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Vue d'ensemble
Note Générale:
Réalisateurs:
Scénaristes:
Eric Goldberg (story) (segments "Rhapsody in Blue" and "Carnival of the Animals, The")
Hans Christian Andersen (story) (segment "Piano Concerto #2")
suite
Date de sortie:
31 décembre 1999 (USA) suite
Intrigue:
An update of the original film with new interpretations of great works of classical music. full summary | add synopsis
Récompenses:
4 wins & 5 nominations suite
Avis des utilisateurs:
The Power Of Animation plus de (164 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| Leopold Stokowski | ... | Himself - Conductor (segment "The Sorcerer's Apprentice") (archive footage) | |
| Ralph Grierson | ... | Pianist (segment "Rhapsody in Blue") | |
| Kathleen Battle | ... | Featured Soprano (segment "Pomp and Circumstance") (voice) | |
| Steve Martin | ... | Himself - Introductory Host | |
| Itzhak Perlman | ... | Himself - Host (segment "Pines of Rome") | |
| Quincy Jones | ... | Himself - Host (segment "Rhapsody in Blue") | |
| Bette Midler | ... | Herself - Hostess (segment "Piano Concerto No. 2, Allegro, Opus 102") | |
| James Earl Jones | ... | Himself - Host (segment "Carnival of the Animals") | |
| Penn Jillette | ... | Himself (as Penn) | |
| Teller | ... | Himself - Host (segment "The Sorcerer's Apprentice") | |
| James Levine | ... | Himself - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra) | |
| Angela Lansbury | ... | Herself - Hostess (segment "Firebird Suite - 1919 Version") | |
| Wayne Allwine | ... | Mickey Mouse (segment "Pomp and Circumstance") (voice) | |
| Tony Anselmo | ... | Donald Duck (segment "Pomp and Circumstance") (voice) | |
| Russi Taylor | ... | Daisy Duck (segment "Pomp and Circumstance") (voice) |
Détails supplémentaires
Autre(s) titre(s):
Fantasia 2000 (Philippines: English title) (USA) (alternative spelling)
Fantasia '99 (USA) (working title)
Fantasia Continued (USA) (working title)
suite
Parents Guide:
Durée:
75 min
Pays:
Langue:
Couleur:
Rapport de forme:
1,44 : 1 suite
Son:
DTS | Dolby Digital | SDDS | IMAX 6-Track
Classification:
USA:G (certificate #36995) | Malaysia:U | South Korea:Tous | Brazil:Livre | Argentina:Atp | Chile:TE | Denmark:7 | Finland:K-6/4 | France:U | Germany:o.Al. (w) | Hong Kong:I | Mexico:A | Netherlands:AL | New Zealand:G | Norway:7 | Peru:PT | Spain:T | Switzerland:0 (canton of Geneva) | UK:U | Greece:K | Philippines:G
Société:
Curiosités
Anecdotes:
Although the whales in "Pines of Rome" were computer animated, their eyes were all hand-drawn. This was done because the software available to the studio at the time was not advanced enough to create convincing eyes with the expressiveness desired by the filmakers. This was not a problem by the time "The Steadfast Tin Soldier" went underway, and the CG characters for that segment have fully expressive features. suite
Goofs:
Révélant des erreurs: In "Rhapsody in Blue," after the young man starts drumming on another construction worker's head, the construction worker looks down at him angrily. As he moves away and up the steel structure drumming away, the angry construction worker is still looking down, but now there is no one there. suite
Guillemet:
Bette Middler: Hi. You may not know this, but over the years the Disney artists have cooked up dozens of ideas for new Fantasia segments. Some made it to the big screen this time, but others - lots of others - how can I put this politely?... didn't. suite
Connexions De Film:
Référencé sur The Last Days of Ki (2005) suite
Bande son:
Firebird Suite - 1919 Version suite
foire aux questions
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Liens liés
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Probably the best animation film I have ever seen. There are no dialogues and it is not really a feature film. It is an assimilation of 8 short stories. The stories are all beautiful, my favorite ones being the one on New York City, "Rhapsody in Blue", and the one on life, death and renewal, "Firebird Suite". The film is about everything beautiful in life; amazingly entertaining. Each score is given a brilliant visual concept. And the animation speaks so much more than 'real life' films or any dialogues could for that matter. Animation, though usually aimed at kids is probably much more necessary for us adults as we lose that sense of imagination, beauty and observation. Kids are so wonderfully innocent, imaginative and creative; everything that does matter to them has an animated feel to it anyway.