabre artist: ILM | |
| Danny Gordon Taylor | .... | animation supervisor | |
| Doug Tubach | .... | digital compositor | |
| Trevor Tuttle | .... | model maker | |
| Michael Van Eps | .... | digital paint & rotoscope artist | |
| Talmage Watson | .... | matchmove artist | |
| Susan M. Weeks | .... | compositor | |
| R. Christopher White | .... | digital artist | |
| Ronnie E. Williams Jr. | .... | digital compositor | |
| Ka-Ping Yee | .... | software developer | |
| Elbert Yen | .... | digital texture artist: ILM | |
| Dean Yurke | .... | digital artist | |
| Heidi Zabit | .... | digital artist | |
| Jeff Zucker | .... | gaffer: visual effects unit | |
| Michael Cordova | .... | scanning and recording coordinator (uncredited) | |
| Marshall Richard Krasser | .... | digital compositor (uncredited) | |
| David Latour | .... | animator: ILM (uncredited) | |
| Mark Tait Lewis | .... | digital compositor (uncredited) | |
| Matt Linder | .... | digital artist (uncredited) | |
| Kevin May | .... | Sabre artist (uncredited) | |
| W. Regan McGee | .... | digital artist (uncredited) | |
| Aaron Muszalski | .... | digital rotoscope and paint artist: ILM (uncredited) | |
| Brian Sorbo | .... | digital compositor (uncredited) | |
| Matthew A. Ward | .... | art department intern: ILM (uncredited) | |
Departement Animation | |||
| David Latour | .... | animator | |
| Steve Nichols | .... | animator | |
Département Casting | |||
| Maryellen Aviano | .... | extras casting coordinator | |
| Alfonso Ribeiro | .... | extras casting: music video | |
| Jennifer Ricchiazzi | .... | casting assistant | |
Département Costume et garde-Robe | |||
| Fran Allgood | .... | key costumer | |
| Deborah Ambrosino | .... | specialty costume craftsperson: milliner | |
| Amy Arnold | .... | costumer | |
| Danielle Feller | .... | set costumer | |
| Mari Grimaud | .... | costume supervisor | |
| Laurie Hudson | .... | set costumer | |
| Brandt Huseby | .... | set costumer | |
| Barry Kellogg | .... | costumer | |
| Leigh Leverett | .... | set costumer | |
| David Le Vey | .... | assistant costume designer | |
| Joseph T. Mastrolia | .... | costumer | |
| David Page | .... | costumer: Mr. Kline | |
| Rebeka L. Roberts | .... | costume ager | |
| Dale Wibben | .... | cutter/fitter | |
| Kanani Wolf | .... | costumer (uncredited) | |
Dpartement Editorial | |||
| Ken Blackwell | .... | first assistant editor | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Mo Henry | .... | negative cutter | |
| Mike Koz | .... | assistant editor (as Michael Koz) | |
| John Lindseth | .... | assistant editor | |
| Marianne Urioste | .... | assistant editor | |
| Mary Viola | .... | post-production assistant | |
| Lynne Warr | .... | assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Département Musique | |||
| Emilie A. Bernstein | .... | orchestrator | |
| Peter Bernstein | .... | composer: additional score | |
| Kathy Durning | .... | music editor | |
| Jon Kull | .... | orchestrator | |
| John Rodd | .... | orchestral scoring recordist | |
| Patrick Russ | .... | orchestrator | |
| Warren Sherk | .... | additional orchestrator | |
| Steven L. Smith | .... | music preparation | |
| Dan Wallin | .... | score mixer | |
Rated PG-13 for action violence, sex references and innuendo.
106 min
Couleur (Technicolor)
1,85 : 1 suite
DTS | Dolby Digital | SDDS
Iceland:L | South Korea:12 | Brazil:12 | Argentina:Atp | Australia:M (South Australia) | Australia:PG | Finland:K-12 | France:U | Germany:12 (w) | Hong Kong:IIA | Netherlands:12 | New Zealand:PG | Peru:PT | Portugal:M/12 | Singapore:PG | Spain:T | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:12 | USA:PG-13 | Philippines:PG-13
Balboa Park - 6300 Balboa Boulevard, Van Nuys, Los Angeles, California, USA suite
The scene where Dr. Loveless' train is raised on four girders outside of the train tunnel was all done digitally. A real train was used when it was finally back on it's tracks and the girders going back inside the train, which was also done digitally. suite
Continuité: When West and Gordon are walking in the desert with the collars around their necks, the dirt on their clothing changes between shots. suite
Loveless Hentchman:
[Doing Karate moves] I learned that from a China man
Capt. James West:
[Kickes up a shovel and hits him in the face] I just made that up
suite
Parodies The Elephant Man (1980) suite
Bailamos suite
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Wow, there are a lot of bad votes for this movie here. I thought it was great. It's a Will Smith / Barry Sonnenfeld movie. You can't take it seriously. The humor is perfectly subtle and dry at times, and over the top at others. The storyline is only there to give opportunities for the jokes.
If you want a serious western, try The Magnificent Seven (or the original, 7 Samurai), Hombre, or some other classic. If you want a light-hearted evening, rent this. Probably don't buy it, but rent it.
For some reason it says that my review has to be more than 10 lines, so I'm throwing this in to make it work. Really a review for a movie like this doesn't need to be this long, but I guess I'll just comply.