Continuing Deck 9’s prequel miniseries, Life is Strange: Before the Storm – Episode 2: Brave New World is the second instalment in Chloe and Rachel’s teen-drama origin story. The first episode, Before The Storm, wasn’t quite as “high stakes” as the original series, however, it was a very promising start that felt authentic and respectful to its critically lauded source material.
Deck 9 maintains its solid streak with another well-made piece of fan-service that helps add more context to the peculiar goings on in the small town of Arcadia Bay. At its core, this is another lovingly crafted piece to Life Is Strange’s rich and charming emotional mosaic. Its portrait of two young girls coming of age, while the world around them tries its darnedest to extinguish their spirits and dreams, is definitely one worth discovering.
To avoid too many spoilers, I’ll paint with broad brushstrokes when I...
Deck 9 maintains its solid streak with another well-made piece of fan-service that helps add more context to the peculiar goings on in the small town of Arcadia Bay. At its core, this is another lovingly crafted piece to Life Is Strange’s rich and charming emotional mosaic. Its portrait of two young girls coming of age, while the world around them tries its darnedest to extinguish their spirits and dreams, is definitely one worth discovering.
To avoid too many spoilers, I’ll paint with broad brushstrokes when I...
- 11/1/2017
- by Dylan Chaundy
- We Got This Covered
New film productions to celebrate 400 years of Shakespeare; The Hungry named Film London’s first UK-India co-production.
Film London has named Sir Kenneth Branagh as its patron for Shakespeare on Screen, a year-long programme that will form part of the celebrations marking the 400 years since the death of the revered playwright.
As well as supporting Film London’s work, Branagh is also set to participate in next year’s activity, with details set to be revealed next year.
Shakespeare on Screen will include a series of new productions celebrating the Bard’s legacy. These will include a feature film, two shorts from all-female filmmaking teams, three artists’ animations and a BBC Arena documentary examining Shakespeare’s screen legacy.
Some of these productions will be screened nationally as well as forming part of the British Council’s Shakespeare Lives programme, which will see a range of content toured internationally in partnership with the BFI.
Branagh, whose...
Film London has named Sir Kenneth Branagh as its patron for Shakespeare on Screen, a year-long programme that will form part of the celebrations marking the 400 years since the death of the revered playwright.
As well as supporting Film London’s work, Branagh is also set to participate in next year’s activity, with details set to be revealed next year.
Shakespeare on Screen will include a series of new productions celebrating the Bard’s legacy. These will include a feature film, two shorts from all-female filmmaking teams, three artists’ animations and a BBC Arena documentary examining Shakespeare’s screen legacy.
Some of these productions will be screened nationally as well as forming part of the British Council’s Shakespeare Lives programme, which will see a range of content toured internationally in partnership with the BFI.
Branagh, whose...
- 12/22/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Joss Whedon's California-set Much Ado, filmed in black and white over 12 days, is a charming and witty triumph
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There was a great fear in the 1960s and 70s that various respected directors who'd moved into making epics and blockbusters would be unable to return, even occasionally, to more modest productions. Some of them didn't, most notably David Lean. Some of them did, most impressively John Huston with Fat City, Wise Blood and The Dead. The same query was raised over Francis Ford Coppola and, more recently, hangs over Christopher Nolan. But the 49-year-old Joss Whedon has triumphantly answered the question.
After scripting Buffy the Vampire Slayer for TV and the first Toy Story for the cinema, Whedon rose fairly rapidly to direct The Avengers with a budget of $220m. His producers apparently insisted that between the long shooting schedule on...
Reading this on mobile? Click here to watch video
There was a great fear in the 1960s and 70s that various respected directors who'd moved into making epics and blockbusters would be unable to return, even occasionally, to more modest productions. Some of them didn't, most notably David Lean. Some of them did, most impressively John Huston with Fat City, Wise Blood and The Dead. The same query was raised over Francis Ford Coppola and, more recently, hangs over Christopher Nolan. But the 49-year-old Joss Whedon has triumphantly answered the question.
After scripting Buffy the Vampire Slayer for TV and the first Toy Story for the cinema, Whedon rose fairly rapidly to direct The Avengers with a budget of $220m. His producers apparently insisted that between the long shooting schedule on...
- 6/17/2013
- by Philip French
- The Guardian - Film News
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